Collection Box Set Volume 1 (Special Limited Edition 9 CD Box Set)

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

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1CD: Cole Espanol (1958) / More Cole Espanol (1962)
#TitleRatingLength
1Cachito
bass:
Joe Comfort (on 1958-06-09)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-06-09)
guitar:
John Collins (US jazz guitarist) (on 1958-06-09), Charles Gonzales (guitarist, Armando Romeu's orchestra) (on 1958-06-09), Fred Hernandez (guitarist, Armando Romeu's orchestra) (on 1958-06-09) and Joe Nieto (on 1958-06-09)
percussion:
Chico Guerrero (on 1958-06-09), Joe Guerrero (on 1958-06-09), Armando Mesa (on 1958-06-09) and Carlos Vidal (Cuban percussionist) (on 1958-06-09)
piano:
René Touzet (Cuban-born American composer, pianist and bandleader) (on 1958-06-09)
trumpet:
Manny Klein (on 1958-06-09), Rudy Loera (on 1958-06-09), Henry Miranda (on 1958-06-09) and Alberto Rojo (on 1958-06-09)
vocals:
Nat King Cole (on 1958-06-09)
conductor:
Armando Romeu, Jr.
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-06-09)
cover recording of:
Cachito (on 1958-06-09)
lyricist and composer:
Consuelo Velázquez (in 1957)
2:50
2Maria Elena
background vocals [chorus vocals]:
The Facundo Rivero Four (on 1958-02-17)
vocals:
Nat King Cole (on 1958-02-17)
orchestra:
Orquesta Cubana de Música Moderna (on 1958-02-17)
cover recording of:
Maria Elena (Spanish original) (on 1958-02-17)
lyricist and composer:
Lorenzo Barcelata
2:42
3Quizás, Quizás, Quizás (Perhaps, Perhaps, Perhaps)
background vocals [chorus vocal]:
The Facundo Rivero Four (on 1958-02-20)
vocals:
Nat King Cole (on 1958-02-20)
orchestra:
Orquesta Cubana de Música Moderna (on 1958-02-20)
recorded at:
Panart Studios in La Habana (Havana), Cuba (on 1958-02-20)
cover recording of:
Quizás, quizás, quizás (on 1958-02-20)
lyricist and composer:
Osvaldo Farrés
publisher:
Peer International Corporation (BMI)
42:46
4Las Mañanitas (With Mariachis)
2:58
5Acércate Más (Come Closer To Me)
cover recording of:
Come Closer to Me (Acércate más) (in 1958)
composer:
Osvaldo Farrés
translator:
Al Stewart (songwriter known for translating Spanish songs in English.)
publisher:
Peer International Corporation (BMI)
arrangement of:
Acércate Más
2:49
6El Bodeguero (Grocer's Cha-Cha)
recording of:
El bodeguero (in 1958)
writer:
Richard Egües (Cuban flute player)
32:24
7Arrivederci Roma
2:46
8Noche de ronda
recording of:
Noche de ronda (in 1958)
lyricist and composer:
María Teresa Lara
2:34
9Tu, Me Delirio
2:36
10Te Quiero, Dijiste (Magic Is The Moonlight)
recording of:
Te quiero dijiste (Magic Is the Moonlight, aka "Muñequita Linda", "Mucho, mucho, mucho") (in 1958)
lyricist and composer:
María Grever
2:41
11Adelita (With Mariachis)
recording of:
Adelita (in 1958)
lyricist and composer:
[traditional] (special purpose artist)
2:10
12La Feria De Las Flores
cover recording of:
La feria de las flores (mariachi) (in 1962-03)
lyricist and composer:
Jesus Monge Ramirez (Mexican composer. aka Jesús Monge Ramírez)
1:49
13Tres Palabras (Without You)
recording of:
Tres palabras (Without You) (in 1962-03)
lyricist and composer:
Osvaldo Farrés
2:07
14Las Chiapaneces (While There's Music Ther's Romance)
recording of:
Las Chiapanecas (in 1962-03)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Concord Music Publishing LLC
2:35
15Adios Mariquita Linda (Adios and Farewell, My Lover)
recording of:
Adiós mariquita linda (in 1962-03)
lyricist and composer:
Marcos Augusto Jiménez Sotelo (Mexican composer, musician)
2:53
16Aqui Se Habla En "Amor" (Love Is Spoken Here)
2:02
17Vaya Con Dios (May God Be With You)
recording of:
Vaya con Dios (original) (in 1962-03)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
2:32
18Las Golondrina (The Swallow)
recording of:
La golondrina (in 1962-03)
lyricist:
Niceto de Zamacois
composer:
Basil Poledouris (American score composer) and Narciso Serradell (Mexican composer)
2:57
19No me platiques
recording of:
No me platiques (bolero) (in 1962-03)
lyricist and composer:
Vicente Garrido Calderón (Mexican composer)
3:02
20A Media Luz (When Lights Are Soft And Low)
recording of:
A media luz (in 1962-03)
lyricist:
Carlos Lenzi
composer:
Edgardo Donato
2:10
21Guadalajara
recording of:
Guadalajara (in 1962-03)
lyricist and composer:
Pepe Guízar
2:02
22Solomente Una Vez (You Belong To My Heart)
cover recording of:
Solamente una vez (in 1962-03)
lyricist and composer:
Agustín Lara
2:47
23Piel Canela
recording of:
Piel canela (in 1962-03)
lyricist and composer:
Bobby Capó (Puerto Rican singer and songwriter)
2:09
2CD: Just One of Those Things (1957) / Let’s Face the Music! (1964)
#TitleRatingLength
1When Your Lover Has Gone2:32
2A Cottage for Sale
recording of:
A Cottage for Sale
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
2:59
3Who’s Sorry Now?
recording of:
Who’s Sorry Now? (1923 song)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
2:59
4Once in a While
cover recording of:
Once in a While
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
2:51
5These Foolish Things (Remind Me of You)
recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:48
6Just for the Fun of It2:36
7Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore (on 1957-07-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:13
8I Understand
recording of:
I Understand
lyricist:
Kim Gannon
composer:
Mabel Wayne
2:26
9Just One of Those Things
cover recording of:
Just One of Those Things (on 1957-07-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:15
10The Song Is Ended2:47
11I Should Care
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:48
12The Party’s Over
recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
22:45
13Day In - Day Out
recording of:
Day In, Day Out (in 1961-11)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:25
14Bidin’ My Time
recording of:
Bidin’ My Time (from Girl Crazy) (in 1961-11)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
New World Music Co. (in 1930)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:28
15When My Sugar Walks Down the Street
recording of:
When My Sugar Walks Down the Street (in 1961-11)
writer:
Gene Austin, Jimmy McHugh (songwriter) and Irving Mills
2:10
16Warm and Willing
recording of:
Warm and Willing (in 1961-11)
writer:
Ray Evans (American songwriter), Jay Livingston and Jimmy McHugh (songwriter)
3:02
17I’m Gonna Sit Right Down (And Write Myself a Letter)2:37
18Cold, Cold Heart
cover recording of:
Cold, Cold Heart (in 1961-11)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
3:45
19Something Makes Me Want to Dance With You
recording of:
Something Makes Me Want to Dance With You
writer:
Danny Meehan (Broadway actor turned songwriter) and Colin Romoff
2:09
20Moon Love
recording of:
Moon Love (in 1961-11)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arranger:
André Kostelanetz (conductor)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
is based on:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
2:11
21The Rules of the Road
recording of:
The Rules of the Road (in 1961-11)
writer:
Cy Coleman and Carolyn Leigh
2:45
22Ebony Rhapsody
3:04
23Too Little, Too Late
2:59
24Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (in 1961-11)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:25
3CD: Love Is the Thing (1957) / Where Did Everyone Go? (1963)
#TitleRatingLength
1When I Fall in Love
vocals:
Nat King Cole (on 1956-12-28)
conductor:
Gordon Jenkins (on 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (on 1956-12-28)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1.53:11
2Stardust
producer:
Lee Gillette
piano:
Charles LaVere (on 1956-12-19)
lead vocals:
Nat King Cole (on 1956-12-19)
conductor:
Gordon Jenkins (on 1956-12-19)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-12-19)
recording of:
Stardust (the jazz standard) (on 1956-12-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
2.653:16
3Stay as Sweet as You Are
recording of:
Stay as Sweet as You Are (from 1956-12-19 until 1956-12-28)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Chappell & Co.
3:00
4Where Can I Go Without You?
recording of:
Where Can I Go Without You? (from 1956-12-19 until 1956-12-28)
writer:
Peggy Lee (jazz vocalist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Denslow Music, Inc. and EMI Waterford Music
2:59
5Maybe It’s Because I Love You Too Much
recording of:
Maybe It’s Because I Love You Too Much (from 1956-12-19 until 1956-12-28)
lyricist and composer:
Irving Berlin
2:50
6Love Letters
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:46
7Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:17
8I Thought About Marie
recording of:
I Thought About Marie
lyricist and composer:
Gordon Jenkins
3:07
9At Last
cover recording of:
At Last
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:00
10It’s All in the Game
recording of:
It’s All in the Game
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is based on:
Melody in A major (instrumental)
3:08
11When Sunny Gets Blue
cover recording of:
When Sunny Gets Blue
lyricist:
Jack Segal (US songwriter)
writer:
Fisher and Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:46
12Love Is the Thing
recording of:
Love Is the Thing
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
3:04
13Where Did Everyone Go?
4:36
14Say It Isn’t So
recording of:
Say It Isn’t So (in 1962-08)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:07
15If Love Ain’t There
3:11
16When the World Was Young
recording of:
When the World Was Young (in 1962-08)
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
4:02
17Am I Blue?
recording of:
Am I Blue? (in 1962-08)
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:02
18Someone to Tell It To
3:18
19The End of a Love Affair
recording of:
The End of a Love Affair (in 1962-08)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
3:11
20I Keep Goin’ Back to Joe’s
recording of:
I Keep Goin' Back to Joe's (in 1962-08)
writer:
Marvin Fisher and Jack Segal (US songwriter)
2:40
21Laughing on the Outside (Crying on the Inside)2:49
22No, I Don’t Want Her
3:04
23Spring Is Here
recording of:
Spring Is Here (in 1962-08)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
2:34
24That’s All There Is, There Isn’t Any More
2:42
4CD: Sings for Two in Love (1953) / Sings Ballads of the Day (1956)
#TitleRatingLength
1Love Is Here to Stay
vocals:
Nat King Cole (in 1953-01)
orchestra:
Nelson Riddle and His Orchestra (in 1953-01)
recording of:
Love Is Here to Stay (in 1953-01)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:50
2A Handful of Stars
recording of:
A Handful of Stars (in 1953-01)
writer:
Jack Lawrence (US songwriter) and Ted Shapiro
3:27
3This Can’t Be Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (US jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
This Can’t Be Love (on 1953-01-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:30
4A Little Street Where Old Friends Meet
recording of:
A Little Street Where Old Friends Meet (in 1953-01)
lyricist:
Gus Kahn
composer:
Harry M. Woods (American 1920/30s songwriter)
3:19
5Autumn Leaves
vocals:
Nat King Cole (in 1955-08)
performer:
Nelson Riddle and His Orchestra (in 1955-08)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1955-08)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
2:41
6Let’s Fall in Love
recording of:
Let’s Fall in Love (in 1955-08)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
52:49
7There Goes My Heart
vocals:
Nat King Cole (in 1953-01)
orchestra:
Nelson Riddle and His Orchestra (in 1953-01)
recording of:
There Goes My Heart (in 1953-01)
writer:
Benny Davis (US vaudeville performer and songwriter) and Abner Silver
2:53
8Dinner for One Please, James
recording of:
Dinner for One Please, James (in 1953-01)
lyricist and composer:
Michael Carr (songwriter)
2:57
9Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (US jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:53
10Tenderly
vocals:
Nat King Cole (on 1953-01-27)
conductor:
Nelson Riddle (on 1953-01-27)
arranger:
Nelson Riddle (on 1953-01-27)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-27)
recording of:
Tenderly (on 1953-01-27)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:58
11You Stepped Out of a Dream
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
bongos and congas:
Jack Costanzo (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1952-01-11)
guitar:
John Collins (US jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1952-01-11)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
2:36
12There Will Never Be Another You
recording of:
There Will Never Be Another You (in 1955-08)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:38
13A Blossom Fell
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (American violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
A Blossom Fell (on 1954-12-20)
writer and composer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
42:33
14Unbelievable
3:05
15Blue Gardenia
bass:
Charlie Harris (jazz bassist) (on 1953-01-20)
celesta and piano:
Buddy Cole (on 1953-01-20)
cello:
James Arkatov (American cellist and photographer) (on 1953-01-20) and Armand Kaproff (on 1953-01-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-20)
flute:
Harry Klee (on 1953-01-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-20) and James Williamson (Saxophone player) (on 1953-01-20)
French horn:
John Cave (french horn) (on 1953-01-20) and Vincent DeRosa (on 1953-01-20)
guitar:
John Collins (US jazz guitarist) (on 1953-01-20)
harp:
Katherina Julyie (on 1953-01-20)
trombone:
Milt Bernhart (on 1953-01-20) and Paul Tanner (on 1953-01-20)
viola:
Albert Barr (on 1953-01-20) and Stanley Harris (US big band viola player) (on 1953-01-20)
violin:
Victor Bay (on 1953-01-20), Alex Beller (on 1953-01-20), Harry Bluestone (on 1953-01-20), Walter Edelstein (on 1953-01-20), Anatol Kaminsky (on 1953-01-20), Nathan Ross (on 1953-01-20), Mischa Russell (violinist) (on 1953-01-20), Olcott Vail (on 1953-01-20) and Gerald Vinci (American violinist and strings conductor) (on 1953-01-20)
vocals:
Nat King Cole (on 1953-01-20)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-20)
conductor:
Nelson Riddle (on 1953-01-20)
arranger:
Nelson Riddle
recording of:
Blue Gardenia (on 1953-01-20)
writer:
Lester Lee and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Harms, Inc., Harrison Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:58
16Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (US jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (on 1953-01-14)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:16
17It Happens to Be Me
3:10
18Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (US jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
2:55
19Darling, Je Vous Aime Beaucoup
bass:
Charlie Harris (jazz bassist) (on 1953-08-24)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-24)
cello:
Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (US cellist, b. Aller) (on 1953-08-24)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-08-24)
flute:
Jules Kinsler (on 1953-08-24), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
French horn:
Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
guitar:
John Collins (US jazz guitarist) (on 1953-08-24)
harp:
Ann Mason Stockton (American harpist) (on 1953-08-24)
piano:
Buddy Cole (on 1953-08-24)
trombone:
Milt Bernhart (on 1953-08-24) and Joe Howard (american trombone player) (on 1953-08-24)
viola:
Lou Kievman (violist) (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
violin:
Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (Violin player) (on 1953-08-24), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1953-08-24), Mischa Russell (violinist) (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (American violinist and strings conductor) (on 1953-08-24)
vocals:
Nat King Cole (on 1953-08-24)
orchestra:
Nelson Riddle Orchestra & Chorus (on 1953-08-24)
conductor:
Nelson Riddle (on 1953-08-24)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-24)
cover recording of:
Darling, je vous aime beaucoup (on 1953-08-24)
lyricist and composer:
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) and Francis Day S.A.
medley of:
La Vie en rose (French original)
2:51
20Alone Too Long
recording of:
Alone Too Long
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Arthur Schwartz
part of:
By The Beautiful Sea
2:57
21My One Sin (In Life)
3:00
22Return to Paradise
vocals:
Nat King Cole (in 1953)
performer:
Nelson Riddle and His Orchestra (in 1953)
recording of:
Return to Paradise (in 1953)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
2:58
23If Love Is Good to Me
recording of:
If Love Is Good to Me
lyricist:
Redd Evans
composer:
Fred Spielman (songwriter)
2:47
24The Sand and the Sea
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (American violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
The Sand and the Sea (on 1954-12-20)
writer:
Hal Hester and Barry Parker
publisher:
Barry Parker Music (on 1955-02-10)
2:33
5CD: Ramblin’ Rose (1962) / Dear Lonely Hearts (1962)
6CD: Penthouse Serenade (1952) / The Piano Stylings of Nat King Cole (1956)
7CD: Songs from St. Louis Blues (1958) / Looking Back (1965)
8CD: The Touch of Your Lips (1961 / I Don’t Want to Be Hurt Anymore (1964))
9CD: Welcome to the Club (1959) / Tell Me About Yourself (1960)

Credits

Release

ASIN:US: B000V7KE8A [info]