The Beloved Mezzo

~ Veröffentlichung von Mahler, Elgar, Berlioz, Chausson, Schubert, Schumann, Bach, Handel; Janet Baker (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Packaged in a cardboard box, with 5 discs in individual cardboard sleeves.

Anmerkung zuletzt geändert am 2026-03-18 08:35 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Alto Rhapsody, op. 53
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
The John Alldis Choir
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Alto Rhapsody, op. 53
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Johannes Brahms (German composer) (in 1869)
gewidmet:
Julie Schumann
Premiere bei:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
Teil von:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (Nummer: op. 53)
Johannes Brahms11:58
2Wesendonck-Lieder, WWV 91: I. Der Engel
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl)
Orchestrator(in):
Felix Mottl
Texter:
Mathilde Wesendonck
Komponist(in):
Richard Wagner (composer)
Version von:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
Teil von:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:46
3Wesendonck-Lieder, WWV 91: II. Stehe still!
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl)
Orchestrator(in):
Felix Mottl
Texter:
Mathilde Wesendonck
Komponist(in):
Richard Wagner (composer)
Version von:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
Teil von:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:52
4Wesendonck-Lieder, WWV 91: III. Im Treibhaus
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl)
Orchestrator(in):
Felix Mottl
Texter:
Mathilde Wesendonck
Komponist(in):
Richard Wagner (composer)
Arrangement von:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
Teil von:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:21
5Wesendonck-Lieder, WWV 91: IV. Schmerzen
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl)
Orchestrator(in):
Felix Mottl
Texter:
Mathilde Wesendonck
Komponist(in):
Richard Wagner (composer)
Version von:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
Teil von:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:57
6Wesendonck-Lieder, WWV 91: V. Träume
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner)
Orchestrator(in) und Komponist(in):
Richard Wagner (composer)
Texter:
Mathilde Wesendonck
Arrangement von:
Wesendonck-Lieder: V. Träume (for voice and piano)
basiert auf:
Träume, WWV 91b (for violin and orchestra)
Teil von:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:55
7Liebeshymnus, op. 32 no. 3
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Liebeshymnus, op. 32 no. 3
Texter:
Karl Friedrich Henckell
Komponist(in):
Richard Strauss (German composer)
Teil von:
5 Lieder for voice and piano (op. 32; TrV 174)
Richard Strauss2:06
8Das Rosenband, op. 36 no. 1
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Das Rosenband, op. 36 no. 1 (for voice and orchestra)
Texter:
Friedrich Gottlieb Klopstock
Komponist(in):
Richard Strauss (German composer) (von 1897 bis 1898)
Arrangement von:
Das Rosenband, op. 36 no. 1 (for voice and piano)
Teil von:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss3:33
9Ruhe, meine Seele, op. 27 no. 1
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ruhe, meine Seele, op. 27 no. 1
Texter:
Karl Friedrich Henckell
Komponist(in):
Richard Strauss (German composer) (in 1894)
Teil von:
4 Lieder, op. 27
Richard Strauss4:36
10Muttertändelei, op. 43 no. 2
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Muttertändelei, op. 43 no. 2 (for voice and orchestra)
Texter:
Gottfried August Bürger
Komponist(in):
Richard Strauss (German composer) (in 1899)
arranger:
Richard Strauss (German composer) (in 1900)
Arrangement von:
Muttertändelei, op. 43 no. 2 (for voice and piano)
Richard Strauss2:22
11Sea Pictures, op. 37: I: Sea Slumber-Song
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (am 1965-08-30)
Texter:
Roden Noel
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar5:04
12Sea Pictures, op. 37: II. In Haven (Capri)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (am 1965-08-30)
Texter:
Alice Elgar (English author, married to Edward Elgar)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar2:06
13Sea Pictures, op. 37: III. A Sabbath Morning at Sea
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (am 1965-08-30)
Texter:
Elizabeth Barrett Browning
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar6:20
14Sea Pictures, op. 37: IV. Where Corals Lie
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (am 1965-08-30)
Texter:
Richard Garnett
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar4:11
15Sea Pictures, op. 37: V. The Swimmer
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (am 1965-08-30)
Texter:
Adam Lindsay Gordon
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar6:11
16The Dream of Gerontius, op. 38 no. 20: Softly and Gently
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1964-12-27 bis 1964-12-30), Hallé Choir (von 1964-12-27 bis 1964-12-30) und Sheffield Philharmonic Chorus (von 1964-12-27 bis 1964-12-30)
Mezzosoprangesang und Mezzosoprangesang [Angel]:
Janet Baker (mezzo‐soprano and alto) (von 1964-12-27 bis 1964-12-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
Hallé Orchestra (von 1964-12-27 bis 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-12-27 bis 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (von 1964-12-27 bis 1964-12-30) und John McCarthy (British choral conductor, scholar, composer and arranger) (von 1964-12-27 bis 1964-12-30)
Tonmeister(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (von 1964-12-27 bis 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (von 1964-12-27 bis 1964-12-30)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar7:00
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