"O holder Tag, erwünschte Zeit", BWV 210: 4. Aria: "Ruhet hie, matte Töne"

~ Recording by Emma Kirkby, Academy of Ancient Music, Christopher Hogwood

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
81.9"O holder Tag, erwünschte Zeit", BWV 210: 4. Aria: "Ruhet hie, matte Töne"7:01Johann Sebastian BachBach 333 - J.S. Bach The New Complete EditionJohann Sebastian BachAlbum + Compilation
  • XW2018-10-26
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon4798000
Pseudo-Release
6.9"O holder Tag, erwünschte Zeit", BWV 210: 4. Aria: "Ruhet hie, matte Töne"7:01Johann Sebastian BachBach 333: Sacred & secular vocal (second half)Johann Sebastian BachAlbum + Compilation

Relationships

producer:Chris Sayers (producer)
soprano vocals:Emma Kirkby (soprano) (in 1996-07)
orchestra:Academy of Ancient Music (in 1996-07)
conductor:Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:Neil Hutchinson (sound engineer)
recorded at:Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne"

Related works

Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne"

premiered in:Leipzig, Sachsen (Saxony), Germany
composed in:Leipzig, Sachsen (Saxony), Germany
composer:Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:[anonymous] (special purpose artist)
part of:Kantate, BWV 210 "O holder Tag, erwünschte Zeit" (order: 4)