Lotte Lenya singt Kurt Weill

~ Release by Kurt Weill; Lotte Lenya, Roger Bean und sein Orchester (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Moritat vom Mackie Messer
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Lotte Lenya, Roger Bean und sein Orchester3:06
A2Barbara-Song
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Die Dreigroschenoper: Akt I. Der Song vom Nein und Ja (Barbara-Song) (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt I
Lotte Lenya, Roger Bean und sein Orchester4:24
A3Seeräuberjenny
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
publisher:
Arcadia and Universal (Universal Music Publishing Group Germany)
part of:
Die Dreigroschenoper: Akt I
Lotte Lenya, Roger Bean und sein Orchester4:03
A4Havanna-Lied
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Havanna Lied (Ach bedenken Sie, Herr Jakob Schmidt) (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
Lotte Lenya, Roger Bean und sein Orchester1:58
A5Alabama-Song
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”) (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Elisabeth Hauptmann
publisher:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) and Universal Edition (London) Ltd. (publisher; do NOT use as release label)
translated version of:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
Lotte Lenya, Roger Bean und sein Orchester4:08
A6Wie man sich bettet, so liegt man
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Aufstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
Lotte Lenya, Roger Bean und sein Orchester3:57
B1Bilbao-Song
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Happy End: Teil 1. No. 1: Bilbao‐Song. “Bills Ballhaus in Bilbao” (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Lotte Lenya, Roger Bean und sein Orchester4:37
B2Sorabaya-Johnny
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Lotte Lenya, Roger Bean und sein Orchester4:25
B3Was die Herren Matrosen sagen
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Happy End: Teil 1. No. 4: Der Matrosen-Tango "Hallo, jetzt fahren wir nach Birma hinüber" ("Was die Herren Matrosen sagen") (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Lotte Lenya, Roger Bean und sein Orchester4:34
B4Ballade vom ertrunkenen Mädchen
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Das Berliner Requiem: 2. Ballade vom ertrunkenen Mädchen (Chor) (from 1955-07-05 until 1955-07-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Das Berliner Requiem
Lotte Lenya, Roger Bean und sein Orchester3:05
B5Ich bin eine arme Verwandte (Lied der Fennimore)
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Der Silbersee: II. Akt: Nr. 8 Ich bin eine arme Verwandte (Fennimores Lied) (from 1955-07-05 until 1955-07-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1933-02-18)
lyricist:
Georg Kaiser (playwright)
composer:
Kurt Weill (composer)
part of:
Der Silbersee: II. Akt
Lotte Lenya, Roger Bean und sein Orchester2:56
B6Cäsar-Ballade
producer:
H. Gerhard Lichthorn
vocals:
Lotte Lenya
orchestra:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1955-07-05 until 1955-07-07)
recording of:
Der Silbersee: II. Akt: Nr. 9 Rom hieß eine Stadt (Cäsars Tod) (Cäsar-Ballade) (from 1955-07-05 until 1955-07-07)
lyricist:
Georg Kaiser (playwright)
composer:
Kurt Weill (composer)
part of:
Der Silbersee: II. Akt
Lotte Lenya, Roger Bean und sein Orchester2:52