La Voix du ciel

~ Release by Barbara Hendricks (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ave Maria
organ and pipe organ:
Erik Lundkvist (organist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Stockholm Chamber Orchestra
conductor:
Eric Ericson
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach, Charles Gounod3:18
2Cantate, BWV 51 : Aria « Jauchzet Gott in allen Landen »
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1989-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:38
3Cantate, BWV 208 : Aria « Schafe können sicher weiden »
recorder:
Eckart Haupt (flutist) and Gudrun Jahn (flutist)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-07)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1989-07)
conductor:
Peter Schreier (German tenor and conductor) (in 1989-07)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1989-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1989-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:19
4Messe en ut mineur, KV 427 : « Et incarnatus est »
producer:
David Groves (classical music producer at EMI)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of Saint-Martin-in-the-Fields (Academy of St Martin in the Fields) (from 1987-04-24 until 1987-04-28)
conductor:
Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart8:21
5Messe du Couronnement, KV 317 : Agnus Dei
producer:
David Groves (classical music producer at EMI)
bass vocals:
Edward Caswell (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
contralto vocals:
Hilary Brooks (alto) (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
tenor vocals:
Andrew Fowler-Watt (tenor) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:11
6Ave Maria, D. 839
pipe organ:
Erik Lundkvist (organist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Orchestre de Chambre de Stockholm (Stockholm Chamber Orchestra)
conductor:
Eric Ericson
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert6:17
7Messe solennelle de Sainte Cécile : Benedictus
baritone vocals:
Jean‐Philippe Lafont (baritone)
choir vocals:
Chœur de Radio France
soprano vocals:
Barbara Hendricks (soprano)
tenor vocals:
Laurence Dale (tenor)
orchestra:
Orchestre philharmonique de Radio France
conductor:
Georges Prêtre (French conductor)
chorus master:
Jacques Jouineau (chorus master)
recording of:
Messe solennelle de Sainte Cécile : VI. Benedictus
composer:
Charles Gounod (French composer)
part of:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
Charles Gounod3:13
8Stabat mater : Inflammatus et accensus
choir vocals:
Eric Ericsons Kammarkör
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra)
conductor:
Eric Ericson
recording of:
Stabat Mater: VIII. Aria - Inflammatus et accensus (soprano, coro)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini4:37
9Requiem : Pie Jesu
producer:
Eric Macleod (producer)
organ:
Ariette Amyel (from 1984-07-16 until 1984-07-27)
soprano vocals:
Barbara Hendricks (soprano) (from 1984-07-16 until 1984-07-27)
orchestra:
Orchestre de Capitole de Toulouse (from 1984-07-16 until 1984-07-27)
conductor:
Michel Plasson (conductor) (from 1984-07-16 until 1984-07-27)
balance engineer:
Serge Rémy (from 1984-07-16 until 1984-07-27)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1984-07-16 until 1984-07-27)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1984-07-16 until 1984-07-27)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:16
10Kaddisch : Mélodie hébraïque
producer and balance engineer:
Yolanta Skura
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
John Eliot Gardiner
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1988) and Warner Music France (in 1988)
engineered at:
Église-forteresse Sainte-Marie-Madeleine de Pérouges in Pérouges, Ain, Auvergne-Rhône-Alpes, France (from 1988-10-13 until 1988-10-18)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
composer:
Maurice Ravel (French composer)
part of:
Deux mélodies hébraïques (for voice and piano)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and orchestra)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel3:43
11Sometimes I Feel Like a Motherless Child (à voix seule)
soprano vocals:
Barbara Hendricks (soprano)
conductor:
Eric Ericson
recording of:
Sometimes I Feel Like a Motherless Child
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10072)
[traditional]3:15
12Nobody Knows de Trouble I’ve Seen
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Nobody Knows the Trouble I’ve Seen
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
[traditional]3:13
13Joshua Fit de Battle of Jericho
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Joshua Fit the Battle of Jericho
lyricist and composer:
[traditional] (special purpose artist)
[traditional]2:24
14When the Saints Go Marchin’ In
double bass:
Arne Wilhelmsson
drums (drum set) and membranophone:
Thomas Bergqvist
piano:
Ulf Johansson
choir vocals:
Orphei Drängar
soprano vocals:
Barbara Hendricks (soprano)
conductor:
Eric Ericson
recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
[traditional]3:30
2▶CD

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excerpts:Ave Maria