Complete Recordings on Deutsche Grammophon

~ Release by Carlos Kleiber (see all versions of this release, 4 available)

Tracklist

1Digital Media: Beethoven: Symphonies nos. 5 & 7
2Digital Media: Brahms: Symphony no. 4
3Digital Media: Schubert: Symphonies nos. 3 & 8 "Unfinished"
4Digital Media: J. Strauss: Die Fledermaus (Act I)
5Digital Media: J. Strauss: Die Fledermaus (Acts II & III)
6Digital Media: Verdi: La traviata (Act I & Act II, Scene 1)
7Digital Media: Verdi: La traviata (Act II, Scene 2 & Act III)
8Digital Media: Wagner: Tristan und Isolde (Act I)
9Digital Media: Wagner: Tristan und Isolde (Act II)
10Digital Media: Wagner: Tristan und Isolde (Act III)
11Digital Media: Weber: Der Freischütz (Act I & Act II, Scene 1)
#TitleArtistRatingLength
1Der Freischütz: Ouvertüre
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Ouvertüre (in 1973-02)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber9:48
2Der Freischütz: Akt I. Nr. 1 Introduktion: “Viktoria, Viktoria, der Meister soll leben” (Chor, Max, ein Bauer) / Bauern-Marsch / “Schau der Herr mich an als König!” (Kilian, Chor, Max)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ / Bauernmarsch / „Schau der Herr mich an“ (Chor, Max, Kilian) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
part of:
Der Freischütz: Akt I
Carl Maria von Weber4:52
3Der Freischütz: Akt I. “Was gibt's hier?” (Kuno, Kilian, Max, Kaspar, Bauern, Schenkmädchen)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber3:24
4Der Freischütz: Akt I. Nr. 2 Terzett mit Chor: “Oh, diese Sonne, furchtbar steigt sie mir empor!” (Max, Kuno, Kaspar, Chor)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 2. Terzett mit Chor „Oh, diese Sonne“ (Max, Kuno, Kaspar, Chor) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:58
5Der Freischütz: Akt I. “Ein braver Mann” (Kilian, Bauern, Bäuerinnen, Max)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber0:22
6Der Freischütz: Akt I. Nr. 3 Walzer
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber1:13
7Der Freischütz: Akt I. Nr. 3a Rezitativ und Arie: “Nein, länger trag' ich nicht die Qualen ... Durch die Wälder, durch die Auen” (Max)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:38
8Der Freischütz: Akt I. “Kamerad!” (Kaspar, Max, Schenkmädchen)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber0:52
9Der Freischütz: Akt I. Nr. 4 Lied: “Hier im ird'schen Jammertal!” (Kaspar, Max)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 4. Lied „Hier im ird'schen Jammertal“ (Kaspar) (Caspar's drinking song) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber2:00
10Der Freischütz: Akt I. “Bruderherz!” (Kaspar, Max)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber2:07
11Der Freischütz: Akt I. Nr. 5 Arie: “Schweig, schweig, damit dich niemand warnt!” (Kaspar)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 5. Arie „Schweig, schweig - damit dich niemand warnt!“ (Kaspar) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber3:17
12Der Freischütz: Akt II, Szene 1. Nr. 6 Duett: “Schelm, halt fest! Ich will dich's lehren!” (Ännchen, Agathe)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt II. Nr. 6. Duett „Schelm, halt fest!“ (Agathe, Ännchen) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:49
13Der Freischütz: Akt II, Szene 1. “So! Da oben, mag ich den Herrn Urältervater” (Ännchen, Agathe)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt II
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber0:30
14Der Freischütz: Akt II, Szene 1. Nr. 7 Ariette: “Kommt ein schlanker Bursch gegangen” (Ännchen)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt II (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber3:45
15Der Freischütz: Akt II, Szene 1. “Und der Bursch nicht minder schön!” (Agathe, Ännchen)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt II
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber0:50
16Der Freischütz: Akt II, Szene 1. Nr. 8 Szene und Arie: “Wie nahte mir der Schlummer ... Leise, leise, fromme, Weise!” (Agathe)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt II (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber8:20
17Der Freischütz: Akt II, Szene 1. “Meine Agathe!” (Max, Agathe, Ännchen)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt II
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber1:23
18Der Freischütz: Akt II, Szene 1. Nr. 9 Terzett: “Wie? Was? Entsetzen! Dort in der Schreckensschlucht?” (Agathe, Ännchen, Max)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt II. Nr. 9. Terzett „Wie? Was? Entsetzen!“ (Agathe, Ännchen, Max) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber6:42
12Digital Media: Weber: Der Freischütz (Act II, Scene 2 & Act III)

Credits