| # | Title | Artist | Rating | Length |
|---|
| 1 | (Just Like) Starting Over- engineer:
- Lee DeCarlo
- producer:
- Jack Douglas, John Lennon and Yoko Ono
- bass guitar:
- Tony Levin
- drums (drum set):
- Andy Newmark
- electric guitar:
- John Lennon , Hugh McCracken and Earl Slick
- keyboard:
- George Small
- percussion:
- Arthur Jenkins
- background vocals:
- Cheryl Mason Jacks, Michelle Simpson, Eric Troyer and Cassandra Wooten
- lead vocals:
- John Lennon
- phonographic copyright (℗) by:
- The David Geffen Company (in 1980) and Calderstone Productions Limited (in 2016)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (on 1980-08-09)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1980-09-25 until 1980-09-26)
- music videos:
- (Just Like) Starting Over by John Lennon
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 76)
- recording of:
- (Just Like) Starting Over
- lyricist and composer:
- John Lennon
- publisher:
- Lenono Music and Universal Music Publishing Pty Ltd.
| John Lennon | 3.75 | 3:56 |
| 2 | Don’t Stop Believin’- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory (from 1981-04 until 1981-06)
- drums (drum set) and percussion:
- Steve Smith (from 1981-04 until 1981-06)
- guitar:
- Neal Schon (from 1981-04 until 1981-06)
- keyboard and piano:
- Jonathan Cain (from 1981-04 until 1981-06)
- background vocals:
- Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
- lead vocals:
- Steve Perry (from 1981-04 until 1981-06)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), Columbia Records (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- SWR1 Hitparade 2022 (number: 10), VH1: 100 Greatest Songs of the 80’s (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’ (from 1981-04 until 1981-06)
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- BMG Rights Management (UK) Ltd. , Lacey Boulevard Music, Sharandall Music, Sony Music , Universal/MCA Music Ltd. and Weedhigh‐Nightmare Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス , 日音 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4.3 | 4:10 |
| 3 | Sweet Talkin’ Woman- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set) and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- violin:
- Mik Kaminski (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Musicland Studios in München , Bayern , Germany (in 1977)
- mixed at:
- Musicland Studios in München , Bayern , Germany
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 86)
- recording of:
- Sweet Talkin’ Woman (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Jet Music Inc. (in 1977) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.5 | 3:45 |
| 4 | Uptown Girl | Billy Joel | 4.1 | 3:16 |
| 5 | Oh Pretty Woman | Roy Orbison | | 2:58 |
| 6 | Mrs. Robinson (from “The Graduate” soundtrack) | Simon & Garfunkel | 4.25 | 4:02 |
| 7 | Wouldn’t It Be Nice (remastered 2012)- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Mark Linett and Brian Wilson
- mixer:
- Mark Linett (in 1996)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bell, percussion and timpani:
- Frank Capp (on 1966-01-22)
- double bass:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22)
- electric bass guitar [Dano Bass]:
- Ray Pohlman (on 1966-01-22)
- guitar:
- Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- tack piano:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- lead vocals:
- Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- mixed at:
- Your Place or Mine Recording in Glendale, California, United States (in 1996)
- remix of:
- Wouldn’t It Be Nice by The Beach Boys
- recording of:
- Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
- lyricist:
- Tony Asher , Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp. , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 4.6 | 2:33 |
| 8 | (I’ve Had) The Time of My Life (from “Dirty Dancing” soundtrack)- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 , フジパシフィックミュージック , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 3.75 | 4:50 |
| 9 | The Look of Love, Pt.1- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:29 |
| 10 | My Girl | Madness | 3.7 | 2:46 |
| 11 | Downtown | Petula Clark | | 3:05 |
| 12 | I Just Don’t Know What to Do With Myself | Dusty Springfield | 3.5 | 3:02 |
| 13 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:26 |
| 14 | Love Is a Losing Game- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor / orchestra)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- guitar:
- Thomas Brenneck and Binky Griptite
- harp:
- Helen Tunstall
- percussion:
- Frank Ricotti
- piano:
- Victor Axelrod
- tenor saxophone:
- Mike Smith and Jamie Talbot
- trombone:
- Richard Edwards
- trumpet:
- Steve Sidwell
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- wind instruments arranger:
- Gabriel Roth and Mark Ronson
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- music videos:
- Love Is a Losing Game by Amy Winehouse
- recording of:
- Love Is a Losing Game
- lyricist and composer:
- Amy Winehouse
- publisher:
- EMI Music Publishing and EMI Music Publishing Ltd.
| Amy Winehouse | 3.8 | 2:35 |
| 15 | Bleeding Love (radio edit) | Leona Lewis | 3.5 | 4:00 |
| 16 | Stars | Simply Red | 2.8 | 4:09 |
| 17 | Whistle Down the Wind | Nick Heyward | 2.5 | 3:41 |
| 18 | Up Where We Belong (from “An Officer and a Gentleman” soundtrack) | Joe Cocker & Jennifer Warnes | 3.55 | 3:52 |
| 19 | If You Don’t Know Me by Now | Harold Melvin & The Blue Notes feat. Teddy Pendergrass | 3.75 | 3:27 |
| 20 | After the Love Has Gone- producer:
- Maurice White
- phonographic copyright (℗) by:
- CBS, Inc. (in 1979)
- samples from:
- I Am by Earth, Wind & Fire (in 1979)
- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 3.2 | 4:25 |
| 21 | Three Times a Lady (single version)- producer:
- James Anthony Carmichael and Commodores
- lead vocals:
- Lionel Richie
- arranger:
- James Anthony Carmichael and Commodores
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1978), Motown Record Corporation (in 1978, in 1979) and UMG Recordings, Inc. (in 1978)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 10)
- recording of:
- Three Times a Lady
- lyricist and composer:
- Lionel Richie
- publisher:
- Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. , Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
| Commodores | 3.65 | 3:37 |
| 22 | I’ll Be There | The Jacksons | 4.35 | 3:52 |
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