Now That’s What I Call Music! 1988: The Millennium Series

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1A Groovy Kind of Love
Techniker(in):
Steve Chase
Produzent(in):
Phil Collins (of Genesis) und Anne Dudley (English score composer)
Keyboard, Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
cover recording of:
A Groovy Kind of Love
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Phil Collins43:30
2He Ain’t Heavy, He’s My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Hollies4.24:17
3Circle in the Sand
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:40
4Don’t Turn Around
cover recording of:
Don’t Turn Around
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs und Warner Chappell
Aswad2.53:18
5I Found Someone
Produzent(in):
Michael Bolton
Bass:
Will Lee (US jazz/rock bassist)
Gitarre:
Steve Lukather und John McCurry
Schlagzeug [drums]:
Chris Parker (American drummer)
phonographisches Urheberrecht (℗) von:
MBO Productions, Inc.
cover recording of:
I Found Someone
Verfasser(in):
Michael Bolton und Mark Mangold
publisher:
EMI Blackwood Music Inc. und Is Hot Music Ltd.
Cher3.853:42
6Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:03
7Angel of Harlem
recording engineer:
Jack Clement und David Ferguson (Nashville artist, sound engineer)
assistierende(r) Techniker(in):
Randy Wine
Produzent(in):
Jimmy Iovine
Mix:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette) und Shelly Yakus
Gast-Horn:
The Memphis Horns
Orgel:
Joey Miskulin
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
recording of:
Angel of Harlem
Texter:
Bono (singer of U2)
Komponist(in):
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. und Taiyo Music Inc.
U23.93:49
8Somewhere Down the Crazy River
Techniker(in):
Jim Scott (US recording engineer and producer)
Partner-Produzent(in):
Jim Scott (US recording engineer and producer)
Produzent(in):
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Robbie Robertson
Mix:
Bob Clearmountain
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman Stick)
Gitarre:
Bill Dillon und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Omnichord:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Schlagzeug [drums]:
Manu Katché
Hintergrundgesang:
Robbie Robertson und Sammy BoDean
Sologesang [vocal]:
Robbie Robertson
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
recording of:
Somewhere Down the Crazy River
Texter und Komponist(in):
Robbie Robertson
publisher:
Medicine Hat Music und SBK Songs (publisher)
Robbie Robertson4.54:55
9Kiss
Produzent(in):
Art of Noise
Interpret(in):
Tom Jones (Welsh pop singer)
cover recording of:
Kiss
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones4:09
10Don’t Go
recording of:
Don’t Go
Verfasser(in):
Fiachna Ó Braonáin, Liam Ó Maonlaí und Peter O’Toole (bassist and mandolinist)
Hothouse Flowers3:29
11Harvest for the World
Produzent(in):
S. & M. Young (Martyn Young & Steven Young)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
Musikvideos:
Harvest for the World von The Christians
cover recording of:
Harvest for the World
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
The Christians3:58
12Rush Hour
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
Verfasser(in):
Peter Rafelson und Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. und Universal Music–MGB Songs
Jane Wiedlin4:00
13Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:48
14I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
15Get Outta My Dreams, Get Into My Car
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
Bearbeitung von:
Get Outta My Dreams, Get Into My Car von Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd und Zomba Music Publishing Ltd.
Billy Ocean2.354:44
16Gimme Hope Jo’anna
Techniker(in):
Glen Johansen (singer-songwriter, producer, engineer)
Produzent(in):
Eddy Grant
aufgenommen bei:
Blue Wave Studios in Barbados
recording of:
Gimme Hope Jo’anna
Texter und Komponist(in):
Eddy Grant
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenheart Music, Intersong (publisher) und Warner/Chappell (Warner/Chappell Music, Inc.)
basiert auf:
Apunta't al Cepitu
Eddy Grant4.53:47
17These Dreams
Techniker(in) und Produzent(in):
Ron Nevison
arranger:
Ron Nevison
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recording of:
These Dreams
Verfasser(in):
Martin Page und Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (vom 1984 bis ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (vom 1984 bis ????), Intersong U.S.A. (publisher) (vom 1984 bis heute) und Little Mole Music (vom 1984 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart43:47
18Martha’s Harbour
Techniker(in):
Tony Phillips (engineer, mix, remix credits)
Produzent(in):
Paul Samwell-Smith
Gitarre:
Tim Bricheno (in 1987)
vocals:
Julianne Regan (in 1987)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988)
aufgenommen bei:
Ridge Farm in Dorking, Surrey, England, Vereinigtes Königreich (in 1987) und The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1987)
Teil von:
The Downloader’s Music Source Book (Nummer: 369)
recording of:
Martha’s Harbour (in 1987)
Verfasser(in):
Tim Bricheno, Andy Cousin und Julianne Regan
publisher:
BMG Music Publishing Ltd.
All About Eve3.53:09
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Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! The Millennium Series (UK) (Nummer: 1988) (Reihenfolge: 9)