Matthäus Passion, BWV 244

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra, De Nederlandse Bachvereniging & Sacramentskoor Breda (see all versions of this release, 3 available)

Tracklist

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1Matthäus Passion, BWV 244: Prima parte. I. „Kommt, ihr Töchter, helft mir klagen“ (Chorus I, Chorus II, Soprano in ripieno)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
soprano vocals [Soprano in ripieno]:
Sacramentskoor Breda (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:22
2Matthäus Passion, BWV 244: Prima parte. II. Recitativo „Da Jesus die Rede vollendet hatte“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:39
3Matthäus Passion, BWV 244: Prima parte. III. Choral „Herzliebster Jesu, was hast du verbrochen“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (on 1992-06-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
4Matthäus Passion, BWV 244: Prima parte. IVa. „Da versammleten sich die Hohenpriester“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:23
5Matthäus Passion, BWV 244: Prima parte. IVb. „Ja nicht auf das Fest“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:13
6Matthäus Passion, BWV 244: Prima parte. IVc. „Da nun Jesus war zu Bethanien“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:27
7Matthäus Passion, BWV 244: Prima parte. IVd. „Wozu dienet dieser Unrat“ (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:24
8Matthäus Passion, BWV 244: Prima parte. IVe. „Da das Jesus merkete“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:25
9Matthäus Passion, BWV 244: Prima parte. V. Recitativo „Du lieber Heiland du“ (Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
10Matthäus Passion, BWV 244: Prima parte. VI. Aria „Buss’ und Reu’“ (Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:23
11Matthäus Passion, BWV 244: Prima parte. VII. Recitativo „Da ging hin der Zwölfen einer“ (Evangelista, Judas)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:34
12Matthäus Passion, BWV 244: Prima parte. VIII. Aria „Blute nur, du liebes Herz!“ (Soprano)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:57
13Matthäus Passion, BWV 244: Prima parte. IXa. „Aber am ersten Tage der süßen Brot“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:11
14Matthäus Passion, BWV 244: Prima parte. IXb. „Wo willst du, daß wir dir bereiten“ (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:26
15Matthäus Passion, BWV 244: Prima parte. IXc. „Er sprach: Gehet hin in die Stadt“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:10
16Matthäus Passion, BWV 244: Prima parte. IXd. „Und sie wurden sehr betrübt“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:09
17Matthäus Passion, BWV 244: Prima parte. IXe. „Herr, bin ichs“ (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:11
18Matthäus Passion, BWV 244: Prima parte. X. Choral „Ich bin’s, ich sollte büssen“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
19Matthäus Passion, BWV 244: Prima parte. XI. Recitativo „Er antwortete und sprach“ (Evangelista, Jesus, Judas)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:08
20Matthäus Passion, BWV 244: Prima parte. XII. Recitativo „Wiewohl mein Herz in Tränen schwimmt“ (Soprano)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:21
21Matthäus Passion, BWV 244: Prima parte. XIII. Aria „Ich will dir mein Herz schenken“ (Soprano)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:40
22Matthäus Passion, BWV 244: Prima parte. XIV. Recitativo „Und da sie den Lobgesang gesprochen hatten“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:08
23Matthäus Passion, BWV 244: Prima parte. XV. Choral „Erkenne mich, mein Hüter“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
24Matthäus Passion, BWV 244: Prima parte. XVI. Recitativo „Petrus aber antwortete und sprach zu ihm“ (Evangelista, Pertus, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
25Matthäus Passion, BWV 244: Prima parte. XVII. Choral „Ich will hier bei dir stehen“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:04
26Matthäus Passion, BWV 244: Prima parte. XVIII. Recitativo „Da kam Jesus mit ihnen zu einem Hofe“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:49
27Matthäus Passion, BWV 244: Prima parte. XIX. Recitativo „O Schmerz! Hier zittert das gequälte Herz!“ (Tenore, Chorus II)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:49
28Matthäus Passion, BWV 244: Prima parte. XX. Aria „Ich will bei meinem Jesu wachen“ (Tenore, Chorus II)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:58
29Matthäus Passion, BWV 244: Prima parte. XXI. Recitativo „Und ging hin ein wenig“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:41
30Matthäus Passion, BWV 244: Prima parte. XXII. Recitativo „Der Heiland fällt vor seinem Vater nieder“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
31Matthäus Passion, BWV 244: Prima parte. XXIII. Aria „Gerne will ich mich bequemen“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:16
32Matthäus Passion, BWV 244: Prima parte. XXIV. Recitativo „Und er kam zu seinen Jüngern“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:16
33Matthäus Passion, BWV 244: Prima parte. XXV. Choral „Was mein Gott will, das g’scheh’ allzeit“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:55
34Matthäus Passion, BWV 244: Prima parte. XXVI. Recitativo „Und er kam und fand sie aber schlafend“ (Evangelista, Jesus, Judas)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:18
35Matthäus Passion, BWV 244: Prima parte. XXVIIa. Aria „So ist mein Jesus nun gefangen“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:42
36Matthäus Passion, BWV 244: Prima parte. XXVIIb. „Sind Blitze, sind Donner in Wolken verschwunden“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach1:00
37Matthäus Passion, BWV 244: Prima parte. XXVIII. Recitativo „Und siehe, einer aus denen“ (Evangelista, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:11
38Matthäus Passion, BWV 244: Prima parte. XXIX. Choral „O Mensch, bewein dein Sünde groß“ (Soprano in ripieno)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
soprano vocals [Soprano in ripieno]:
Sacramentskoor Breda (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:01
2▶CD
3▶CD

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excerpts:Matthäus Passion (excerpts) by Johann Sebastian Bach (German Baroque period composer & musician), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist), Guy de Mey (Belgian operatic tenor), Peter Kooij (Peter Kooy, baritone), Barbara Schlick (soprano), Kai Wessel (countertenor), Christoph Prégardien (tenor) & Klaus Mertens (classical singer, bass‐baritone)
Discogs:https://www.discogs.com/master/1408682 [info]