Now That’s What I Call Music! 1988: The Millennium Series

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1A Groovy Kind of Love
engineer:
Steve Chase
producer:
Phil Collins (of Genesis) and Anne Dudley (English score composer)
drums (drum set), keyboard and lead vocals:
Phil Collins (of Genesis)
conductor:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
cover recording of:
A Groovy Kind of Love
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Phil Collins43:30
2He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Hollies4.24:17
3Circle in the Sand
producer:
Rick Nowels
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
writer:
Rick Nowels and Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) and Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:40
4Don’t Turn Around
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad2.53:18
5I Found Someone
producer:
Michael Bolton
bass:
Will Lee (US jazz/rock bassist)
drums (drum set) [drums]:
Chris Parker (American drummer)
guitar:
Steve Lukather and John McCurry
phonographic copyright (℗) by:
MBO Productions, Inc.
cover recording of:
I Found Someone
writer:
Michael Bolton and Mark Mangold
publisher:
EMI Blackwood Music Inc. and Is Hot Music Ltd.
Cher3.853:42
6Need You Tonight
assistant engineer:
Paula Jones (Australian audio engineer, producer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain and Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
music videos:
Need You Tonight (music video) by INXS
part of:
triple j’s Hottest 100 of Australian Songs (number: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 16) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 114)
recording of:
Need You Tonight
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) and Chardonnay Investments Ltd. (in 1987)
INXS4.153:03
7Angel of Harlem
recording engineer:
Jack Clement and David Ferguson (Nashville artist, sound engineer)
assistant engineer:
Randy Wine
producer:
Jimmy Iovine
mixer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette) and Shelly Yakus
guest horn:
The Memphis Horns
organ:
Joey Miskulin
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
recording of:
Angel of Harlem
lyricist:
Bono (singer of U2)
composer:
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
U23.93:49
8Somewhere Down the Crazy River
engineer:
Jim Scott (US recording engineer and producer)
associate producer:
Jim Scott (US recording engineer and producer)
producer:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) and Robbie Robertson
mixer:
Bob Clearmountain
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set) [drums]:
Manu Katché
guitar:
Bill Dillon and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
omnichord:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
background vocals:
Robbie Robertson and Sammy BoDean
lead vocals [vocal]:
Robbie Robertson
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
recording of:
Somewhere Down the Crazy River
lyricist and composer:
Robbie Robertson
publisher:
Medicine Hat Music and SBK Songs (publisher)
Robbie Robertson4.54:55
9Kiss
producer:
Art of Noise
performer:
Tom Jones (Welsh pop singer)
cover recording of:
Kiss
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones4:09
10Don’t Go
recording of:
Don’t Go
writer:
Fiachna Ó Braonáin, Liam Ó Maonlaí and Peter O’Toole (bassist and mandolinist)
Hothouse Flowers3:29
11Harvest for the World
producer:
S. & M. Young (Martyn Young & Steven Young)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
music videos:
Harvest for the World by The Christians
cover recording of:
Harvest for the World
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
The Christians3:58
12Rush Hour
producer:
Stephen Hague
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
writer:
Peter Rafelson and Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. and Universal Music–MGB Songs
Jane Wiedlin4:00
13Mary’s Prayer
producer:
Dave Bascombe
performer:
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom and Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:48
14I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
15Get Outta My Dreams, Get Into My Car
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
edit of:
Get Outta My Dreams, Get Into My Car by Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd and Zomba Music Publishing Ltd.
Billy Ocean2.354:44
16Gimme Hope Jo’anna
engineer:
Glen Johansen (singer-songwriter, producer, engineer)
producer:
Eddy Grant
recorded at:
Blue Wave Studios in Barbados
recording of:
Gimme Hope Jo’anna
lyricist and composer:
Eddy Grant
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenheart Music, Intersong (publisher) and Warner/Chappell (Warner/Chappell Music, Inc.)
is based on:
Apunta't al Cepitu
Eddy Grant4.53:47
17These Dreams
engineer and producer:
Ron Nevison
arranger:
Ron Nevison
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recording of:
These Dreams
writer:
Martin Page and Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (from 1984 to ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (from 1984 to ????), Intersong U.S.A. (publisher) (from 1984 to present) and Little Mole Music (from 1984 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart43:47
18Martha’s Harbour
engineer:
Tony Phillips (engineer, mix, remix credits)
producer:
Paul Samwell-Smith
guitar:
Tim Bricheno (in 1987)
vocals:
Julianne Regan (in 1987)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988)
recorded at:
Ridge Farm in Dorking, Surrey, England, United Kingdom (in 1987) and The Manor in Oxfordshire, England, United Kingdom (in 1987)
part of:
The Downloader’s Music Source Book (number: 369)
recording of:
Martha’s Harbour (in 1987)
writer:
Tim Bricheno, Andy Cousin and Julianne Regan
publisher:
BMG Music Publishing Ltd.
All About Eve3.53:09
2▼CD
#TitleArtistRatingLength
1Heart
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
recording of:
Heart
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd. and Cage Music Ltd.
Pet Shop Boys4:18
2A Little Respect
engineer:
Bob Kraushaar
producer:
Stephen Hague
recording of:
A Little Respect
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony/ATV Music Publishing
Erasure43:29
3The Race
producer:
Yello (Swiss electronica duo)
recording of:
The Race
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) and Warner Chappell
Yello3.653:19
4The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.654:01
5Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack and Womack33:50
6Come Into My Life
recording of:
Come Into My Life
lyricist and composer:
Joyce Sims
publisher:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos and Tawanne Lamont Music
Joyce Sims33:48
7Buffalo Stance
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry3.54:08
8Big Fun
engineer and producer:
Kevin Saunderson
vocals:
Paris Grey
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988, in 1989)
recorded at:
KMS Studios in Detroit, Michigan, United States
recording of:
Big Fun
writer:
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) and Kevin Saunderson
publisher:
Drive On Publishing and Renaissance Infinity Music
Inner City23:25
9I Want You Back
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:45
10You Came
programming and producer:
Tony Swain (songwriter, producer) and Ricky Wilde
engineer:
James Richards (engineer)
mixer:
Richard Lengyel
guitar:
Steve Byrd and Ricky Wilde
keyboard:
Tony Swain (songwriter, producer) and Ricky Wilde
background vocals:
Junior Giscombe (Norman Washington Giscombe, Jr.) and Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (Bigbeat, House label)
recorded at and mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom
edit of:
You Came by Kim Wilde
recording of:
You Came
writer:
Kim Wilde and Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:29
11I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:47
12Who’s Leaving Who
recording of:
Who's Leaving Who
writer:
Mark Spiro and Jack White (German producer Horst Nußbaum)
Hazell Dean3:44
13Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
14Turn Back the Clock
recording of:
Turn Back the Clock
lyricist and composer:
Clark Datchler
strings arranger:
Anne Dudley (English score composer)
Johnny Hates Jazz34:30
15Wild World
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Maxi Priest3.53:35
16Don’t Worry Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.73:54
17Happy Ever After
recording of:
Happy Ever After
lyricist and composer:
Julia Fordham
Julia Fordham53:44
18First Time
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1988) and The Coca-Cola Company (in 1988)
music videos:
First Time ("concept" version) by Robin Beck and First Time (band version) by Robin Beck
recording of:
First Time
lyricist:
Tom Anthony (wrote "First Time") and Terry Boyle
composer:
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Music Publishing Scandinavia AB
Robin Beck33:17

Credits

Release group

part of:Now That’s What I Call Music! The Millennium Series (UK) (number: 1988) (order: 9)