Complete Recordings on Deutsche Grammophon

~ Release by Carlos Kleiber (see all versions of this release, 4 available)

Tracklist

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1▼Digital Media: Beethoven: Symphonies nos. 5 & 7
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1Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:22
2Symphony no. 5 in C minor, op. 67: 2. Andante con moto
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:00
3Symphony no. 5 in C minor, op. 67: 3. Allegro
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:09
4Symphony no. 5 in C minor, op. 67: 4. Allegro
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven11:01
5Symphony no. 7 in A major, op. 92: 1. Poco sontenuto - Vivace
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven13:36
6Symphony no. 7 in A major, op. 92: 2. Allegretto
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:09
7Symphony no. 7 in A major, op. 92: 3. Presto
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:15
8Symphony no. 7 in A major, op. 92: 4. Allegro con brio
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:36
2▼Digital Media: Brahms: Symphony no. 4
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1Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo
engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
editor:
Günter Hermanns (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1980-03-12 until 1980-03-15)
conductor:
Carlos Kleiber (conductor) (from 1980-03-12 until 1980-03-15)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1980-03-12 until 1980-03-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo (from 1980-03-12 until 1980-03-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms12:54
2Symphony no. 4 in E minor, op. 98: 2. Andante moderato
engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
editor:
Günter Hermanns (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1980-03-12 until 1980-03-15)
conductor:
Carlos Kleiber (conductor) (from 1980-03-12 until 1980-03-15)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1980-03-12 until 1980-03-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato (from 1980-03-12 until 1980-03-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms11:24
3Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I
engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
editor:
Günter Hermanns (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1980-03-12 until 1980-03-15)
conductor:
Carlos Kleiber (conductor) (from 1980-03-12 until 1980-03-15)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1980-03-12 until 1980-03-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (from 1980-03-12 until 1980-03-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms6:09
4Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più Allegro
engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
editor:
Günter Hermanns (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1980-03-12 until 1980-03-15)
conductor:
Carlos Kleiber (conductor) (from 1980-03-12 until 1980-03-15)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1980-03-12 until 1980-03-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato (from 1980-03-12 until 1980-03-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms9:14
3▼Digital Media: Schubert: Symphonies nos. 3 & 8 "Unfinished"
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1Symphony no. 3 in D major, D 200: 1. Adagio maestoso - Allegro con brio
recording engineer:
Volker Martin (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-09)
conductor:
Carlos Kleiber (conductor) (in 1978-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1978-09)
recording of:
Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio (in 1978-09)
composer:
Franz Schubert (composer) (from 1815-05-24 until 1815-07-19)
part of:
Symphony no. 3 in D major, D. 200
Franz Schubert9:01
2Symphony no. 3 in D major, D 200: 2. Allegretto
recording engineer:
Volker Martin (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-09)
conductor:
Carlos Kleiber (conductor) (in 1978-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1978-09)
recording of:
Symphony no. 3 in D major, D. 200: II. Allegretto (in 1978-09)
composer:
Franz Schubert (composer) (from 1815-05-24 until 1815-07-19)
part of:
Symphony no. 3 in D major, D. 200
Franz Schubert2:45
3Symphony no. 3 in D major, D 200: 3. Menuetto. Vivace
recording engineer:
Volker Martin (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-09)
conductor:
Carlos Kleiber (conductor) (in 1978-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1978-09)
recording of:
Symphony no. 3 in D major, D. 200: III. Menuetto & Trio: Vivace (in 1978-09)
composer:
Franz Schubert (composer) (from 1815-05-24 until 1815-07-19)
part of:
Symphony no. 3 in D major, D. 200
Franz Schubert3:40
4Symphony no. 3 in D major, D 200: 4. Presto vivace
recording engineer:
Volker Martin (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-09)
conductor:
Carlos Kleiber (conductor) (in 1978-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1978-09)
recording of:
Symphony no. 3 in D major, D. 200: IV. Presto vivace (in 1978-09)
composer:
Franz Schubert (composer) (from 1815-05-24 until 1815-07-19)
part of:
Symphony no. 3 in D major, D. 200
Franz Schubert6:10
5Symphony no. 8 in B minor, D 759 “Unfinished”: 1. Allegro moderato
recording engineer:
Volker Martin (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-09)
conductor:
Carlos Kleiber (conductor) (in 1978-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1978-09)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (in 1978-09)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert13:56
6Symphony no. 8 in B minor, D 759 “Unfinished”: 2. Andante con moto
recording engineer:
Volker Martin (engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-09)
conductor:
Carlos Kleiber (conductor) (in 1978-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1978-09)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (in 1978-09)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:42
4▼Digital Media: J. Strauss: Die Fledermaus (Act I)
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1Die Fledermaus: Ouvertüre
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss7:40
2Die Fledermaus: Akt I. Nr. 1 Introduktion: “Täubchen, das entflattert ist” (Alfred, Adele)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Ha-ha-ha-ha! Da schreibt meine Ida“ (Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
partial recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:14
3Die Fledermaus: Akt I. “Täubchen, das entflattert ist” (Alfred, Adele, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
partial recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:47
4Die Fledermaus: Akt I. Nr. 1a “Ach, ich darf nicht hin zu dir!” (Adele, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1b Duett „Ach, ich darf nicht hin zu dir!…Du darfst heut' nicht zu ihr“ (Adele, Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss0:56
5Die Fledermaus: Akt I. “Die arme Tante” (Rosalinde, Alfred)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Wie glücklich die alte Tante ist…“ (Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:08
6Die Fledermaus: Akt I. Nr. 2 Terzett: “Nein, mit solchen Advokaten” (Eisenstein, Rosalinde, Blind)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Dr. Blind, Advokat]:
Ferry Gruber (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 2 Terzett „Nein, mit solchen Advokaten“ (Eisenstein, Rosalinde, Blind) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 2b „Rekurrieren - Appellieren“ (Eisenstein, Rosalinde, Blind) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:47
7Die Fledermaus: Akt I. “Sag mal, also statt fünf musst du acht Tage sitzen?” (Rosalinde, Eisenstein, Adele, Falke)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Also, noch verschärft die Strafe?“ (Rosalinde, Eisenstein, Adele, Falke) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:51
8Die Fledermaus: Akt I. Nr. 3 Duett: “Komm mit mir zum Souper” (Falke, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals:
Júlia Várady (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:14
9Die Fledermaus: Akt I. “Seid ihr verrückt geworden?” (Rosalinde, Eisenstein, Falke, Adele)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Ja, was ist denn los? Ihr tanzt und singt“ / „Seid ihr verrückt geworden?“ (Rosalinde, Eisenstein, Falke) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:19
10Die Fledermaus: Akt I. Nr. 4 Terzett: “So muss allein ich bleiben” (Rosalinde, Eisenstein, Adele)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:47
11Die Fledermaus: Akt I. “Ach, diese Männer” (Rosalinde, Alfred)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Ach… Diese Männer“ / „Er weint und tanzt zugleich“ (Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:01
12Die Fledermaus: Akt I. Nr. 5 Finale I: “Trinke, Liebchen, trinke schnell” ... “Mein Herr, was dächten Sie von mir” ... “Mein schönes, großes Vogelhaus” (Alfred, Rosalinde, Frank)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 5c Terzett „Nein, nein, ich zweifle gar nicht mehr“ … „Mein schönes, grosses Vogelhaus” (Frank, Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss10:38
5▼Digital Media: J. Strauss: Die Fledermaus (Acts II & III)
#TitleArtistRatingLength
1Die Fledermaus: Akt II. Nr. 6 Introduktion: “Ein Souper heut uns winkt” (Chor)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:21
2Die Fledermaus: Akt II. “Adele, wer hat denn dich hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Ivan)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
spoken vocals [Ivan, Orlofskys Kammerdiener]:
Nikolai Lugowoi (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Amüsement! Amüsement!“ … „Adele, wer hat dich denn hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:53
3Die Fledermaus: Akt II. Nr. 7 Couplet: “Ich lade gern mir Gäste ein” (Orlofsky, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:03
4Die Fledermaus: Akt II. “Durchlaucht, hier ist Ihre Brieftasche wieder” (Adele, Orlofsky, Eisenstein, Falke)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Das sind allerdings … Aber heute möchte ich herzlich lachen“ … „Durchlaucht, hier ist ihre Brieftasche wieder” … „Das ist ja Adele” (Eisenstein, Orlofsky, Ida, Adele, Falke) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:46
5Die Fledermaus: Akt II. Nr. 8 Ensemble und Couplet: “Ach, meine Herr'n und Damen” (Orlofsky, Falke, Chor, Adele, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
partial recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:03
6Die Fledermaus: Akt II. “Mein Herr Marquis” (Adele, Chor)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:24
7Die Fledermaus: Akt II. [Russisch: “Hoheit, ein Chevalier Chagrin ist da”] (Ivan, Orlofsky, Falke, Eisenstein, Frank, Ida, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Ivan, Orlofskys Kammerdiener]:
Nikolai Lugowoi (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Hoheit, ein Chevalier Chagrin ist da” … „Na, Herr Marquis“ (Ivan, Ida, Falke, Orlofsky, Frank, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:04
8Die Fledermaus: Akt II. Nr. 9 Duett: “Dieser Anstand, so manierlich” (Eisenstein, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:44
9Die Fledermaus: Akt II. “Ah, da ist ja die schöne Unbekannte!” (Frank, Adele, Chor, Orlofsky, Ida, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Haha, lieber Marquis“ … „Ah, da ist ja die schöne Unbekannte” (Frank, Adele, Orlofsky, Rosalinde, alle) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:36
10Die Fledermaus: Akt II. Nr. 10 Csárdás: “Klänge der Heimat” (Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:02
11Die Fledermaus: Akt II. “Bravo! Bravissimo!” (Chor, Ida, Rosalinde, Orlofsky, Falke, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog: „Ausgezeichnet, bravo!“ (Ida, Rosalinde, Orlofsky, Falke, Eisenstein, alle) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:12
12Die Fledermaus: Akt II. Nr. 11 Finale II: “Im Feuerstrom der Reben” (Orlofsky, Chor, Adele, Ida, Eisenstein, Frank, Falke, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:13
13Die Fledermaus: Akt II. “Herr Chevalier, ich grüße Sie!” ... “Brüderlein und Schwesterlein” (Eisenstein, Frank, Falke, Rosalinde, Adele, Ida, Chor, Orlofsky)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss5:21
14Die Fledermaus: Akt II. “Wir werden jetzt sehen das Ballett” (Orlofsky)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog: „Wir werden jetzt sehen das Ballett“ (Orlofsky) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:10
15Die Fledermaus: Akt II. Unter Donner und Blitz, Polka op. 324
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss2:56
16Die Fledermaus: Akt II. “Genug damit, genug!” (Orlofsky, Chor, Eisenstein, Frank, Rosalinde, Adele, Ida, Falke)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 11c Finale „Genug, damit, genug!“ (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:10
17Die Fledermaus: Akt III. Nr. 12 Entr'acte
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 12 Entreakt (in 1975-10)
lyricist:
Howard Dietz (librettist)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus: Akt III
Johann Strauss0:57
18Die Fledermaus: Akt III. “Täubchen, das entflattert ist” (Alfred, Frosch)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog: „Täubchen, das entflattert ist” … „Hallo, also das ist ein fideles Gefängnis“ (Alfred, Frosch) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss1:08
19Die Fledermaus: Akt III. Nr. 13 Melodram: “So, da wär'n wir ja zu Hause im Vogelhaus” (Frank)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 13. Melodram „So, da wär’n wir ja zuhause im Vogelhaus“ … „Olga komm her, Ida auch“ (Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss3:47
20Die Fledermaus: Akt III. “Ah, der Herr Direktor ist entschlafen” (Frosch, Frank, Adele, Ida)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss1:33
21Die Fledermaus: Akt III. Nr. 14 Couplet: “Spiel' ich die Unschuld vom Lande” (Adele, Ida, Frank)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss4:13
22Die Fledermaus: Akt III. “Herr Direktor!” (Frosch, Adele, Frank, Eisenstein, Blind, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Dr. Blind, Advokat]:
Ferry Gruber (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
recording of:
Die Fledermaus: Akt III. Dialog „Bravo, ganz entzückend!“ … „Herr Direktor!” (Frank, Frosch, Adele, Eisenstein)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss3:26
23Die Fledermaus: Akt III. Nr. 15 Terzett: “Ich stehe voll Zagen” (Rosalinde, Alfred, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 15 Terzett „Ich steh’ voll Zagen“ (Rosalinde, Alfred, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss7:01
24Die Fledermaus: Akt III. “Also, du willst mir Vorwürfe machen?” (Rosalinde, Eisenstein, Frank, Alfred, Frosch)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Du wagst es mir Vorwürfe zu machen“ (Rosalinde, Eisenstein, Alfred, Frank, Frosch) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss0:41
25Die Fledermaus: Akt III. Nr. 16 Finale III: “O Fledermaus, o Fledermaus” (Rosalinde, Adele, Ida, Frank, Chor, Eisenstein, Falke, Orlofsky, Alfred)
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss2:39
6▼Digital Media: Verdi: La traviata (Act I & Act II, Scene 1)
#TitleArtistRatingLength
1La traviata: Preludio
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Preludio (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:38
2La traviata: Atto I. Introduzione: “Dell'invito trascorsa è già l'ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06) and Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:34
3La traviata: Atto I. Introduzione: Brindisi: “Libiamo ne' lieti calici” (Alfredo, Flora, Gastone, Barone, Dottore, Marchese, coro, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:55
4La traviata: Atto I. Introduzione: Valzer e duetto: “Che è ciò?” (Flora, Alfredo, Gastone, Barone, Dottore, Marchese, coro, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06-26) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. “Che è ciò?” (Violetta, Alfredo, Coro) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:18
5La traviata: Atto I. Introduzione: “Un dì felice, eterea” (Alfredo, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:06
6La traviata: Atto I. Introduzione: “Ebben? Che diavol fate?” (Gastone, Violetta, Alfredo)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06) and Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto I. “Ebben? Che diavol fate?” (Gastone, Violetta, Alfredo) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:19
7La traviata: Atto I. Introduzione: Stretta dell'introduzione: “Si ridesta in ciel l'aurora” (Flora, Gastone, Barone, Dottore, Marchese, coro)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto I. “Si ridesta in ciel l’aurora” (Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:37
8La traviata: Atto I. Scena ed aria: “È strano! ... Ah, fors'è lui” (Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:36
9La traviata: Atto I. Scena ed aria: “Follie! Delirio vano è questo! ... Sempre libera” (Violetta, Alfredo)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerischer Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:32
10La traviata: Atto II, scena 1. Scena ed aria: “Lunge da lei ... De' miei bollenti spiriti” (Alfredo)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:33
11La traviata: Atto II, scena 1. Scena ed aria: “Annina, donde vieni? ... Oh mio rimorso!” (Alfredo, Annina)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “Annina, donde vieni?” (Alfredo, Annina) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:19
12La traviata: Atto II, scena 1. Scena e duetto: “Alfredo?” - “Per Parigi or or partiva” (Violetta, Annina, Giuseppe, Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 1. “Alfredo? Per Parigi or or partiva” (Violetta, Annina, Giuseppe, Germont) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:18
13La traviata: Atto II, scena 1. Scena e duetto: “Pura siccome un angelo” (Germont, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. Duetto “Pura siccome un angelo” (Germont, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:39
14La traviata: Atto II, scena 1. Scena e duetto: “Non sapete quale affetto” (Violetta, Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. Duetto “Non sapete quale affetto” (Violetta, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:59
15La traviata: Atto II, scena 1. Scena e duetto: “Un dì, quando le veneri” (Germont, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:34
16La traviata: Atto II, scena 1. Scena e duetto: “Ah! Dite alla giovine” (Violetta, Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. Duetto “Ah! Dite alla giovine” (Violetta, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:05
17La traviata: Atto II, scena 1. Scena e duetto: “Imponete” - “Non amarlo ditegli” (Violetta, Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “Imponete … Non amarlo ditegli” (Violetta, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:18
18La traviata: Atto II, scena 1. Scena: “Dammi tu forza, o cielo!” (Violetta, Annina)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” … “Che gli dirò?” … “Amami, Alfredo” (Violetta, Annina, Alfredo) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:43
19La traviata: Atto II, scena 1. Scena: “Che fai?” - “Nulla” (Alfredo, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 1. “Che fai? … Nulla” (Violetta, Alfredo) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:07
20La traviata: Atto II, scena 1. Scena ed aria: “Ah, vive sol quel core” (Alfredo, Giuseppe, un commissionario, Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06)
bass vocals:
Paul Winter (Bass singer) (from 1976-05-14 until 1977-06)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 1. “Ah, vive sol quel cuore all’amor mio!” (Alfredo, Giuseppe, Commissionario, Germont) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:12
21La traviata: Atto II, scena 1. Scena ed aria: “Di Provenza il mar, il suol” (Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1976-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1976-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1976-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1976-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1976-06-26)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:01
22La traviata: Atto II, scena 1. Scena ed aria: “Né risponi d'un padre all'affetto? ... No, nun udrai rimproveri” (Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 1. “Nè rispondi d’un padre all’affetto?” (Germont, Alfredo) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “No, non udrai rimproveri” (Germont, Alfredo) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:45
7▼Digital Media: Verdi: La traviata (Act II, Scene 2 & Act III)
#TitleArtistRatingLength
1La traviata: Atto II, scena 2. Finale II: “Avrem lieta di maschere la notte” (Flora, Marchese, Dottore)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
bass vocals [Dottore Grenvil]:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Avrem lieta di maschere la notte” (Flora, Marchese, Dottore, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:03
2La traviata: Atto II, scena 2. Finale II: “Noi siamo zingarelle” (Gastone, coro, Flora, Marchese, Dottore)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi32:46
3La traviata: Atto II, scena 2. Finale II: “Di Madride noi siam mattadori” (Gastone, coro, Flora, Dottore, Marchese)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:32
4La traviata: Atto II, scena 2. Finale II: “Alfredo! Voi!” (Flora, Gastone, Dottore, Marchese, coro, Alfredo, Violetta, Barone, un domestico)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06)
bass vocals:
Paul Friess (from 1976-05-14 until 1977-06)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Alfredo! Voi!” … “Qui desiata giungi” (Alfredo, Flora, Barone, Violetta, Gastone, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:54
5La traviata: Atto II, scena 2. Finale II: “Invitato a qui seguirmi” (Violetta, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, coro)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06-26) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 2. “Invitato a qui seguirmi” (Violetta, Alfredo, Coro) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:28
6La traviata: Atto II, scena 2. Finale II: “Ogni suo aver tal femmina” (Alfredo, Gastone, Barone, Dottore, Marchese, coro)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06-26) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 2. “Ogni suo aver tal femmina” (Alfredo, tutti) (scena della borsa) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:31
7La traviata: Atto II, scena 2. Finale II: “Di sprezzo degno se stesso rende” (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, coro)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. "Di sprezzo degno sè stesso rende" (Germont, Alfredo, Barone, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:48
8La traviata: Atto II, scena 2. Finale II: “Alfredo, Alfredo, di questo core” (Violetta, Flora, Gastone, Dottore, Marchese, coro, Alfredo, Barone, Germont)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06)
bass vocals:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06) and Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
tenor vocals:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto II, scena 2. “Alfredo, Alfredo, di questo core” (Violetta, Alfredo, Barone, Germont, Coro) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:14
9La traviata: Atto III. Preludio, scena ed aria: Preludio
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto III. Preludio (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:36
10La traviata: Atto III. Preludio, scena ed aria: “Annina?” - “Comandate?”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
bass vocals [Dottore]:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto III. “Annina?… Comandate?” (Violetta, Annina, Dottore) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:54
11La traviata: Atto III. Preludio, scena ed aria: “Teneste la promessa ... Addio del passato” (Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:59
12La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto III. “Largo al quadrupede” (Coro di maschere) (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi0:48
13La traviata: Atto III. Scena e duetto: “Signora” - “Che t'accadde?” (Annina, Violetta, Alfredo) / “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06) and Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06, from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. “Signora! Che t’accadde?” (Violetta, Annina, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:44
14La traviata: Atto III. Scena e duetto: “Ah, non più! ... Ah, gran Dio! Morir sì giovane” (Violetta, Alfredo)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. “Ah, non più, a un tempio” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
recording of:
La traviata: Atto III. “Ma se tornando…Ah! gran Dio! Morir si giovine” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:00
15La traviata: Atto III. Finale ultimo: “Ah, Violetta!” - “Voi, signor!” (Germont, Violetta, Alfredo)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. “Ah, Violetta!… Voi, Signor!” (Germont, Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi1:43
16La traviata: Atto III. Finale ultimo: “Prendi, quest'è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1977-06-26)
bass vocals [Dottore]:
Giovanni Foiani (operatic bass) (from 1976-05-14 until 1977-06-26)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. Finale “Prendi, quest’è l’immagine” (Violetta, Alfredo, Germont) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:53
8▼Digital Media: Wagner: Tristan und Isolde (Act I)
#TitleArtistRatingLength
1Tristan und Isolde: Akt I. Einleitung
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:33
2Tristan und Isolde: Akt I. “Westwärts schweift der Blick” (Ein junger Seemann, Isolde, Brangäne)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
mezzo-soprano vocals [Brangäne]:
Brigitte Fassbaender (mezzo-soprano) (from 1980-08 until 1982-04)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
tenor vocals [Ein junger Seemann]:
Eberhard Büchner (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
recording of:
Tristan und Isolde, WWV 90: Akt I, Szene I. "Westwärts schweift der Blick" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner5:26
3Tristan und Isolde: Akt I. “Frisch weht der Wind der Heimat zu” (Ein junger Seemann, Isolde, Brangäne, Kurwenal, Chor)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
choir vocals:
Rundfunkchor Leipzig (from 1980-08 until 1982-04)
mezzo-soprano vocals [Brangäne]:
Brigitte Fassbaender (mezzo-soprano) (from 1980-08 until 1982-04)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
tenor vocals [Ein junger Seemann]:
Eberhard Büchner (tenor) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
chorus master:
Gerhard Richter (chorus master, classical) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
recording of:
Tristan und Isolde, WWV 90: Akt I, Szene II. "Frisch weht der Wind der Heimat zu" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner9:28
4Tristan und Isolde: Akt I. “Weh, ach wehe! Dies zu dulden!” (Brangäne, Isolde, Chor)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
choir vocals:
Rundfunkchor Leipzig (from 1980-08 until 1982-04)
mezzo-soprano vocals [Brangäne]:
Brigitte Fassbaender (mezzo-soprano) (from 1980-08 until 1982-04)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
chorus master:
Gerhard Richter (chorus master, classical) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
recording of:
Tristan und Isolde, WWV 90: Akt I, Szene III. "Weh, ach wehe! Dies zu dulden!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner17:51
5Tristan und Isolde: Akt I. “Auf! Auf! Ihr Frauen! Frisch und froh!” (Kurwenal, Isolde, Brangäne)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
mezzo-soprano vocals [Brangäne]:
Brigitte Fassbaender (mezzo-soprano) (from 1980-08 until 1982-04)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt I, Szene IV. "Auf! Auf! Ihr Frauen! Frisch und froh!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner7:22
6Tristan und Isolde: Akt I. “Herr Tristan trete nah!” (Isolde, Tristan, Chor)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
choir vocals:
Rundfunkchor Leipzig (from 1980-08 until 1982-04)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
chorus master:
Gerhard Richter (chorus master, classical) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt I, Szene IV. "Auf! Auf! Ihr Frauen! Frisch und froh!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
partial recording of:
Tristan und Isolde, WWV 90: Akt I, Szene V. "Begehrt, Herrin, was Ihr wünscht" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner20:03
7Tristan und Isolde: Akt I. “Tristan!” - “Isolde!” - “Treuloser Holder!” (Isolde, Tristan, CHor, Brangäne, Kurwenal)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
choir vocals:
Rundfunkchor Leipzig (from 1980-08 until 1982-04)
mezzo-soprano vocals [Brangäne]:
Brigitte Fassbaender (mezzo-soprano) (from 1980-08 until 1982-04)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
chorus master:
Gerhard Richter (chorus master, classical) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt I, Szene V. "Begehrt, Herrin, was Ihr wünscht" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner6:50
9▶Digital Media: Wagner: Tristan und Isolde (Act II)
10▶Digital Media: Wagner: Tristan und Isolde (Act III)
11▶Digital Media: Weber: Der Freischütz (Act I & Act II, Scene 1)
12▶Digital Media: Weber: Der Freischütz (Act II, Scene 2 & Act III)

Credits