Les Années New Wave

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.14:05
2Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:29
3Electricity
engineer:
Paul Collister
producer:
Paul Collister and Orchestral Manoeuvres in the Dark
recorded at:
Henry’s Studio in Liverpool, Merseyside, England, United Kingdom
recording of:
Electricity
writer:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
publisher:
Dinsong Music, EMI/Virgin Music Publishing Ltd. and VC II
Orchestral Manoeuvres in the Dark3:33
4Nowhere Girl
recording of:
Nowhere Girl
writer:
Rick Holliday and Steve Hovington
B‐Movie3:47
5I'm in Love With a German Film Star
producer:
Peter Wilson (UK Producer)
bass:
David Agar
drums (drum set):
Richard Williams (UK drummer for The Passions)
guitar:
Barbara Gogan and Clive Timperley
vocals:
Barbara Gogan and Clive Timperley
recording of:
I’m in Love With a German Film Star
lyricist:
Barbara Gogan
composer:
David Agar, Clive Timperley, David Wardill and Richard Williams (UK drummer for The Passions)
publisher:
America Eaton
The Passions44:04
6Doot Doot
producer:
Alex Burak (Engineer, producer and bassist) and Freur
mixer:
John Hudson (producer, recording and mixing engineer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
Doot Doot
writer:
Karl Hyde, Rick Smith (electronic producer, member of Underworld) and Alfie Thomas
publisher:
Curly Music Ltd. (publisher), EMI Songs Ltd. and Point Music Ltd. (in 1983)
Freur3:48
7I Don't Like Mondays
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats4.53:51
8Pop Muzik
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited and Union Square Music Publishing Ltd.
M3:23
9Da Da Da
engineer:
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
producer:
Klaus Voormann (in 1982-01)
castanets:
Hans‐Joachim Behrendt (in 1982-01)
drums (drum set):
Peter Behrens (in 1982-01)
electric bass guitar:
Klaus Voormann (in 1982-01)
electric guitar:
Kralle Krawinkel (in 1982-01)
keyboard:
Stephan Remmler (in 1982-01)
background vocals:
Annette Humpe (in 1982-01)
lead vocals:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Germany (in 1982-01) and Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland (in 1982-01)
edit of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha by Trio (80s German band)
music videos:
Da Da Da (I Don't Love You) by Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
lyricist and composer:
Kralle (in 1981) and Stephan Remmler (in 1981)
translator:
Kralle and Stephan Remmler
publisher:
Just Us Music Production GmbH
translated version of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:27
10Johnny & Mary
engineer and mixer:
Alex Sadkin
producer:
Robert Palmer (English singer‐songwriter)
recording of:
Johnny and Mary
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) and Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.54:04
11It's My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:57
12Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:26
13Original Sin
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
drums (drum set):
Jon Farriss
electric bass guitar [bass]:
Garry Gary Beers
guitar:
Andrew Farriss (in band INXS), Tim Farriss and Kirk Pengilly
keyboard:
Andrew Farriss (in band INXS)
saxophone:
Kirk Pengilly
background vocals:
Daryl Hall
lead vocals:
Michael Hutchence
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Original Sin
writer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Group
INXS3.655:21
14I Could Be Happy
recording of:
I Could Be Happy
lyricist and composer:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone and Jim McKinven
Altered Images53:36
15Like an Animal
The Glove4:50
16Living on the Ceiling
producer:
Mike Howlett
sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) and Dennis Weinreich
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
writer:
Neil Arthur (singer, songwriter, producer) and Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange54:04
17P-Machinery
recording of:
p:Machinery
miscellaneous support:
David Sylvian
lyricist:
Ralf Dörper
composer:
Claudia Brücken, Ralf Dörper, Susanne Freytag and Michael Mertens (German musician & producer)
Propaganda3:55
18Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56