Het beste uit de Top 70ies 700

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Samba pa ti
recording of:
Samba pa ti
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana4:02
2Radar Love
recording engineer:
Pieter Nieboer
leitende(r) Produzent(in):
Fred Haayen
Produzent(in):
Golden Earring
Mix:
Damon Lyon-Shaw
Akustikgitarre und E-Gitarre:
George Kooymans
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Slide-Gitarre:
Eelco Gelling
vocals:
Barry Hay und George Kooymans
arranger:
Golden Earring
phonographisches Urheberrecht (℗) von:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) und Geffen Records (in 1974)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.36:23
3Love Is the Drug
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.23:58
4Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA43:51
5Baker Street
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
E-Gitarre:
Hugh Burns und Nigel Jenkins
Moog und Keyboard:
Tommy Eyre
Perkussion:
Glen LeFleur
Saxophon:
Raphael Ravenscroft
Schlagzeug:
Henry Spinetti
Sologesang:
Gerry Rafferty
Saiteninstrumente arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 26)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.656:04
6Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.954:01
7She’s Always a Woman
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh (in 1977) und Hugh McCracken (in 1977)
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
flute:
Richie Cannata (in 1977)
Klavier und Sologesang:
Billy Joel (American singer-songwriter and pianist) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
Musikvideos:
She’s Always a Woman von Billy Joel (American singer-songwriter and pianist)
recording of:
She’s Always a Woman (in 1977)
Texter und Komponist(in):
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel43:18
8You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:03
9Le Freak
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:26
10I Feel Love
recording of:
I Feel Love
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music und Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer4.53:16
11Boogie Wonderland
Produzent(in):
Al McKay und Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:45
12Some Kind of Wonderful
Produzent(in):
Jimmy Ienner (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979, in 2001)
cover recording of:
Some Kind of Wonderful
Texter und Komponist(in):
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company und Fermata do Brasil
Grand Funk Railroad4.253:15
13Thank God I’m a Country Boy
recording of:
Thank God I’m a Country Boy
Texter und Komponist(in):
John Martin Sommers
publisher:
Chrysalis One Australia Pty. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Pty. Ltd. (Mushroom label’s publishing company)
John Denver3:19
14Ich bin wie du
recording of:
Ich bin wie du
Texter:
Christian Heilburg (songwriter and producer)
Komponist(in):
Joachim Heider (producer, composer, performer)
Marianne Rosenberg3:35
15Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:11
16Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown2:50
17Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:57
18I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:12
19Child in Time
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (von 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (von 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (von 1969-10 bis 1970-04)
Sologesang:
Ian Gillan (von 1969-10 bis 1970-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995) und HEC Enterprises Ltd. (in 1995)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1969-10 bis 1970-04)
teilweise recording of:
Child in Time (von 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple6:08
2▼CD
Nr.TitelKünstlerBewertungLänge
1Paradise by the Dashboard Light
recording of:
Paradise by the Dashboard Light
Texter und Komponist(in):
Jim Steinman
Meat Loaf5:29
2Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd.
10cc4.654:24
3Wuthering Heights
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush4:50
4Hold the Line
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Toto (US rock group)
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (in 1978-08)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Bobby Kimball (in 1978-08)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:56
5Dirty Ol’ Man
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) und Fayette Pinkney (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
recording of:
Dirty Ol’ Man (in 1973)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Mighty Three Music (in 1973)
The Three Degrees4:34
6Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.352:57
7Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:18
8All by Myself
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
Bearbeitung von:
All by Myself von Eric Carmen
recording of:
All by Myself
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:31
9Isn’t It Time
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys44:00
10Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (von 1977-06 bis 1977-07) und Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (von 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (von 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (von 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (von 1977-06 bis 1977-07) und Jimmy Destri (von 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (von 1977-06 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1977-06 bis 1977-07)
cover recording of:
Denise (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie3.52:15
11Blockbuster
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973)
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. und RAK Publ. Ltd.
The Sweet53:11
12Ça plane pour ma
Produzent(in):
Lou Deprijck
phonographisches Urheberrecht (℗) von:
BMG Belgium (in 1977)
recording of:
Ça plane pour moi (in 1977)
Texter:
Yves Lacomblez
Komponist(in):
Lou Deprijck
publisher:
Klugerpartners und Universal Publishing
Plastic Bertrand4.652:59
13That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:02
14Copacabana
assistierende(r) Techniker(in):
Derek Dunan
Techniker(in):
Michael DeLugg
Produzent(in):
Ron Dante und Barry Manilow
Bassgitarre:
Will Lee (US jazz/rock bassist) (von 1977-07 bis 1977-11)
Gitarre:
Mitch Holder (guitarist) (von 1977-07 bis 1977-11)
Keyboard:
Bill Mays (von 1977-07 bis 1977-11)
Perkussion:
Allan Estes (von 1977-07 bis 1977-11)
Schlagzeug:
Ronnie Zito (von 1977-07 bis 1977-11)
Hintergrundgesang:
Ginger Blake (von 1977-07 bis 1977-11), Laura Creamer (von 1977-07 bis 1977-11) und Linda Dillard (von 1977-07 bis 1977-11)
Sologesang:
Barry Manilow (von 1977-07 bis 1977-11)
Orchestrator(in):
Artie Butler
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-07 bis 1977-11)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 74) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 193)
recording of:
Copacabana (original 1978 disco/pop song) (von 1977-07 bis 1977-11)
Texter:
Jack Feldman und Bruce Sussman
Komponist(in):
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music und Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Copacabana (1985 TV film soundtrack)
Teil von:
Foul Play (1978 film soundtrack)
Barry Manilow55:44
15Sebastian
recording of:
Sebastian (von 1973-06 bis 1973-07)
Texter und Komponist(in):
Steve Harley
publisher:
Finchley Music Corp. und RAK Publishing Ltd.
Steve Harley & Cockney Rebel4:07
16Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton
Bassgitarre:
Pete Agnew
Gitarre und Synthesizer:
Manny Charlton
Schlagzeug:
Darrell Sweet
Hintergrundgesang:
Pete Agnew und Darrell Sweet
Sologesang:
Dan McCafferty
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:51
17Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:38
18Heaven Must Be Missing an Angel
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares3:28
19You’re the First, the Last, My Everything
Produzent(in):
Barry White
recording of:
You’re the First, the Last, My Everything (in 1974)
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White4.44:30
3▼CD
Nr.TitelKünstlerBewertungLänge
1Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:52
2I Don’t Like Mondays
Produzent(in):
Phil Wainman
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Musikvideos:
I Don’t Like Mondays von The Boomtown Rats
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 66)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats44:15
3I Was Made for Lovin’ You
recording engineer und Mix:
Jay Messina
assistierende(r) Techniker(in):
Jim Galante und Jon Mathias (engineer)
Produzent(in):
Vini Poncia
Keyboard und Hintergrundgesang:
Vini Poncia
Schlagzeug:
Anton Fig
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music und Universal Music Publishing France (not for release label use!)
KISS4.54:28
4Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.853:56
5Papa Was a Rollin’ Stone
cover recording of:
Papa Was a Rollin’ Stone
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations5:08
6You Are So Beautiful
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
Dave McDaniel (bass)
Klavier:
Nicky Hopkins (pianist and organist)
Sologesang:
Joe Cocker
Interpret(in):
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1973)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:41
7Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:45
8Weekend
Produzent(in):
Earth and Fire und Gerrit-Jan Leenders
recording of:
Weekend (Earth and Fire)
Texter und Komponist(in):
Gerard Koerts
publisher:
Nada Music (Dutch publisher)
Earth and Fire4.53:33
9Rivers of Babylon
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.44:18
10You’re the Greatest Lover
Produzent(in):
Hans van Hemert
recording of:
You’re the Greatest Lover
Texter und Komponist(in):
Hans van Hemert und Piet Souer (composer)
Luv’2:49
11The Tears of a Clown
Gitarre:
Marvin Tarplin (am 1966-09-26)
Instrumente:
The Funk Brothers (am 1966-09-26)
Hintergrundgesang:
Warren “Pete” Moore (am 1966-09-26), Claudette Robinson (am 1966-09-26), Bobby Rogers (am 1966-09-26) und Ronald White (soul singer, founding member of The Miracles) (am 1966-09-26)
Sologesang:
Smokey Robinson (am 1966-09-26)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1966-09-26)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 190) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 313)
recording of:
The Tears of a Clown (am 1966-09-26)
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.93:03
12Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith4.553:22
13Fly Like an Eagle
recording of:
Fly Like an Eagle
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited und Sailor Music
Steve Miller4:02
14Always on My Mind
Bass:
Emory Gordy (am 1972-03-29)
Gitarre:
James Burton (guitarist) (am 1972-03-29), Charlie Hodge (am 1972-03-29), Dennis Linde (am 1972-03-29) und John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (am 1972-03-29)
Klavier:
Glen D. Hardin (am 1972-03-29)
Perkussion:
Jerry Carrigan (US drummer) (am 1972-03-29)
Schlagzeug:
Ronnie Tutt (drummer) (am 1972-03-29)
Hintergrundgesang:
J.D. Sumner & The Stamps (am 1972-03-29)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1972-03-29)
vocals:
J.D. Sumner & The Stamps
Horn arranger und Saiteninstrumente arranger:
Glen D. Hardin
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956), BMG Entertainment (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Victor, Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1972-03-29)
cover recording of:
Always on My Mind (am 1972-03-29)
Verfasser(in):
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Elvis Presley3.653:37
15Forever and Ever
recording of:
Forever and Ever (1973 song)
Texter:
Alec R. Costandinos
Komponist(in):
Στέλιος Βλαβιανός
Demis Roussos53:38
16Little Green Bag
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection4:02
17Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) und Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:43
18Rockin’ All Over the World
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
John Eden (producer), Barry Hammond und Simon Sullivan
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (am 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv), Västra Götaland (Västra Götaland county), Schweden (am 1992-08-30) und Sutton Park in Birmingham, West Midlands, England, Vereinigtes Königreich (am 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Rockin All Over the World von Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (am 1992-08-30)
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo43:31
19I Want You to Want Me
recording engineer:
鈴木智雄 (Tomoo Suzuki) (von 1978-04-28 bis 1978-04-30)
assistierende(r) Techniker(in):
Mike Beriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Cheap Trick und Jack Douglas
Mix:
Cheap Trick, Gary Ladinsky (engineer) und Jay Messina (in 1978)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (von 1978-04-28 bis 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978)
live recording of:
I Want You to Want Me (von 1978-04-28 bis 1978-04-30)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick3.853:40
20Perfect Day
Produzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 334)
recording of:
Perfect Day (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed4.33:43
4▼CD: Hard to Find Classics
Nr.TitelKünstlerBewertungLänge
1Who’s That Lady With My Man
recording of:
Who’s That Lady With My Man
Verfasser(in):
Robert Danova (producer and songwriter), Gavin Dare und David Howman (Guitar player and songwriter)
Patricia Paay3:15
2If You Go
recording of:
If You Go
Texter und Komponist(in):
Alain Barrière
Übersetzer:
John Colston
übersetzte Version von:
Tu t'en vas
Barry & Eileen4:18
3The Elephant Song
recording of:
The Elephant Song
Texter:
Gregor Frenkel Frank und Rogis Woddis (Writer and humorous poet)
Komponist(in):
Hans van Hemert
Kamahl3:26
4Mamy Blue
Pop Tops3:48
5Immer wieder Sonntags
recording of:
Immer wieder sonntags
Texter:
Jonny Halvey
Komponist(in):
Dries Holten
publisher:
Orania (publisher), Dirty River Music (publisher) (in 1973) und RMI (publisher) (in 1973)
Cindy & Bert3:12
6The Big Bear Bump
recording of:
The Big Bear Bump
Texter und Komponist(in):
Willem Duyn
Ronnie & The Big Bear3:11
7The Opera
recording of:
The Opera
Texter und Komponist(in):
Jacques Kloes
Dizzy Man’s Band3:40
8Mademoiselle Ninette
recording of:
Mademoiselle Ninette
Komponist(in):
Herbert Hildebrandt
Soulful Dynamics2:31
9Titles
recording of:
Titles
arranger:
John Lees
gewidmet:
The Beatles (UK rock band, “The Fab Four”)
Barclay James Harvest3:43
10Michaela
recording of:
Michaela (in 1972)
Texter:
Jean Frankfurter (German composer & producer), Werner Krisch und Robert Puschmann (composer, producer and orchestra leader)
Komponist(in):
Robert Puschmann (composer, producer and orchestra leader)
publisher:
Hanseatic Musikverlag GmbH (1964–2001) und Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07)
Bata Illic3:08
11Schön ist es auf der Welt zu sein
recording of:
Schön ist es auf der Welt zu sein
Texter:
Lilibert (songwriter Elisabeth Bertram née Merkels)
Komponist(in):
Werner Twardy
publisher:
Carlton MV Hans Gerig Edition und Roba Music Verlag GmbH
Roy Black & Anita3:24
12I Remember Elvis Presley
recording of:
I Remember Elvis Presley
Texter:
R. Dunhills (songwriter) und Eddy Ouwens
Komponist(in):
Dick Bakker und Eddy Ouwens
Danny Mirror5:06
13Shady Lady
Shepstone & Dibbens3:19
14Only Lies
recording of:
Only Lies
Verfasser(in):
Cook und Greenfield (1960s Dutch artist)
Greenfield & Cook3:30
15Long Haired Lover From Liverpool
recording of:
Long Haired Lover From Liverpool
Verfasser(in):
Christopher Kingsley (songwriter)
adaptations:
Dolgolasi fant iz Liverpoola
Jimmy Osmond2:11
16Music Box Dancer
recording of:
Music Box Dancer
Komponist(in):
Frank Mills (pianist)
Frank Mills3:12
17Trop belle pour rester seule
recording of:
Trop belle pour rester seule
Texter:
Claude Carrère und Jean Schmitt
Komponist(in):
Daniel Vangarde
Ringo2:51
18Yamasuki
recording of:
Yamasuki
Texter:
Jean Kluger (Belgian producer, publisher, songwriter)
Komponist(in):
Daniel Vangarde
Yamasuki3:01
19002.345.709 (This Is My Number)
Trinity3:27
20Be My Boogie Woogie Baby
recording of:
Be My Boogie Woogie Baby
Verfasser(in):
R Vaplus
Mr. Walkie Talkie3:04

Nennungen