The Complete Collection: Part Two 1959 - 1962

~ Release by Ahmad Jamal (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Poinciana
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
live instrumental recording of:
Poinciana (Song of the Tree) (on 1958-01-17)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
The Ahmad Jamal Trio3:03
2Too Late Now
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Too Late Now (Royal Wedding / On a Clear Day) (on 1958-01-17)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
The Ahmad Jamal Trio2:31
3All the Things You Are
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
The Ahmad Jamal Trio3:13
4Cherokee
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Cherokee (on 1958-01-17)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
The Ahmad Jamal Trio3:40
5It Might as Well Be Spring
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
The Ahmad Jamal Trio3:28
6I'll Remember April
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
I’ll Remember April (on 1958-01-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
The Ahmad Jamal Trio2:42
7My Funny Valentine
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1958-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
The Ahmad Jamal Trio3:25
8Gone With the Wind
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Gone With the Wind (on 1958-01-17)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
The Ahmad Jamal Trio3:25
9Billy Boy
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Billy Boy (on 1958-01-17)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
The Ahmad Jamal Trio3:01
10It's You or No One
recording engineer:
Malcolm Chisholm (on 1958-01-17)
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
The Ahmad Jamal Trio2:30
11They Can't Take That Away From Me
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1958-01-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
The Ahmad Jamal Trio4:45
12Poor Butterfly
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Poor Butterfly (on 1958-01-17)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
The Ahmad Jamal Trio3:40
13Ahmad's Waltz
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet4:46
14Valentina
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet2:22
15Yesterdays
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
Yesterdays (in 1960-08)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Ahmad Jamal Quintet2:58
16Tempo for Two
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet3:29
17Hallelujah
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet2:09
18It's a Wonderful World
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
It’s a Wonderful World (in 1960-08)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
The Ahmad Jamal Quintet2:52
19Baia
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet4:03
20You Came a Long Way From St. Louis
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
You Came a Long Way From St. Louis (in 1960-08)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
The Ahmad Jamal Quintet3:39
21Lover Man
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
Lover Man (in 1960-08)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
The Ahmad Jamal Quintet4:07
22Who Cares
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
Who Cares? (Of Thee I Sing) (in 1960-08)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
The Ahmad Jamal Quintet3:15
3▶Digital Media
4▶Digital Media