The Complete Collection: Part Two 1959 - 1962

~ Release by Ahmad Jamal (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Comme Çi, Comme Ça
2:15
2Ivy
live instrumental recording of:
Ivy (in 1959-02)
lyricist and composer:
Hoagy Carmichael
4:03
3Never Never Land
live instrumental recording of:
Never Never Land (Peter Pan, 1954 musical) (in 1959-02)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC and WC Music Corp.
part of:
Peter Pan (1954 musical)
3:12
4Tangerine
live instrumental recording of:
Tangerine (1941 song) (in 1959-02)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:46
5Ahmad's Blues
live recording of:
Ahmad’s Blues (in 1959-02)
composer:
Ahmad Jamal
4:25
6Seleritius
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
live recording of:
Seleritus (in 1959-02)
composer:
Ahmad Jamal
3:06
7I Like to Recognize the Tune
live instrumental recording of:
I Like to Recognize the Tune (in 1959-02)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
1:46
8I'm Alone With You
3:15
9Sophisticated Gentleman
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
4:14
10Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
45:15
11For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
52:46
12Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
55:45
13Excerpt From the Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
3:03
14You'd Be So Easy to Love
3:19
15Time on My Hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
1:35
16Rain Check
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
4:41
17I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:01
18Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
4:54
19Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
2:39
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