Classic Jazz: For the Open Road

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1I Remember You
recording of:
I Remember You
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation und Sony/ATV Music Publishing Australia Pty Ltd.
Chet Baker3:17
2It’s Only a Paper Moon
recorded in:
New York, New York, Vereinigte Staaten (am 1961-03-22)
Produzent(in):
Lee Gillette
Gitarre:
John Collins (US jazz guitarist) (am 1961-03-22)
Klavier:
Nat King Cole (am 1961-03-22)
Kontrabass:
Charlie Harris (jazz bassist) (am 1961-03-22)
vocals:
Nat King Cole (am 1961-03-22)
conductor:
Ralph Carmichael
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-03-22)
recording of:
It’s Only a Paper Moon (am 1961-03-22)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole2:56
3Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Lena Horne2:02
4’s Wonderful
Joe Williams2:39
5But Not for Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
Techniker(in):
Val Valentin (am 1957-01-07)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-07)
Klavier:
Jimmy Rowles (am 1957-01-07)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-07)
Schlagzeug:
Alvin Stoller (am 1957-01-07)
Tenorsaxophon:
Ben Webster (am 1957-01-07)
Trompete:
Harry “Sweets” Edison (am 1957-01-07)
vocals:
Billie Holiday (am 1957-01-07)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
recording of:
But Not for Me (am 1957-01-07)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Billie Holiday43:51
6The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Peggy Lee2:33
7Agua de Beber
Antonio Carlos Jobim2:52
8Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Tony Bennett2:01
9My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:44
10That Old Feeling
recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Chet Baker3:04
11A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Louis Armstrong & Ella Fitzgerald43:53
12It Don’t Mean a Thing (If It Ain’t Got That Swing)
Annie Ross with Gerry Mulligan Quartet2:11
13I Hear Music
cover recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
George Shearing with Dakota Staton2:33
14’Tain’t Nobody’s Biz‐Ness If I Do
Lou Rawls2:45
15Summertime
Art Blakey Quartet4:43
2▼CD
Nr.TitelKünstlerBewertungLänge
1Walkin’ My Baby Back Home
The Nat King Cole Trio2:15
2Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1950-05-19)
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
George Treadwell & His All Stars und with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Nice Work If You Can Get It (am 1950-05-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:38
3You Do Something to Me
Techniker(in):
Val Valentin (am 1956-02-08)
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (am 1956-02-08)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Ella Fitzgerald22:24
4Anything Goes
recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Teil von:
Anything Goes
Tony Bennett2:22
5The Best Is Yet to Come
Produzent(in):
Brad Benedict und Tom Morgan (producer)
Bass:
Jimmy Bond (von 1963-10-08 bis 1963-10-10)
Bassposaune:
Ken Shroyer (trombonist) (von 1963-10-08 bis 1963-10-10)
Gitarre:
Joe Pass (jazz guitarist) (von 1963-10-08 bis 1963-10-10)
Klavier:
Jack Wilson (jazz pianist) (von 1963-10-08 bis 1963-10-10)
membranophone:
Kenny Dennis (von 1963-10-08 bis 1963-10-10)
Posaune:
Bob Edmondson (von 1963-10-08 bis 1963-10-10), John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.) (von 1963-10-08 bis 1963-10-10) und Lester Robertson (jazz trombonist) (von 1963-10-08 bis 1963-10-10)
Rohrblattinstrumente:
Teddy Edwards (jazz saxophonist) (von 1963-10-08 bis 1963-10-10), Paul Horn (von 1963-10-08 bis 1963-10-10), Harold Land (US jazz tenor saxophonist) (von 1963-10-08 bis 1963-10-10), Joe Maini (von 1963-10-08 bis 1963-10-10) und Donald Ruffell (von 1963-10-08 bis 1963-10-10)
Trompete:
Jules Chaikin (von 1963-10-08 bis 1963-10-10), Freddie Hill (trumpet) (von 1963-10-08 bis 1963-10-10), Carmell Jones (von 1963-10-08 bis 1963-10-10) und Al Porcino (von 1963-10-08 bis 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1963-10-08 bis 1963-10-10)
Orchester:
Gerald Wilson Orchestra (von 1963-10-08 bis 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (von 1963-10-08 bis 1963-10-10)
remixer:
Malcolm Addey und Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1963-10-08 bis 1963-10-10)
cover recording of:
The Best Is Yet to Come (von 1963-10-08 bis 1963-10-10)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
Nancy Wilson2:23
6I Get a Kick Out of You
Ramsey Lewis3:04
7All of You
recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Annie Ross, Gerry Mulligan & Art Farmer2:20
8Let’s Get Lost
recording of:
Let’s Get Lost
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Chet Baker3:45
9I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:32
10California Dreamin’
Clare Teal4:12
11I Love Paris
Sam Butera & the Witnesses2:23
12Fascinating Rhythm
Antonio Carlos Jobim2:11
13Let’s Face the Music and Dance
Anita O’Day3:18
14Strangers in the Night
Mel Tormé2:44
15The Waters of March
Susannah McCorkle3:59