The History of Classical Music, Part 4: Late Romantic to Modern: From Tchaikovsky to Rachmaninov

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Tchaikovsky: Piano Concerto no. 1 / Violin Concerto
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1Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский21:14
2Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino semplice
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:31
3Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский6:59
4Violin Concerto in D major, op. 35: I. Allegro moderato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Nathan Milstein (violinist) (from 1972-09-11 until 1972-09-13)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1972-09-11 until 1972-09-13)
conductor:
Claudio Abbado (conductor) (from 1972-09-11 until 1972-09-13)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1972-09-11 until 1972-09-13)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (from 1972-09-11 until 1972-09-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский17:02
5Violin Concerto in D major, op. 35: II. Canzonetta. Andante – attacca:
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Nathan Milstein (violinist) (from 1972-09-11 until 1972-09-13)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1972-09-11 until 1972-09-13)
conductor:
Claudio Abbado (conductor) (from 1972-09-11 until 1972-09-13)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1972-09-11 until 1972-09-13)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (from 1972-09-11 until 1972-09-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский6:15
6Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Nathan Milstein (violinist) (from 1972-09-11 until 1972-09-13)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1972-09-11 until 1972-09-13)
conductor:
Claudio Abbado (conductor) (from 1972-09-11 until 1972-09-13)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1972-09-11 until 1972-09-13)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (from 1972-09-11 until 1972-09-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский8:57
2▼Digital Media: Wagner: Overtures & Preludes
#TitleArtistRatingLength
1Der fliegende Holländer: Overture
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-07 until 1971-08)
conductor:
Karl Böhm (Austrian conductor) (from 1971-07 until 1971-08)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Bayreuther Festspiele 1971
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (from 1971-07 until 1971-08) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1971-07 until 1971-08)
live recording of:
Der fliegende Holländer, WWV 63: Ouvertüre (The Flying Dutchman: Overture) (from 1971-07 until 1971-08)
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner10:28
2Lohengrin: Prelude to Act I
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Werner Mayer (classical producer)
sound engineer:
Günter Hermanns (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-06)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner9:49
3Die Meistersinger von Nürnberg: Prelude to Act I
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:54
4Parsifal: Prelude to Act I
engineer:
Gerhard Henjes (sound engineer and producer) (in 1957-12)
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Rafael Kubelík (conductor) and Eugen Jochum (conductor) (in 1957-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1958)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1957-12)
recording of:
Parsifal, WWV 111: I. Aufzug, Vorspiel (in 1957-12)
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
part of:
Parsifal, WWV 111: I. Aufzug
part of:
Parsifal: Atto I
Richard Wagner13:54
5Parsifal, Act III: Karfreitagszauber
Richard Wagner12:09
6Tannhäuser: Overture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer), Joachim Niss and Gernot Westhäuser (Engineer)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-12)
conductor:
Otto Gerdes (conductor and producer) (in 1968-12)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969) and Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-12)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre (in 1968-12)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner12:21
3▼Digital Media: Wagner: Der Ring des Nibelungen (highlights)
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1Der Ring des Nibelungen: Das Rheingold, Erste Szene: “Lugt, Schwestern! Die Weckerin lacht in den Grund”
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1967-05)
conductor:
Herbert von Karajan (conductor) (in 1967-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1967-05)
recording of:
Das Rheingold: Scene I (in 1967-05)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner6:18
2Der Ring des Nibelungen: Das Rheingold, Vierte Szene: Zur Burg führt die Brücke
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1967-05)
conductor:
Herbert von Karajan (conductor) (in 1967-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1967-05)
recording of:
Das Rheingold: Scene IV (in 1967-05)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner9:02
3Der Ring des Nibelungen: Die Walküre, Erster Aufzug: Der Männer Sippe saß hier im Saal”
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-12)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (in 1966-12)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner4:43
4Der Ring des Nibelungen: Die Walküre, Dritter Aufzug: The Ride of the Valkyries
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-12)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1966-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:17
5Der Ring des Nibelungen: Die Walküre, Dritter Aufzug: Der Augen leuchtendes Paar
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-12)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (in 1966-12)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner13:38
6Der Ring des Nibelungen: Siegfried, Zweiter Aufzug: “Aber wie sah meine Mutter wohl aus?” (Waldweben)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1968-12)
conductor:
Herbert von Karajan (conductor) (in 1968-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-12)
recording of:
Siegfried, WWV 86C: Akt II, Scene II "Wir sind zur Stelle; bleib’ hier steh’n!" (in 1968-12)
composer:
Richard Wagner (composer) (from 1857-05-20 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt II
Richard Wagner7:28
7Der Ring des Nibelungen: Siegfried, Zweiter Aufzug: Nun sing, ich lausche dem Gesang
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1968-12)
conductor:
Herbert von Karajan (conductor) (in 1968-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-12)
recording of:
Ich lausche dem Rauschen (in 1968-12)
composer:
C-Schulz (German ambient electronic producer aka Carsten 'Boogie' Schulz) and Christoph Kahse
Richard Wagner4:10
8Der Ring des Nibelungen: Siegfried, Dritter Aufzug: “Heil dir, Sonne!” (Brünnhildes Erwachen)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1968-12)
conductor:
Herbert von Karajan (conductor) (in 1968-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-12)
recording of:
Siegfried, WWV 86C: Akt III, Scene III "Selige Öde auf sonniger Höh’!" (in 1968-12)
composer:
Richard Wagner (composer) (from 1869-03-01 until 1871-02-05)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt III
Richard Wagner7:39
9Der Ring des Nibelungen: Götterdämmerung, Dritter Aufzug: Trauermarsch
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-10)
conductor:
Herbert von Karajan (conductor) (in 1969-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-10)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March) (in 1969-10)
composer:
Richard Wagner (composer) (from 1869 until 1874, from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner8:50
10Der Ring des Nibelungen: Götterdämmerung, Dritter Aufzug: “Fliegt heim, ihr Raben!”, “Zurück vom Ring!”
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-10)
conductor:
Herbert von Karajan (conductor) (in 1969-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-10)
recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?" (in 1969-10)
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner8:41
4▼Digital Media: Wagner: Tristan und Isolde (highlights)
#TitleArtistRatingLength
1Tristan und Isolde: Prelude. Langsam und schmachtend
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:42
2Tristan und Isolde, Act I: “Frisch weht der Wind der Heimat zu”
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
baritone vocals [Kurwenal]:
Eberhard Waechter (baritone) (in 1966-08)
choir vocals:
Chor der Bayreuther Festspiele (Bayreuth Festival Chorus) (in 1966-08)
mezzo-soprano vocals [Brangäne]:
Christa Ludwig (mezzo-soprano) (in 1966-08)
soprano vocals [Isolde]:
Birgit Nilsson (soprano) (in 1966-08)
tenor vocals [Ein junger Seemann]:
Peter Schreier (German tenor and conductor) (in 1966-08)
tenor vocals [Tristan]:
Wolfgang Windgassen (tenor) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
chorus master:
Wilhelm Pitz (chorus master) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt I, Szene II. "Frisch weht der Wind der Heimat zu" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner9:20
3Tristan und Isolde, Act I: “Weh, ach wehe! Dies zu dulden”
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt I, Szene III. "Weh, ach wehe! Dies zu dulden!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner15:26
4Tristan und Isolde, Act II: “O sink hernieder, Nacht der Liebe”
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
soprano vocals [Isolde]:
Birgit Nilsson (soprano) (in 1966-08)
tenor vocals [Tristan]:
Wolfgang Windgassen (tenor) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt II
Richard Wagner4:56
5Tristan und Isolde, Act II: “Einsam wachend in der Nacht”
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Brangäne]:
Christa Ludwig (mezzo-soprano) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt II
Richard Wagner2:32
6Tristan und Isolde, Act II: “Lausch, Geliebter!”
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
soprano vocals [Isolde]:
Birgit Nilsson (soprano) (in 1966-08)
tenor vocals [Tristan]:
Wolfgang Windgassen (tenor) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt II
Richard Wagner4:09
7Tristan und Isolde, Act II: “Doch unsre Liebe, heißt sie nicht Tristan und — Isolde?”
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
soprano vocals [Isolde]:
Birgit Nilsson (soprano) (in 1966-08)
tenor vocals [Tristan]:
Wolfgang Windgassen (tenor) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt II
Richard Wagner2:12
8Tristan und Isolde, Act II: “So starben wir, um ungetrennt” — “Rette dich, Tristan!”
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt II
Richard Wagner8:31
9Tristan und Isolde, Act III: Prelude — Hirtenreigen
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner6:52
10Tristan und Isolde, Act III: “O Wonne! Freude!”
baritone vocals:
Eberhard Wächter (baritone) (in 1966-08)
tenor vocals:
Wolfgang Windgassen (tenor) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner5:57
11Tristan und Isolde, Act III: “Mild und leise wie er lächelt”
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
soprano vocals [Isolde]:
Birgit Nilsson (soprano) (in 1966-08)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:16
5▼Digital Media: Verdi: Aida (highlights)
#TitleArtistRatingLength
1Aida: Preludio
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:36
2Aida: Atto I. “Se quel guerrier io fossi!… Celeste Aida”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:34
3Aida: Atto I. “Or di Vulcano… Su! del Nilo al sacro lido”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:06
4Aida: Atto I. “Ritorna vincitor”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
soprano vocals [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:30
5Aida: Atto I. “Nume, custode e vindice”
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi4:24
6Aida: Atto II. “Gloria all’Egitto”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
bass vocals [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:28
7Aida: Atto II. Grand March
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:34
8Aida: Atto II. Ballet Music
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:24
9Aida: Atto II. “Quest’assisa ch’io vesto vi dica”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:49
10Aida: Atto III. “Qui Radames verrà!… O Patria mia”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
soprano vocals [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:36
11Aida: Atto III. “Ciel! mio padre!… Rivedrai le foreste imbalsamate”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
baritone vocals [Amonasro, re d'Etopia, padre di Aida]:
Leo Nucci (baritone) (in 1981)
soprano vocals [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:44
12Aida: Atto IV. “La fatal pietra sovra me si chiuse”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
soprano vocals [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
tenor vocals [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:24
13Aida: Atto IV. “Immenso Fthà… O terra, addio”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
mezzo-soprano vocals [Amneris, sua figlia]:
Elena Obraztsova (mezzo-soprano) (in 1981-01)
mezzo-soprano vocals [Sacerdotessa]:
Lucia Valentini Terrani (mezzo soprano) (in 1981-01)
soprano vocals [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
tenor vocals [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:20
6▼Digital Media: Verdi: Rigoletto (highlights)
#TitleArtistRatingLength
1Rigoletto: Preludio
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: N°1 Preludio (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
Giuseppe Verdi2:05
2Rigoletto: Atto I. “Questa o quella” (Ballata) (Duca)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1979-09) and Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:52
3Rigoletto: Atto I. Recitativo e Duetto. “Pari siamo!… io la lingua” (Rigoletto)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi3:32
4Rigoletto: Atto I. “Figlia!” / “Mio padre!” (Rigoletto, Gilda)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi10:38
5Rigoletto: Atto I. Scena ed Aria. “Gualtier Maldè … Caro nome…” / “Miratela”
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Ceprano] and bass vocals [Ceprano]:
Dirk Sagemüller (baritone) (in 1979-09)
baritone vocals [Marullo]:
Luigi De Corato (baritone) (in 1979-09)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1980)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano) (in 1979-09)
tenor vocals [Borsa]:
Walter Gullino (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09, in 1980)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1979-09)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1980)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:18
6Rigoletto: Atto II. Ella mi fu rapita! (Duca)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
partial recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:16
7Rigoletto: Atto II. Parmi veder le lagrime (Duca)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
partial recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi2:45
8Rigoletto: Atto II. Scena ed Coro: “Povero Rigoletto!” (Marullo, Rigoletto, Borsa, Ceprano, Paggio, Coro)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals:
Dirk Sagemüller (baritone)
baritone vocals [Marullo]:
Luigi De Corato (baritone) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
bass vocals [Ceprano]:
Dirk Sagemüller (baritone) (in 1979-09)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1979-09)
soprano vocals [un paggio]:
Audrey Michael (Swiss soprano) (in 1979-09)
tenor vocals [Borsa]:
Walter Gullino (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
performer:
Luigi De Corato (baritone)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi3:17
9Rigoletto: Atto II. Cortigiani, vil razza dannata (Rigoletto)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi4:34
10Rigoletto: Atto II. Tutte le feste al tempio (Gilda, Rigoletto)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi7:51
11Rigoletto: Atto II. Sì, vendetta, tremenda vendetta
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto II. "Sì, vendetta, tremenda vendetta" (Rigoletto, Gilda) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:20
12Rigoletto: Atto III. “La donna è mobile”
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1980)
bass vocals [Sparafucile]:
Nicolaï Ghiaurov (operatic bass) (in 1980)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:05
13Rigoletto: Atto III. Quartetto. “Un dì, se ben rammentomi” (Duca, Gilda, Maddalena, Rigoletto)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals and baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
mezzo-soprano vocals [Maddalena]:
Elena Obraztsova (mezzo-soprano) (in 1979-09)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:38
14Rigoletto: Atto III. “Bella figlia dell’amore (Duca, Maddalena, Gilda, Rigoletto)
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
mezzo-soprano vocals [Maddalena]:
Elena Obraztsova (mezzo-soprano) (in 1979-09)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Vienna Philharmonic (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:22
15Rigoletto: Atto III. “V’ho ingannato”
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
bass vocals [Sparafucile]:
Nicolaï Ghiaurov (operatic bass)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Della vendetta alfin giunge l'istante!" (Rigoletto, Sparafucile, Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:14
7▼Digital Media: Verdi: La traviata (highlights)
#TitleArtistRatingLength
1La traviata: Atto I. Preludio
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Preludio (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:37
2La traviata: Atto I. “Dell’invito trascorsa è già l’ora”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06) and Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:34
3La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:59
4La traviata: Atto I. “E strano!” — “Ah, fors’è lui”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:37
5La traviata: Atto I. “Follie! Delirio vano è questo!” — “Sempre libera”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerischer Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:26
6La traviata: Atto I. “Lunge da lei” — “De’ miei bollenti spiriti”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:39
7La traviata: Atto I. “Pura siccome un angelo”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. Duetto “Pura siccome un angelo” (Germont, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:41
8La traviata: Atto II. “Non sapete quale affetto”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. Duetto “Non sapete quale affetto” (Violetta, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:59
9La traviata: Atto II. “Un dì, quando le veneri”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:34
10La traviata: Atto II. “Ah! Dite alla giovine”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. Duetto “Ah! Dite alla giovine” (Violetta, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:10
11La traviata: Atto II. “Ah, vive sol quel core”
baritone vocals [Germont]:
Sherrill Milnes (baritone)
tenor vocals [Alfredo]:
Plácido Domingo (tenor)
conductor:
Carlos Kleiber (conductor)
recording of:
La traviata: Atto II, scena 1. “Ah, vive sol quel cuore all’amor mio!” (Alfredo, Giuseppe, Commissionario, Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:13
12La traviata: Atto II. “Di Provenza il mar, il suol”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1976-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1976-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1976-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1976-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1976-06-26)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:05
13La traviata: Atto II. “Avrem lieta di maschere la notte”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
bass vocals [Dottore Grenvil]:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Avrem lieta di maschere la notte” (Flora, Marchese, Dottore, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:02
14La traviata: Atto II. “Noi siamo zingarelle”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi32:45
15La traviata: Atto II. “Di Madride noi siam mattadori”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:36
16La traviata: Atto III. Preludio
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto III. Preludio (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:37
17La traviata: Atto III. “Annina?” “Comandate?”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals [Dottore]:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto III. “Annina?… Comandate?” (Violetta, Annina, Dottore) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:54
18La traviata: Atto III. “Tenesta la promessa” — “Attendo, né a me giungon mai” — “Addio del passato”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:02
19La traviata: Atto III. “Signora.Che t’accadde?”
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. “Signora! Che t’accadde?” (Violetta, Annina, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi1:34
20La traviata: Atto III. “Parigi, o cara, noi lasceremo”
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:12
21La traviata: Atto III. “Ah, non più!” — “Ah! Gran Dio! Morir sì giovine”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. “Ah, non più, a un tempio” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
recording of:
La traviata: Atto III. “Ma se tornando…Ah! gran Dio! Morir si giovine” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:00
22La traviata: Atto III. “Ah, Violetta! — Voi? Signor?”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. “Ah, Violetta!… Voi, Signor!” (Germont, Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi1:42
23La traviata: Atto III. “Prendi, quest’è l’immagine”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
bass vocals [Dottore]:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06-26)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. Finale “Prendi, quest’è l’immagine” (Violetta, Alfredo, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:54
8▼Digital Media: Saint‐Saëns: “Organ” Symphony / Franck: Symphony in D minor
#TitleArtistRatingLength
1Symphony no. 3 in C minor “Organ Symphony”, op. 78: I. Adagio – Allegro moderato – Poco adagio
recording engineer:
Klaus Behrens (engineer) and Hans‐Rudolf Müller (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Klaus Behrens (engineer)
organ:
Gaston Litaize (French organist and composer) (in 1975-05)
orchestra:
Chicago Symphony Orchestra (in 1975-05)
conductor:
Daniel Barenboim (pianist and conductor) (in 1975-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1976)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1975-05)
recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (in 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns19:26
2Symphony no. 3 in C minor “Organ Symphony”, op. 78: IIa. Allegro moderato – Presto – Allegro moderato
recording engineer:
Klaus Behrens (engineer) and Hans‐Rudolf Müller (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Klaus Behrens (engineer)
organ:
Gaston Litaize (French organist and composer) (in 1975-05)
orchestra:
Chicago Symphony Orchestra (in 1975-05)
conductor:
Daniel Barenboim (pianist and conductor) (in 1975-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1976)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1975-05)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (in 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:28
3Symphony no. 3 in C minor “Organ Symphony”, op. 78: IIb. Maestoso – Allegro
recording engineer:
Klaus Behrens (engineer) and Hans‐Rudolf Müller (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Klaus Behrens (engineer)
organ:
Gaston Litaize (French organist and composer) (in 1975-05)
orchestra:
Chicago Symphony Orchestra (in 1975-05)
conductor:
Daniel Barenboim (pianist and conductor) (in 1975-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1976)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1975-05)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (in 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:24
4Symphony in D minor: I. Lento – Allegro ma non troppo – Allegro
orchestra:
Orchestre de Paris (in 1976-02)
conductor:
Daniel Barenboim (pianist and conductor) (in 1976-02)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-02)
recording of:
Symphonie en ré mineur: I. Lento - Allegro non troppo (Symphony in D minor: I. Lento - Allegro non troppo) (in 1976-02)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck18:44
5Symphony in D minor: II. Allegretto
orchestra:
Orchestre de Paris (in 1976-02)
conductor:
Daniel Barenboim (pianist and conductor) (in 1976-02)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-02)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto) (in 1976-02)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck10:06
6Symphony in D minor: III. Allegro non troppo
orchestra:
Orchestre de Paris (in 1976-02)
conductor:
Daniel Barenboim (pianist and conductor) (in 1976-02)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-02)
recording of:
Symphonie en ré mineur: III. Allegro non troppo (Symphony in D minor: III. Allegro non troppo) (in 1976-02)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck11:22
9▶Digital Media: Glinka: “Ruslan and Lyudmila” Overture / Balakirev: Islamey / Borodin: Polovtsian Dances / Mussorgsky: Pictures at an Exhibition
10▶Digital Media: Rimsky‐Korsakov: Scheherazade / Capriccio espagnol
11▶Digital Media: Mahler: Symphony no. 1 / Lieder eines fahrenden Gesellen
12▶Digital Media: Mahler: Symphony no. 5
13▶Digital Media: Debussy: La Mer / Nocturnes / Prélude à l’après‑midi d’un faune
14▶Digital Media: Debussy: Suite bergamansque / Préludes
15▶Digital Media: Strauss, R.: Also sprach Zarathustra / Don Juan / Till Eulenspiegel
16▶Digital Media: Strauss, R.: Death and Transfiguration / Four Last Songs / Capriccio
17▶Digital Media: Puccini: La bohème (highlights)
18▶Digital Media: Puccini: Tosca (highlights) / Nessun dorma
19▶Digital Media: Elgar: “Enigma” Variations / Holst: The Planets
20▶Digital Media: Rachmaninov: Piano Concerto no. 3 / Scriabin: Le poeme de l’extase

Credits

Release group

includes:Also sprach Zarathustra / Don Juan / Till Eulenspiegel by Richard Strauss (German composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Der Ring des Nibelungen (highlights) by Richard Wagner (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Holst: The Planets / Elgar: Enigma Variations by Holst (Gustav Holst, composer), Elgar (Edward Elgar, composer); Boston Symphony Orchestra, London Symphony Orchestra, William Steinberg (conductor), Eugen Jochum (conductor)
La bohème (1987 live composite recording cast) by Puccini (Italian composer); Réaux (US soprano), Hadley (operatic tenor), Hampson (baritone), Daniels (soprano), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Leonard Bernstein (American conductor, composer, pianist)
La Mer / Nocturnes / Prélude à l’après‐midi d’un faune by Claude Debussy (French composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor)
La traviata (1976-77 studio cast) by Giuseppe Verdi (Italian opera composer); Ileana Cotrubas (Romanian soprano), Placido Domingo (tenor), Sherrill Milnes (baritone), Plácido Domingo (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Carlos Kleiber (conductor)
Piano Concerto no. 1 / Violin Concerto by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Martha Argerich (Argentine pianist), Nathan Milstein (violinist)
Rigoletto by Giuseppe Verdi (Italian opera composer); Wiener Philharmoniker (Vienna Philharmonic), Carlo Maria Giulini (conductor), Piero Cappuccilli (baritone), Ileana Cotrubaş (Romanian soprano), Plácido Domingo (tenor), Elena Obraztsova (mezzo-soprano), Nicolaï Ghiaurov (operatic bass), Kurt Moll (operatic bass), Hanna Schwarz (mezzo soprano), Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
Scheherazade / Capriccio espagnol by Rimski-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer); Joseph Silverstein (violinist and conductor), Seiji Ozawa (conductor and composer), Boston Symphony Orchestra, Neeme Järvi (Estonian conductor), Gothenburg Symphony Orchestra
Suite bergamasque / 12 Préludes by Claude Debussy (French composer); Tamás Vásáry (Hungarian pianist and conductor), Dino Ciani (Italian pianist)
Symphonie Nr. 1 / Lieder eines fahrenden Gesellen (1967 recording) by Gustav Mahler (composer); Dietrich Fischer‐Dieskau (baritone), Rafael Kubelík (conductor)
Symphonie Nr. 5 by Gustav Mahler (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Tristan und Isolde (1966 Bayreuth cast, composite recordings) by Richard Wagner (composer); Birgit Nilsson (soprano), Wolfgang Windgassen (tenor), Christa Ludwig (mezzo-soprano), Martti Talvela (operatic bass), Eberhard Wächter (baritone), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Böhm (Austrian conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 4)