Collection Box Set Volume 1 (Special Limited Edition 9 CD Box Set)

~ Pubblicazione di Nat King Cole (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: Cole Espanol (1958) / More Cole Espanol (1962)
2▶CD: Just One of Those Things (1957) / Let’s Face the Music! (1964)
3▶CD: Love Is the Thing (1957) / Where Did Everyone Go? (1963)
4▶CD: Sings for Two in Love (1953) / Sings Ballads of the Day (1956)
5▶CD: Ramblin’ Rose (1962) / Dear Lonely Hearts (1962)
6▶CD: Penthouse Serenade (1952) / The Piano Stylings of Nat King Cole (1956)
7▶CD: Songs from St. Louis Blues (1958) / Looking Back (1965)
8▶CD: The Touch of Your Lips (1961 / I Don’t Want to Be Hurt Anymore (1964))
9▼CD: Welcome to the Club (1959) / Tell Me About Yourself (1960)
#TitoloValutazioneDurata
1Welcome to the Club
basso :
Eddie Jones (US jazz double bassist) (il 1958-07-01)
batteria :
Sonny Payne (il 1958-07-01) e Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1958-07-01)
chitarra :
Freddie Green (il 1958-07-01)
pianoforte :
Gerald Wiggins (il 1958-07-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (il 1958-07-01)
sassofono contralto :
Marshall Royal (il 1958-07-01) e Frank Wess (il 1958-07-01)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-07-01) e Billy Mitchell (US jazz saxophonist) (il 1958-07-01)
tromba :
John Anderson (US jazz trumpeter) (il 1958-07-01), Wendell Culley (jazz trumpeter) (il 1958-07-01), Thad Jones (American jazz trumpeter) (il 1958-07-01), Joe Newman (US jazz trumpeter) (il 1958-07-01) e Snooky Young (il 1958-07-01)
trombone :
Henry Coker (jazz trombonist) (il 1958-07-01), Al Grey (trombone) (il 1958-07-01) e Benny Powell (jazz trombonist) (il 1958-07-01)
voce:
Nat King Cole (il 1958-07-01)
orchestra:
The Count Basie Orchestra (il 1958-07-01)
direttore d'orchestra:
Dave Cavanaugh (il 1958-07-01)
arrangiatore:
Dave Cavanaugh
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-01)
registrazione di:
Welcome to the Club (il 1958-07-01)
autore:
Noel Sherman e Dick Wolf
2:44
2Anytime, Anyday, Anywhere
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-06-30)
registrazione cover di:
Anytime, Anyday, Anywhere (il 1958-06-30)
paroliere:
Ned Washington
compositore:
Lee Wiley e Victor Young (American composer, arranger, violinist & conductor)
editore:
Catharine Hinen Music, Chappell & Co., Inc. (USA) e Patti Washington Music
2:20
3The Blues Don’t Care
2:11
4Mood Indigo
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-06-30)
registrazione cover di:
Mood Indigo (1930 jazz composition and song) (il 1958-06-30)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, Volume I)
registrazione di:
Mood Indigo (1930 jazz composition and song)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, Volume I)
3:21
5Baby, Won’t You Please Come Home
basso :
Eddie Jones (US jazz double bassist) (il 1958-07-01)
batteria :
Sonny Payne (il 1958-07-01) e Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1958-07-01)
chitarra :
Freddie Green (il 1958-07-01)
pianoforte :
Gerald Wiggins (il 1958-07-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (il 1958-07-01)
sassofono contralto :
Marshall Royal (il 1958-07-01) e Frank Wess (il 1958-07-01)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-07-01) e Billy Mitchell (US jazz saxophonist) (il 1958-07-01)
tromba :
John Anderson (US jazz trumpeter) (il 1958-07-01), Wendell Culley (jazz trumpeter) (il 1958-07-01), Thad Jones (American jazz trumpeter) (il 1958-07-01), Joe Newman (US jazz trumpeter) (il 1958-07-01) e Snooky Young (il 1958-07-01)
trombone :
Henry Coker (jazz trombonist) (il 1958-07-01), Al Grey (trombone) (il 1958-07-01) e Benny Powell (jazz trombonist) (il 1958-07-01)
voce:
Nat King Cole (il 1958-07-01)
orchestra:
The Count Basie Orchestra (il 1958-07-01)
direttore d'orchestra:
Dave Cavanaugh (il 1958-07-01)
arrangiatore:
Dave Cavanaugh
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-01)
registrazione cover di:
Baby Won’t You Please Come Home (il 1958-07-01)
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
2:11
6The Late, Late Show
basso :
Eddie Jones (US jazz double bassist) (il 1958-07-01)
batteria :
Sonny Payne (il 1958-07-01) e Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1958-07-01)
chitarra :
Freddie Green (il 1958-07-01)
pianoforte :
Gerald Wiggins (il 1958-07-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (il 1958-07-01)
sassofono contralto :
Marshall Royal (il 1958-07-01) e Frank Wess (il 1958-07-01)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-07-01) e Billy Mitchell (US jazz saxophonist) (il 1958-07-01)
tromba :
John Anderson (US jazz trumpeter) (il 1958-07-01), Wendell Culley (jazz trumpeter) (il 1958-07-01), Thad Jones (American jazz trumpeter) (il 1958-07-01), Joe Newman (US jazz trumpeter) (il 1958-07-01) e Snooky Young (il 1958-07-01)
trombone :
Henry Coker (jazz trombonist) (il 1958-07-01), Al Grey (trombone) (il 1958-07-01) e Benny Powell (jazz trombonist) (il 1958-07-01)
voce:
Nat King Cole (il 1958-07-01)
orchestra:
The Count Basie Orchestra (il 1958-07-01)
direttore d'orchestra:
Dave Cavanaugh (il 1958-07-01)
arrangiatore:
Dave Cavanaugh
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-01)
registrazione cover di:
The Late Late Show (il 1958-07-01)
paroliere:
Murray Berlin
compositore:
Roy Alfred (Tin Pan Alley lyricist and composer)
registrazione di:
The Late Late Show
paroliere:
Murray Berlin
compositore:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:32
7Avalon
basso :
Eddie Jones (US jazz double bassist) (il 1958-07-01)
batteria :
Sonny Payne (il 1958-07-01) e Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1958-07-01)
chitarra :
Freddie Green (il 1958-07-01)
pianoforte :
Gerald Wiggins (il 1958-07-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (il 1958-07-01)
sassofono contralto :
Marshall Royal (il 1958-07-01) e Frank Wess (il 1958-07-01)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-07-01) e Billy Mitchell (US jazz saxophonist) (il 1958-07-01)
tromba :
John Anderson (US jazz trumpeter) (il 1958-07-01), Wendell Culley (jazz trumpeter) (il 1958-07-01), Thad Jones (American jazz trumpeter) (il 1958-07-01), Joe Newman (US jazz trumpeter) (il 1958-07-01) e Snooky Young (il 1958-07-01)
trombone :
Henry Coker (jazz trombonist) (il 1958-07-01), Al Grey (trombone) (il 1958-07-01) e Benny Powell (jazz trombonist) (il 1958-07-01)
voce:
Nat King Cole (il 1958-07-01)
orchestra:
The Count Basie Orchestra (il 1958-07-01)
direttore d'orchestra:
Dave Cavanaugh (il 1958-07-01)
arrangiatore:
Dave Cavanaugh
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-01)
registrazione cover di:
Avalon (il 1958-07-01)
autore:
B. G. DeSylva, Al Jolson e Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Jerome H. Remick & Co. (il 1920-09-04)
1:46
8She’s Funny That Way
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-06-30)
registrazione cover di:
She’s Funny That Way (il 1958-06-30)
paroliere:
Richard A. Whiting (nel 1928)
compositore:
Neil Moret (nel 1928)
editore:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. e Ross Jungnickel, Inc.
3:02
9I Want a Little Girl
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-06-30)
registrazione cover di:
I Want a Little Girl (il 1958-06-30)
paroliere:
Billy Moll (songwriter)
compositore:
Murray Mencher
editore:
Shapiro, Bernstein & Co., Inc.
registrazione di:
I Want a Little Girl
paroliere:
Billy Moll (songwriter)
compositore:
Murray Mencher
editore:
Shapiro, Bernstein & Co., Inc.
2:50
10Wee Baby Blues
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-02)
registrazione cover di:
Wee Baby Blues (il 1958-07-02)
autore:
Pete Johnson (US boogie‐woogie pianist) e Big Joe Turner
editore:
Leeds Music Ltd.
3:17
11Look Out for Love
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-02)
registrazione di:
Look Out for Love (il 1958-07-02)
autore:
Danny Meehan (Broadway actor turned songwriter) e Colin Romoff
1:58
12Madrid
basso :
Eddie Jones (US jazz double bassist) (il 1958-07-02)
batteria :
Sonny Payne (il 1958-07-02) e Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1958-07-02)
chitarra :
Freddie Green (il 1958-07-02)
pianoforte :
Gerald Wiggins (il 1958-07-02)
sassofono baritono :
John Fowlkes (il 1958-07-02)
sassofono contralto :
Marshall Royal (il 1958-07-02) e Frank Wess (il 1958-07-02)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-07-02) e Billy Mitchell (US jazz saxophonist) (il 1958-07-02)
tromba :
John Anderson (US jazz trumpeter) (il 1958-07-02), Wendell Culley (jazz trumpeter) (il 1958-07-02), Gene "Snooky" Young (il 1958-07-02), Thad Jones (American jazz trumpeter) (il 1958-07-02) e Joe Newman (US jazz trumpeter) (il 1958-07-02)
trombone :
Henry Coker (jazz trombonist) (il 1958-07-02), Al Grey (trombone) (il 1958-07-02) e Benny Powell (jazz trombonist) (il 1958-07-02)
voce:
Nat King Cole (il 1958-07-02)
orchestra:
The Count Basie Orchestra (il 1958-07-02)
direttore d'orchestra:
Dave Cavanaugh (il 1958-07-02)
arrangiatore:
Dave Cavanaugh
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-07-02)
registrazione di:
Madrid (il 1958-07-02)
autore:
Nat King Cole e Johnny Lange
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
2:51
13Tell Me All About Yourself
2:06
14Until the Real Thing Comes Along
registrazione di:
Until the Real Thing Comes Along
paroliere e compositore:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner e Alberta Nichols
editore:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
3:09
15The Best Thing for You
registrazione di:
The Best Thing for You (Would Be Me)
paroliere e compositore:
Irving Berlin (nel 1950)
1:59
16When You Walked By
2:48
17Crazy She Calls Me
registrazione di:
Crazy He Calls Me
paroliere:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
compositore:
Carl Sigman
editore:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:34
18You’ve Got the Indian Sign on Me
registrazione di:
You've Got the Indian Sign on Me
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1960)
compositore:
Joe Bushkin (nel 1960)
1:49
19For You
registrazione di:
For You
paroliere:
Al Dubin (nel 1930)
compositore:
Joe Burke (American composer) (nel 1930)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:20
20Dedicated to You
registrazione di:
Dedicated to You
autore:
Sammy Cahn, Saul Chaplin e Hy Zaret
editore:
Argosy Music Corp., Cahn Music Company, Chappell & Co., Helene Blue Musique Ltd. e WB Music Corp. (1929–2019)
2:51
21You Are My Love
1:54
22This Is Always
registrazione di:
This Is Always
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
WB Music Corp. (1929–2019)
2:58
23My Life
2:11
24(I Would Do) Anything for You
registrazione di:
I Would Do Anything for You
compositore:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Claude Hopkins e Bobby Williams (jazz composer)
1:46

Accreditamenti

Pubblicazione

ASIN:US: B000V7KE8A [info]