La Voix du ciel

~ Release by Barbara Hendricks (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ave Maria
organ and pipe organ:
Erik Lundkvist (organist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Stockholm Chamber Orchestra
conductor:
Eric Ericson
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach, Charles Gounod3:18
2Cantate, BWV 51 : Aria « Jauchzet Gott in allen Landen »
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:38
3Cantate, BWV 208 : Aria « Schafe können sicher weiden »
recorder:
Eckart Haupt (flutist) and Gudrun Jahn (flutist)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-07)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1989-07)
conductor:
Peter Schreier (German tenor and conductor) (in 1989-07)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1989-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1989-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:19
4Messe en ut mineur, KV 427 : « Et incarnatus est »
producer:
David Groves (classical music producer at EMI)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of Saint-Martin-in-the-Fields (Academy of St Martin in the Fields) (from 1987-04-24 until 1987-04-28)
conductor:
Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart8:21
5Messe du Couronnement, KV 317 : Agnus Dei
producer:
David Groves (classical music producer at EMI)
bass vocals:
Edward Caswell (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
contralto vocals:
Hilary Brooks (alto) (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
tenor vocals:
Andrew Fowler-Watt (tenor) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:11
6Ave Maria, D. 839
pipe organ:
Erik Lundkvist (organist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Orchestre de Chambre de Stockholm (Stockholm Chamber Orchestra)
conductor:
Eric Ericson
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert6:17
7Messe solennelle de Sainte Cécile : Benedictus
baritone vocals:
Jean‐Philippe Lafont (baritone)
choir vocals:
Chœur de Radio France
soprano vocals:
Barbara Hendricks (soprano)
tenor vocals:
Laurence Dale (tenor)
orchestra:
Orchestre philharmonique de Radio France
conductor:
Georges Prêtre (French conductor)
chorus master:
Jacques Jouineau (chorus master)
recording of:
Messe solennelle de Sainte Cécile : VI. Benedictus
composer:
Charles Gounod (French composer)
part of:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
Charles Gounod3:13
8Stabat mater : Inflammatus et accensus
choir vocals:
Eric Ericsons Kammarkör
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra)
conductor:
Eric Ericson
recording of:
Stabat Mater: VIII. Aria - Inflammatus et accensus (soprano, coro)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini4:37
9Requiem : Pie Jesu
producer:
Eric Macleod (producer)
organ:
Ariette Amyel (from 1984-07-16 until 1984-07-27)
soprano vocals:
Barbara Hendricks (soprano) (from 1984-07-16 until 1984-07-27)
orchestra:
Orchestre de Capitole de Toulouse (from 1984-07-16 until 1984-07-27)
conductor:
Michel Plasson (conductor) (from 1984-07-16 until 1984-07-27)
balance engineer:
Serge Rémy (from 1984-07-16 until 1984-07-27)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1984-07-16 until 1984-07-27)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1984-07-16 until 1984-07-27)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:16
10Kaddisch : Mélodie hébraïque
producer and balance engineer:
Yolanta Skura
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
John Eliot Gardiner
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1988) and Warner Music France (in 1988)
engineered at:
Église-forteresse Sainte-Marie-Madeleine de Pérouges in Pérouges, Ain, Auvergne-Rhône-Alpes, France (from 1988-10-13 until 1988-10-18)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
composer:
Maurice Ravel (French composer)
part of:
Deux mélodies hébraïques (for voice and piano)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and orchestra)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel3:43
11Sometimes I Feel Like a Motherless Child (à voix seule)
soprano vocals:
Barbara Hendricks (soprano)
conductor:
Eric Ericson
recording of:
Sometimes I Feel Like a Motherless Child
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10072)
[traditional]3:15
12Nobody Knows de Trouble I’ve Seen
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Nobody Knows the Trouble I’ve Seen
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
[traditional]3:13
13Joshua Fit de Battle of Jericho
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Joshua Fit the Battle of Jericho
lyricist and composer:
[traditional] (special purpose artist)
[traditional]2:24
14When the Saints Go Marchin’ In
double bass:
Arne Wilhelmsson
drums (drum set) and membranophone:
Thomas Bergqvist
piano:
Ulf Johansson
choir vocals:
Orphei Drängar
soprano vocals:
Barbara Hendricks (soprano)
conductor:
Eric Ericson
recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
[traditional]3:30
2▼CD
#TitleArtistRatingLength
1Ariette, KV 308 « Dans un bois solitaire »
producer:
Étienne Collard
piano:
Maria João Pires (pianist) (from 1990-07-06 until 1990-07-08)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-07-06 until 1990-07-08)
balance engineer:
Daniel Michel (recording engineer) (from 1990-07-06 until 1990-07-08)
recorded at:
Salle de Châtonneyre in Corseaux, Vaud (Canton of Vaud), Switzerland (from 1990-07-06 until 1990-07-08)
recording of:
Song for Voice & Piano in A-flat major, K. 295b/308 “Dans un bois solitaire” (from 1990-07-06 until 1990-07-08)
lyricist:
Antoine Houdar de la Motte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 308) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 295b)
Wolfgang Amadeus Mozart3:07
2Abendempfindung, KV 523
producer:
Étienne Collard
piano:
Maria João Pires (pianist) (from 1990-07-06 until 1990-07-08)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-07-06 until 1990-07-08)
balance engineer:
Daniel Michel (recording engineer) (from 1990-07-06 until 1990-07-08)
recorded at:
Salle de Châtonneyre in Corseaux, Vaud (Canton of Vaud), Switzerland (from 1990-07-06 until 1990-07-08)
recording of:
Song for Voice & Piano in F major, K. 523 “Abendempfindung an Laura”: “Abend ist’s” (from 1990-07-06 until 1990-07-08)
lyricist:
Joachim Heinrich Campe
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 523), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 523) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 523)
Wolfgang Amadeus Mozart4:38
3Marguerite au rouet (Gretchen am Spinnrade)
piano:
Radu Lupu (Romanian concert pianist) (in 1985-11)
soprano vocals:
Barbara Hendricks (soprano) (in 1985-11)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1985-11)
recording of:
Gretchen am Spinnrade, D. 118 (in 1985-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:28
4La Truite (Die Forelle)
piano:
Radu Lupu (Romanian concert pianist) (in 1985-11)
soprano vocals:
Barbara Hendricks (soprano) (in 1985-11)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1985-11)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (in 1985-11)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:28
5Sérénade (Ständchen)
piano:
Radu Lupu (Romanian concert pianist) (in 1992-09)
soprano vocals:
Barbara Hendricks (soprano) (in 1992-09)
phonographic copyright (℗) by:
EMI France (in 1993)
recorded at:
Château de Châtonneyre in Corseaux, Vaud (Canton of Vaud), Switzerland (in 1992-09)
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1992-09)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:41
6Morgen
piano:
Ralf Gothóni (pianist and conductor)
vocals:
Barbara Hendricks (soprano)
recording of:
Morgen!, op. 27 no. 4 (for voice and piano)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
4 Lieder, op. 27
Richard Strauss3:43
7Wiegenlied
piano:
Ralf Gothóni (pianist and conductor)
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Wiegenlied, op. 41 no. 1 (Lullaby, op. 41 no. 1)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (in 1899)
part of:
5 Lieder for voice and piano (op 41; TrV 195)
Richard Strauss4:48
8Freundliche Vision
piano:
Ralf Gothóni (pianist and conductor)
vocals:
Barbara Hendricks (soprano)
recording of:
Freundliche Vision, op. 48 no. 1
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer) (in 1900)
part of:
5 Lieder for voice and piano (op. 48; TrV 202)
Richard Strauss2:25
9Après un rêve
piano:
Michel Dalberto (pianist)
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
lyricist:
[anonymous] (special purpose artist)
composer:
Gabriel Fauré (French composer) (in 1877)
translator:
Romain Bussine
publisher:
Choudens (in 1878)
premiered at:
Société nationale de musique in Paris, Île-de-France, France (on 1879-01-11)
part of:
Trois mélodies, op. 7
Gabriel Fauré3:17
10Clair de lune
piano:
Michel Dalberto (pianist)
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Clair de lune, op. 46 no. 2
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (in 1887)
part of:
2 Mélodies, op. 46
Gabriel Fauré3:00
11Les Berceaux
piano:
Michel Dalberto (pianist)
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Les Berceaux, op. 23 no. 1
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1879)
part of:
3 Songs, op. 23
Gabriel Fauré2:53
12Il pleure dans mon cœur
piano:
Michel Béroff (French pianist)
vocals:
Barbara Hendricks (soprano)
recording of:
Ariettes oubliées, L. 60, CD 63a : II. Il pleut doucement sur la ville “Il pleure dans mon cœur comme il pleure sur la ville” (for voice and piano)
additional lyricist:
Arthur Rimbaud
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1887-03)
is based on:
Il pleure dans mon cœur (Paul Verlaine's poem)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy2:47
13C’est l’extase langoureuse
piano:
Michel Béroff (French pianist)
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Ariettes oubliées, L. 60, CD 63a : I. Le Vent dans la plaine suspend son haleine “C’est l’extase langoureuse” (for voice and piano)
additional lyricist:
Charles-Simon Favart
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1887-03)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
Claude Debussy3:37
14L’Invitation au voyage
producer and balance engineer:
Yolanta Skura
soprano vocals:
Barbara Hendricks (soprano) (from 1988-10-13 until 1988-10-18)
orchestra:
Orchestre de l’Opéra de Lyon (from 1988-10-13 until 1988-10-18)
conductor:
John Eliot Gardiner (from 1988-10-13 until 1988-10-18)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1988) and Warner Music France (in 1988)
recorded at:
Église-forteresse Sainte-Marie-Madeleine de Pérouges in Pérouges, Ain, Auvergne-Rhône-Alpes, France (from 1988-10-13 until 1988-10-18)
recording of:
L’Invitation au voyage (for voice and orchestra) (from 1988-10-13 until 1988-10-18)
lyricist:
Charles Baudelaire
composer:
Henri Duparc (French composer)
Henri Duparc4:22
15Vocalise en forme de habanera
producer and balance engineer:
Yolanta Skura
soprano vocals:
Barbara Hendricks (soprano) (from 1988-10-13 until 1988-10-18)
orchestra:
Orchestre de l’Opéra de Lyon (from 1988-10-13 until 1988-10-18)
conductor:
John Eliot Gardiner (from 1988-10-13 until 1988-10-18)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1988) and Warner Music France (in 1988)
recorded at:
Église-forteresse Sainte-Marie-Madeleine de Pérouges in Pérouges, Ain, Auvergne-Rhône-Alpes, France (from 1988-10-13 until 1988-10-18)
recording of:
Vocalise-Étude en forme de habanera (from 1988-10-13 until 1988-10-18)
composer:
Maurice Ravel (French composer)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 51)
Maurice Ravel2:33
16Bachianas brasileiras no. 5 : Aria (cantilena)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
cello and solo cello:
Eldon Fox (cellist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
8 cellos of the Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos6:07
17La Veuve joyeuse : Chanson de Vilja
vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
La Veuve joyeuse : Acte II. Introduction, danse et chanson de Vilja (Missia, Chœur)
composer:
Franz Lehár (composer)
part of:
La Veuve joyeuse
Franz Lehár5:32
18My Fair Lady: I Could Have Danced All Night
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Frederick Loewe3:44

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excerpts:Ave Maria