Classic Jazz: For the Open Road

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Walkin’ My Baby Back Home
The Nat King Cole Trio2:15
2Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:38
3You Do Something to Me
engineer:
Val Valentin (on 1956-02-08)
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (on 1956-02-08)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Ella Fitzgerald22:24
4Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Tony Bennett2:22
5The Best Is Yet to Come
producer:
Brad Benedict and Tom Morgan (producer)
bass:
Jimmy Bond (from 1963-10-08 until 1963-10-10)
bass trombone:
Ken Shroyer (trombonist) (from 1963-10-08 until 1963-10-10)
guitar:
Joe Pass (jazz guitarist) (from 1963-10-08 until 1963-10-10)
membranophone:
Kenny Dennis (from 1963-10-08 until 1963-10-10)
piano:
Jack Wilson (jazz pianist) (from 1963-10-08 until 1963-10-10)
reeds:
Teddy Edwards (jazz saxophonist) (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (US jazz tenor saxophonist) (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10)
trombone:
Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.) (from 1963-10-08 until 1963-10-10) and Lester Robertson (jazz trombonist) (from 1963-10-08 until 1963-10-10)
trumpet:
Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (trumpet) (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1963-10-08 until 1963-10-10)
orchestra:
Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (from 1963-10-08 until 1963-10-10)
remixer:
Malcolm Addey and Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10)
cover recording of:
The Best Is Yet to Come (from 1963-10-08 until 1963-10-10)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
Nancy Wilson2:23
6I Get a Kick Out of You
Ramsey Lewis3:04
7All of You
recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
Annie Ross, Gerry Mulligan & Art Farmer2:20
8Let’s Get Lost
recording of:
Let’s Get Lost
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
Chet Baker3:45
9I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Peggy Lee2:32
10California Dreamin’
Clare Teal4:12
11I Love Paris
Sam Butera & the Witnesses2:23
12Fascinating Rhythm
Antonio Carlos Jobim2:11
13Let’s Face the Music and Dance
Anita O’Day3:18
14Strangers in the Night
Mel Tormé2:44
15The Waters of March
Susannah McCorkle3:59