Les Années New Wave

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.14:05
2Video Killed the Radio Star
Produzent(in):
The Buggles
E-Gitarre und Sologesang:
Trevor Horn (in 1979)
Keyboard:
Geoff Downes (in 1979)
Chorgesang:
Debi Doss (photographer and singer, Kinks) (in 1979) und Linda Jardim (in 1979)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes, Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:29
3Electricity
Techniker(in):
Paul Collister
Produzent(in):
Paul Collister und Orchestral Manoeuvres in the Dark
aufgenommen bei:
Henry’s Studio in Liverpool, Merseyside, England, Vereinigtes Königreich
recording of:
Electricity
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Dinsong Music, EMI/Virgin Music Publishing Ltd. und VC II
Orchestral Manoeuvres in the Dark3:33
4Nowhere Girl
recording of:
Nowhere Girl
Verfasser(in):
Rick Holliday und Steve Hovington
B‐Movie3:47
5I'm in Love With a German Film Star
Produzent(in):
Peter Wilson (UK Producer)
Bass:
David Agar
Gitarre:
Barbara Gogan und Clive Timperley
Schlagzeug:
Richard Williams (UK drummer for The Passions)
vocals:
Barbara Gogan und Clive Timperley
recording of:
I’m in Love With a German Film Star
Texter:
Barbara Gogan
Komponist(in):
David Agar, Clive Timperley, David Wardill und Richard Williams (UK drummer for The Passions)
publisher:
America Eaton
The Passions44:04
6Doot Doot
Produzent(in):
Alex Burak (Engineer, producer and bassist) und Freur
Mix:
John Hudson (producer, recording and mixing engineer)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
Doot Doot
Verfasser(in):
Karl Hyde, Rick Smith (electronic producer, member of Underworld) und Alfie Thomas
publisher:
Curly Music Ltd. (publisher), EMI Songs Ltd. und Point Music Ltd. (in 1983)
Freur3:48
7I Don't Like Mondays
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats4.53:51
8Pop Muzik
recording of:
Pop Muzik
Texter und Komponist(in):
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited und Union Square Music Publishing Ltd.
M3:23
9Da Da Da
Techniker(in):
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
Produzent(in):
Klaus Voormann (in 1982-01)
E-Bass:
Klaus Voormann (in 1982-01)
E-Gitarre:
Kralle Krawinkel (in 1982-01)
Kastagnetten:
Hans‐Joachim Behrendt (in 1982-01)
Keyboard:
Stephan Remmler (in 1982-01)
Schlagzeug:
Peter Behrens (in 1982-01)
Hintergrundgesang:
Annette Humpe (in 1982-01)
Sologesang:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Deutschland (in 1982-01) und Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz (in 1982-01)
Bearbeitung von:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha von Trio (80s German band)
Musikvideos:
Da Da Da (I Don't Love You) von Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
Texter und Komponist(in):
Kralle (in 1981) und Stephan Remmler (in 1981)
Übersetzer:
Kralle und Stephan Remmler
publisher:
Just Us Music Production GmbH
übersetzte Version von:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:27
10Johnny & Mary
Techniker(in) und Mix:
Alex Sadkin
Produzent(in):
Robert Palmer (English singer‐songwriter)
recording of:
Johnny and Mary
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) und Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.54:04
11It's My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:57
12Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:26
13Original Sin
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Nile Rodgers
E-Bass [bass]:
Garry Gary Beers
Gitarre:
Andrew Farriss (in band INXS), Tim Farriss und Kirk Pengilly
Keyboard:
Andrew Farriss (in band INXS)
Saxophon:
Kirk Pengilly
Schlagzeug:
Jon Farriss
Hintergrundgesang:
Daryl Hall
Sologesang:
Michael Hutchence
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Original Sin
Verfasser(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Group
INXS3.655:21
14I Could Be Happy
recording of:
I Could Be Happy
Texter und Komponist(in):
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone und Jim McKinven
Altered Images53:36
15Like an Animal
The Glove4:50
16Living on the Ceiling
Produzent(in):
Mike Howlett
Sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) und Dennis Weinreich
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
Verfasser(in):
Neil Arthur (singer, songwriter, producer) und Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange54:04
17P-Machinery
recording of:
p:Machinery
sonstige Unterstützung:
David Sylvian
Texter:
Ralf Dörper
Komponist(in):
Claudia Brücken, Ralf Dörper, Susanne Freytag und Michael Mertens (German musician & producer)
Propaganda3:55
18Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56

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