Het beste uit de Top 70ies 700

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Paradise by the Dashboard Light
recording of:
Paradise by the Dashboard Light
lyricist and composer:
Jim Steinman
Meat Loaf5:29
2Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:24
3Wuthering Heights
recording of:
Wuthering Heights
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush4:50
4Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:56
5Dirty Ol’ Man
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
Dirty Ol’ Man (in 1973)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Mighty Three Music (in 1973)
The Three Degrees4:34
6Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry3.352:57
7Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:18
8All by Myself
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
edit of:
All by Myself by Eric Carmen
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:31
9Isn’t It Time
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
writer:
Jack Conrad and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. and X‐Ray Music
The Babys44:00
10Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie3.52:15
11Blockbuster
producer:
Phil Wainman
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973)
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet53:11
12Ça plane pour ma
producer:
Lou Deprijck
phonographic copyright (℗) by:
BMG Belgium (in 1977)
recording of:
Ça plane pour moi (in 1977)
lyricist:
Yves Lacomblez
composer:
Lou Deprijck
publisher:
Klugerpartners and Universal Publishing
Plastic Bertrand4.652:59
13That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:02
14Copacabana
assistant engineer:
Derek Dunan
engineer:
Michael DeLugg
producer:
Ron Dante and Barry Manilow
bass guitar:
Will Lee (US jazz/rock bassist) (from 1977-07 until 1977-11)
drums (drum set):
Ronnie Zito (from 1977-07 until 1977-11)
guitar:
Mitch Holder (guitarist) (from 1977-07 until 1977-11)
keyboard:
Bill Mays (from 1977-07 until 1977-11)
percussion:
Allan Estes (from 1977-07 until 1977-11)
background vocals:
Ginger Blake (from 1977-07 until 1977-11), Laura Creamer (from 1977-07 until 1977-11) and Linda Dillard (from 1977-07 until 1977-11)
lead vocals:
Barry Manilow (from 1977-07 until 1977-11)
orchestrator:
Artie Butler
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1977-07 until 1977-11)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 74) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 193)
recording of:
Copacabana (original 1978 disco/pop song) (from 1977-07 until 1977-11)
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music and Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Copacabana (1985 TV film soundtrack)
part of:
Foul Play (1978 film soundtrack)
Barry Manilow55:44
15Sebastian
recording of:
Sebastian (from 1973-06 until 1973-07)
lyricist and composer:
Steve Harley
publisher:
Finchley Music Corp. and RAK Publishing Ltd.
Steve Harley & Cockney Rebel4:07
16Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton
bass guitar:
Pete Agnew
drums (drum set):
Darrell Sweet
guitar and synthesizer:
Manny Charlton
background vocals:
Pete Agnew and Darrell Sweet
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) and USM Copyrights Ltd. (in 1975)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:51
17Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:38
18Heaven Must Be Missing an Angel
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares3:28
19You’re the First, the Last, My EverythingBarry White4.44:30
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4CD: Hard to Find Classics