Matthäus Passion, BWV 244

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra, De Nederlandse Bachvereniging & Sacramentskoor Breda (see all versions of this release, 3 available)

Tracklist

1▶CD
2▶CD
3▼CD
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1Matthäus Passion, BWV 244: Seconda parte. La. „Sie schrieen aber noch mehr“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:07
2Matthäus Passion, BWV 244: Seconda parte. Lb. „Laß ihn kreuzigen“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:17
3Matthäus Passion, BWV 244: Seconda parte. Lc. „Da aber Pilatus sahe“ (Evangelista, Pilatus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:26
4Matthäus Passion, BWV 244: Seconda parte. Ld. „Sein Blut komme über uns“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:35
5Matthäus Passion, BWV 244: Seconda parte. Le. „Da gab er ihnen Barrabam los“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:25
6Matthäus Passion, BWV 244: Seconda parte. LI. Recitativo „Erbarm’es Gott!“ (Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:45
7Matthäus Passion, BWV 244: Seconda parte. LII. Aria „Können Tränen meinen Wangen“ (Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:05
8Matthäus Passion, BWV 244: Seconda parte. LIIIa. „Da nahmen die Kriegsknechte“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:34
9Matthäus Passion, BWV 244: Seconda parte. LIIIb. „Gegrüßet seist du, Jüdenkönig“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:12
10Matthäus Passion, BWV 244: Seconda parte. LIIIc. „Und speieten ihn an“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:15
11Matthäus Passion, BWV 244: Seconda parte. LIV. Choral „Oh Haupt voll Blut und Wunden“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:14
12Matthäus Passion, BWV 244: Seconda parte. LV. Recitativo „Und da sie ihn verspottet hatte“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
13Matthäus Passion, BWV 244: Seconda parte. LVI. Recitativo „Ja! Freilich will in uns das Fleisch und Blut“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:38
14Matthäus Passion, BWV 244: Seconda parte. LVII. Aria „Komm süßes Kreuz, so will ich sagen“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:54
15Matthäus Passion, BWV 244: Seconda parte. LVIIIa. „Und da sie and die Stätte kamen“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach1:37
16Matthäus Passion, BWV 244: Seconda parte. LVIIIb. „Der du den Tempel Gottes zerbrichst“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:24
17Matthäus Passion, BWV 244: Seconda parte. LVIIIc. „Desgleichen auch die Hohenpriester“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:08
18Matthäus Passion, BWV 244: Seconda parte. LVIIId. „Andern hat er geholfen“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:42
19Matthäus Passion, BWV 244: Seconda parte. LVIIIe. „Desgleichen schmäheten ihn auch die Mörder“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:16
20Matthäus Passion, BWV 244: Seconda parte. LIX. Recitativo „Ach Golgotha!“ (Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:31
21Matthäus Passion, BWV 244: Seconda parte. LX. Aria „Sehet, Jesus hat die Hand“ (Alto, Chorus II)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:17
22Matthäus Passion, BWV 244: Seconda parte. LXIa. „Und von der sechsten Stunde an“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach1:20
23Matthäus Passion, BWV 244: Seconda parte. LXIb. „Der rufet dem Elias“ (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIb. "Der rufet dem Elias" (Chorus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:04
24Matthäus Passion, BWV 244: Seconda parte. LXIc. „Und bald lief einer unter ihnen“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:15
25Matthäus Passion, BWV 244: Seconda parte. LXId. „Halt! Laß stehen“ (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXId. "Halt! Laß sehen" (Chorus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:08
26Matthäus Passion, BWV 244: Seconda parte. LXIe. „Aber Jesus schriee abermal“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:20
27Matthäus Passion, BWV 244: Seconda parte. LXII. Choral „Wenn ich einmal soll scheiden“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
28Matthäus Passion, BWV 244: Seconda parte. LXIIIa. „Und siehe da, der Vorhang im Tempel zerriß“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:05
29Matthäus Passion, BWV 244: Seconda parte. LXIIIb. „Wahrlich, dieser ist Gottes Sohn gewesen“ (Chori in unisono)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach0:20
30Matthäus Passion, BWV 244: Seconda parte. LXIIIc. „Und es waren viel Weiber da“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:05
31Matthäus Passion, BWV 244: Seconda parte. LXIV. Recitativo „Am Abend, da es kühle war“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:19
32Matthäus Passion, BWV 244: Seconda parte. LXV. Aria „Mache dich, mein Herze, rein“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:41
33Matthäus Passion, BWV 244: Seconda parte. LXVIa. „Und Joseph nahm den Leib“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:52
34Matthäus Passion, BWV 244: Seconda parte. LXVIb. „Herr, wir haben gedacht“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:47
35Matthäus Passion, BWV 244: Seconda parte. LXVIc. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:35
36Matthäus Passion, BWV 244: Seconda parte. LXVII. Recitativo „Nun ist der Herr zur Ruh’ gebracht“ (Basso, Tenore, Alto, Soprano, Chorus II)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:11
37Matthäus Passion, BWV 244: Seconda parte. LXVIII. „Wir setzen uns mit Tränen nieder“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:01

Credits

Release group

excerpts:Matthäus Passion (excerpts) by Johann Sebastian Bach (German Baroque period composer & musician), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist), Guy de Mey (Belgian operatic tenor), Peter Kooij (Peter Kooy, baritone), Barbara Schlick (soprano), Kai Wessel (countertenor), Christoph Prégardien (tenor) & Klaus Mertens (classical singer, bass‐baritone)
Discogs:https://www.discogs.com/master/1408682 [info]