Fantasia on Greensleeves

~ Release by Vaughan Williams, Delius, Elgar, Warlock, Butterworth; Academy of St Martin‐in‐the‐Fields, Neville Marriner (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:33
2The Lark Ascending
producer:
Michael Bremner (producer/engineer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1971-05-12 until 1971-05-14)
orchestra:
Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14)
conductor:
Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-05-12 until 1971-05-14)
recording of:
The Lark Ascending (for violin and orchestra) (from 1971-05-12 until 1971-05-14)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams16:07
3English Folk Song Suite: I. March “Seventeen Come Sunday”
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:21
4English Folk Song Suite: II. Intermezzo “My Bonny Boy”
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:19
5English Folk Song Suite: III. March “Folk Songs from Somerset”
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:54
6Serenade for Strings
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06) and Andrew Pinder (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Serenade for String Orchestra (from 1977-06-14 until 1977-06-15)
composer:
Peter Warlock (British composer) (from 1922 until 1923)
Peter Warlock7:47
7Capriol Suite: I. Basse‐Danse
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Capriol Suite: I. Basse-danse (for orchestra) (on 1977-01-29)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: I. Basse-danse (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock1:36
8Capriol Suite: II. Pavane
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Capriol Suite: II. Pavanne (for orchestra) (on 1977-01-29)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:10
9Capriol Suite: III. Tordion
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Capriol Suite: III. Tordion (for orchestra) (on 1977-01-29)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: III. Tordion (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock1:07
10Capriol Suite: IV. Bransles
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Capriol Suite: IV. Bransles (for orchestra) (on 1977-01-29)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: IV. Bransles (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:00
11Capriol Suite: V. Pieds‐en‐l’air
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Capriol Suite: V. Pieds‐en‐l’air (for orchestra) (on 1977-01-29)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: V. Pieds-en-l’air (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:24
12Capriol Suite: VI. Mattachins (Sword Dance)
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Capriol Suite: VI. Mattachins (Sword Dance) (for orchestra) (on 1977-01-29)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: VI. Mattachins (Sword Dance) (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock1:04
13A Shropshire Lad
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-01) and Stanley Goodall (engineer) (in 1976-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
A Shropshire Lad (orchestral rhapsody) (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer)
publisher:
Novello & Co. Ltd.
George Butterworth10:23
14Two English Idylls
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-01) and Stanley Goodall (engineer) (in 1976-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Two English Idylls for Small Orchestra (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer)
George Butterworth9:49
15The Banks of Green Willow
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
The Banks of Green Willow, Idyll (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer) (in 1913)
George Butterworth6:06
2▼CD
#TitleArtistRatingLength
1The Walk to the Paradise Garden
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Sir Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
A Village Romeo and Juliet, RT I/6: Scene 5: IV. The walk to the Paradise Garden (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer)
part of:
A Village Romeo and Juliet, RT I/6
Frederick Delius8:48
2Intermezzo and Serenade from ‘Hassan’
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Sir Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
Hassan Suite: Intermezzo (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Hassan Suite
recording of:
Hassan, RT i/9: Serenade (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer)
publisher:
Boosey & Hawkes Music Publishers, Ltd and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Hassan, RT i/9
Frederick Delius3:57
3A Song Before Sunrise
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Sir Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
A Song Before Sunrise, RT VI/24 (from 1977-01-27 until 1977-01-28)
premiered in:
London (Greater London), England, United Kingdom (on 1923-09-19)
composer:
Frederick Delius (English composer) (in 1918)
dedicated to:
Peter Warlock (British composer)
part of:
Delius Catalogue of Works (DCW) (number: DCW 40) and Works of Frederick Delius by RT number (number: RT VI/24)
Frederick Delius4:44
4On Hearing the First Cuckoo in Spring
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1 (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer) (in 1912)
dedicated to:
Balfour Gardiner
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius5:47
5Summer Night on the River
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Sir Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
Summer Night on the River, RT VI/19 no. 2 (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer) (in 1911)
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius5:18
6La Calinda
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
Koanga, RT I/4: La Calinda (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer) (from 1896 until 1897)
part of:
Koanga, RT I/4
Frederick Delius4:07
7Serenade for Strings, op. 20: I. Allegro piacevole
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:21
8Serenade for Strings, op. 20: II. Larghetto
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar6:06
9Serenade for Strings, op. 20: III. Allegretto
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar2:39
10Sospiri for Strings, Harp and Organ, op. 70
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Edward Elgar4:54
11Elegy for Strings, op. 58
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Elegy, op. 58 (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
Edward Elgar4:29
12The Spanish Lady – Suite
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
The Spanish Lady Suite (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer)
arranger:
Percy Young
is based on:
The Spanish Lady, op. 89 (unfinished)
Edward Elgar6:01
13Introduction and Allegro, op. 47
producer:
Michael Bremner (producer/engineer)
viola:
Kenneth Essex (British violist) (from 1967-11-20 until 1967-11-21)
violin:
Raymond Keenlyside (violinist, associated with Aeolian Quartet) (from 1967-11-20 until 1967-11-21) and Hugh Maguire (violinist, leader, concertmaster, and conductor) (from 1967-11-20 until 1967-11-21)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Introduction and Allegro for Strings, op. 47 (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1905)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Works of Edward Elgar by opus number (number: op. 47)
Edward Elgar13:49

Credits