The Beloved Mezzo

~ Release by Mahler, Elgar, Berlioz, Chausson, Schubert, Schumann, Bach, Handel; Janet Baker (see all versions of this release, 2 available)

Annotation

Packaged in a cardboard box, with 5 discs in individual cardboard sleeves.

Annotation last modified on 2026-03-18 08:35 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Alto Rhapsody, op. 53
producer:
Christopher Bishop (conductor/producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Alto Rhapsody, op. 53
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms11:58
2Wesendonck-Lieder, WWV 91: I. Der Engel
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:46
3Wesendonck-Lieder, WWV 91: II. Stehe still!
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:52
4Wesendonck-Lieder, WWV 91: III. Im Treibhaus
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:21
5Wesendonck-Lieder, WWV 91: IV. Schmerzen
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:57
6Wesendonck-Lieder, WWV 91: V. Träume
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:55
7Liebeshymnus, op. 32 no. 3
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Liebeshymnus, op. 32 no. 3
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer)
part of:
5 Lieder for voice and piano (op. 32; TrV 174)
Richard Strauss2:06
8Das Rosenband, op. 36 no. 1
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Das Rosenband, op. 36 no. 1 (for voice and orchestra)
lyricist:
Friedrich Gottlieb Klopstock
composer:
Richard Strauss (German composer) (from 1897 until 1898)
arrangement of:
Das Rosenband, op. 36 no. 1 (for voice and piano)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss3:33
9Ruhe, meine Seele, op. 27 no. 1
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ruhe, meine Seele, op. 27 no. 1
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
Richard Strauss4:36
10Muttertändelei, op. 43 no. 2
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Muttertändelei, op. 43 no. 2 (for voice and orchestra)
lyricist:
Gottfried August Bürger
composer:
Richard Strauss (German composer) (in 1899)
arranger:
Richard Strauss (German composer) (in 1900)
arrangement of:
Muttertändelei, op. 43 no. 2 (for voice and piano)
Richard Strauss2:22
11Sea Pictures, op. 37: I: Sea Slumber-Song
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (on 1965-08-30)
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar5:04
12Sea Pictures, op. 37: II. In Haven (Capri)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (on 1965-08-30)
lyricist:
Alice Elgar (English author, married to Edward Elgar)
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar2:06
13Sea Pictures, op. 37: III. A Sabbath Morning at Sea
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (on 1965-08-30)
lyricist:
Elizabeth Barrett Browning
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:20
14Sea Pictures, op. 37: IV. Where Corals Lie
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30)
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar4:11
15Sea Pictures, op. 37: V. The Swimmer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (on 1965-08-30)
lyricist:
Adam Lindsay Gordon
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:11
16The Dream of Gerontius, op. 38 no. 20: Softly and Gently
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals and mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar7:00
2▼CD
#TitleArtistRatingLength
1Les Nuits d'été, op. 7: I. Villanelle
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz2:22
2Les Nuits d'été, op. 7: II. Le spectre de la rose
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz7:54
3Les Nuits d'été, op. 7: III. Sur les lagunes
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz5:38
4Les Nuits d'été, op. 7: IV. Absence
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 4. Absence (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz5:28
5Les Nuits d'été, op. 7: V. Au cimetière
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz6:09
6Les Nuits d'été, op. 7: VI. L'île inconnue
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz4:02
7Shéhérazade: I. Asie
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Shéhérazade: I. Asie
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel9:52
8Shéhérazade: II. La flûte enchantée
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Shéhérazade: II. La Flûte enchantée
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:01
9Shéhérazade: III. L'indifférent
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Shéhérazade: III. L'Indifférent
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:47
10Poème de l'amour et de la mer, op. 19: I. La fleur des eaux
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-04-18 until 1977-04-21)
orchestra:
London Symphony Orchestra (from 1977-04-18 until 1977-04-21)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-04-18 until 1977-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-18 until 1977-04-21)
recording of:
Poème de l'amour et de la mer, op. 19: I. La fleur des eaux (from 1977-04-18 until 1977-04-21)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson11:27
11Poème de l'amour et de la mer, op. 19: II. Interlude
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1977-04-18 until 1977-04-21)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-04-18 until 1977-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-18 until 1977-04-21)
recording of:
Poème de l'amour et de la mer, op. 19: II. Interlude (from 1977-04-18 until 1977-04-21)
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson2:42
12Poème de l'amour et de la mer, op. 19: III. La mort de l'amour
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-04-18 until 1977-04-21)
orchestra:
London Symphony Orchestra (from 1977-04-18 until 1977-04-21)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-04-18 until 1977-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-18 until 1977-04-21)
recording of:
Poème de l'amour et de la mer, op. 19: III. La mort de l'amour (from 1977-04-18 until 1977-04-21)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson13:09
3▼CD
#TitleArtistRatingLength
1Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:01
2Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:11
3Kindertotenlieder: III. Wenn dein Mütterlein
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:21
4Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:09
5Kindertotenlieder: V. In diesem Wetter!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler7:44
6Funf Rückert-Lieder: I. Blicke mir nicht in die Lieder
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
Gustav Mahler1:38
7Funf Rückert-Lieder: II. Ich atmet’ einen linden Duft
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:42
8Funf Rückert-Lieder: IV. Um Mitternacht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: IV. Um Mitternacht (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler5:55
9Funf Rückert-Lieder: V. Liebst du um Schönheit
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: V. Liebst du um Schönheit (from 1969-07-17 until 1969-07-18)
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
Gustav Mahler2:27
10Funf Rückert-Lieder: III. Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:55
11Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:21
12Lieder eines fahrenden Gesellen: II. Ging heut Morgen übers Feld
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:43
13Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:35
14Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:07
15Funf Rückert-Lieder: III. Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (on 1967-05-04)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:58
16Symphony no. 2 in C minor, "Resurrection": IV. Urlicht. Sehr feierlich aber schlicht
producer:
David R. Murray
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1986-04-27 until 1986-06-01)
orchestra:
City of Birmingham Symphony Orchestra (from 1986-04-27 until 1986-06-01)
conductor:
Simon Rattle (conductor) (from 1986-04-27 until 1986-06-01)
balance engineer:
Michael Sheady (engineer) (from 1986-04-27 until 1986-06-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1986-04-27 until 1986-06-01)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (from 1986-04-27 until 1986-06-01)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
recording of:
Symphony no. 2 in C minor, "Resurrection": Urlicht: Sehr feierlich aber schlicht (Choralmässig)
version of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)
Gustav Mahler5:11
4▼CD
#TitleArtistRatingLength
1Messiah, HWV 56: He Was Despised
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
balance engineer:
Neville Boyling (engineer)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel12:42
2Ah! crudel nel pianto mio, HWV 78: Per trofei di mia costanza
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
George Frideric Handel7:47
3Armida Abbandonata (Dietro l'orme fugaci), HWV 105: Ah! crudel, e pur ten vai
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
George Frideric Handel7:02
4Ich habe genug, BWV 82: Schlummert ein, ihr matten Augen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
balance engineer:
Neville Boyling (engineer)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach9:54
5Weihnachtsoratorium, BWV 248: Bereite dich, Zion
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:10
6St. John Passion, BWV 245: Es ist vollbracht
producer:
Christopher Bishop (conductor/producer)
viola da gamba:
Jane Ryan (British classical viol player) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:39
7Bist du bei mir, BWV 508
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:58
8Come Again, Sweet Love Doth Now Invite
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:29
9Never Love Unlesse You Can
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Thomas Campion1:10
10Oft Have I Sigh'd for Him That Heares Me Not
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Oft Have I Sighed
lyricist and composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion2:36
11If Thou Long'st So Much to Learn
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
If thou long’st so much to learn
composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion1:52
12Faine Would I Wed a Faire Young Man
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Faine Would I Wed (The Fourth Booke of Ayres, no. 11)
composer:
Thomas Campion (English composer, poet & physician, 1567–1620) (in 1617)
Thomas Campion1:18
13Sleep, Adam, Z. 195
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Sleep, Adam, and Take Thy Rest, Z. 195
lyricist:
[anonymous] (special purpose artist)
composer:
Henry Purcell (Baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 195)
Henry Purcell1:54
14Lord, What Is Man?, Z. 192
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Lord, what is Man?, Z. 192
lyricist:
Dr. William Fuller
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 192)
Henry Purcell5:41
15Tell Me, Lovely Shepherd
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Solomon: Part I. "Tell me, lovely shepherd"
composer:
William Boyce (English baroque composer)
part of:
Solomon: Part I
William Boyce2:10
16My Lovely Celia
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor)
viola da gamba:
Ambrose Gauntlett
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
My Lovely Celia
composer:
George Munro (1680-1731)
George Munro2:25
17Where the Bee Sucks, There Lurk I
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
flute:
Douglas Whittaker (flautist)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor)
viola da gamba:
Ambrose Gauntlett
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Where the Bee Sucks
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Arne (composer)
Thomas Arne1:51
5▼CD
#TitleArtistRatingLength
1Gretchen am Spinnrade, D. 118
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gerald Moore (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Gretchen am Spinnrade, D. 118
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:40
2Ellens Gesang III ("Ave Maria"), D. 839
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gerald Moore (pianist)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert6:49
3Heidenröslein, D. 257
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (from 1980-04 until 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1980-04 until 1980-12)
balance engineer:
Neville Boyling (engineer)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (from 1980-04 until 1980-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:51
4An die Musik, D. 547
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
An die Musik, D. 547 (original, for solo voice and piano)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:46
5Die Forelle, D. 550
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Die Forelle, D. 550 (The Trout, D. 550)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:00
6Auf dem Wasser zu singen, D. 774
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Auf dem Wasser zu singen, D. 774
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert (composer) (until 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
Franz Schubert3:18
7Du bist die Ruh, D. 776
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Du bist die Ruh’, D. 776
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)
Franz Schubert4:32
8Nacht und Träume, D. 827
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Nacht und Träume, D. 827
lyricist:
Matthäus von Collin
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 827)
Franz Schubert4:32
9Gesang, D. 891
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
An Sylvia, D. 891 (for voice and piano)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert3:01
10Frauenliebe und -leben, op. 42: I. Seit ich ihn gesehen
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 1. Seit ich ihn gesehen
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:30
11Frauenliebe und -leben, op. 42: II. Er, der Herrlichste von allen
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 2. Er, der Herrlichste von allen
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann3:10
12Frauenliebe und -leben, op. 42: III. Ich kann's nicht fassen, nicht glauben
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 3. Ich kann's nicht fassen, nicht glauben
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:52
13Frauenliebe und -leben, op. 42: IV. Du Ring an meinem Finger
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 4. Du Ring an meinem Finger
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:50
14Frauenliebe und -leben, op. 42: V. Helft mir, ihr Schwestern
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 5. Helft mir, ihr Schwestern
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:02
15Frauenliebe und -leben, op. 42: VI. Süßer Freund, du blickest mich verwundert an
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 6. Süßer Freund, du blickest
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann5:09
16Frauenliebe und -leben, op. 42: VII. An meinem Herzen, an meiner Brust
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 7. An meinem Herzen, an meiner Brust
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:25
17Frauenliebe und -leben, op. 42: VIII. Nun hast du mir den ersten Schmerz getan
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 8. Nun hast du mir den ersten Schmerz getan
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann4:13
18Neue Liebe, op. 19a no. 4
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Neue Liebe, op. 19a no. 4 (in 1980-12)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 70)
part of:
6 Gesänge, op. 19a
Felix Mendelssohn2:21
19Auf Flügeln des Gesanges, op. 34 no. 2
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano) (in 1980-12)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer) (in 1836)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 86)
part of:
6 Gesänge, op. 34
Felix Mendelssohn3:17
20Nachtlied, op. 71 no. 6
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Nachtlied, op. 71 no. 6 (in 1980-12)
lyricist:
Joseph von Eichendorff
composer:
Felix Mendelssohn (composer) (in 1847)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 125)
part of:
6 Lieder, op. 71
Felix Mendelssohn4:17
21Die Lorelei, S. 273
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
Franz Liszt7:28
22Über allen gipfeln ist Ruh', S. 306
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (from 1979-06 until 1980-04)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1979-06 until 1980-04)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-06 until 1980-04)
recording of:
Über allen Gipfeln ist Ruh, S. 306 (unspecified version) (from 1979-06 until 1980-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
Franz Liszt3:14