Mastermix Jock in a Box, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Rose Garden
cover recording of:
Rose Garden (in 1970)
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
version of:
’k Blijf op je wachten
Lynn Anderson4.152:54
2Let Your Love Flow
producer:
Phil Gernhard (songwriter and producer) (in 1975-10) and Tony Scotti (in 1975-10)
bass guitar:
Emory Gordy (in 1975-10)
drums (drum set):
Dennis St. John (in 1975-10)
guitar:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) and Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
percussion:
King Errison (conguero) (in 1975-10)
synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
lead vocals:
David Bellamy (Bellamy Brothers) (in 1975-10) and Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographic copyright (℗) by:
Curb Records (in 1975) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
lyricist and composer:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:17
3Hero
lead vocals:
Enrique Iglesias (Spanish pop singer)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2001)
music videos:
Hero by Enrique Iglesias (Spanish pop singer)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 23)
recording of:
Hero
writer:
Paul Barry (songwriter/musician), Enrique Iglesias (Spanish pop singer) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Metrophonic Music Ltd
Enrique Iglesias4.354:26
4I Don’t Want to Miss a Thing
assistant engineer:
Alex Dejonge (engineer) and Rob Murphy (Engineer)
engineer and mixer:
Dave Thoener
producer:
Matt Serletic
strings arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
part of:
BILLIONS CLUB and The Downloader’s Music Source Book (number: 228)
recording of:
I Don’t Want to Miss a Thing
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs (ended), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 71st Academy Award for Best Original Song (number: 2)
Aerosmith4.154:58
5You’re Still the One
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) and Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:34
6We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.92:05
7Sweet Child o’ Mine
engineer and producer:
Mike Clink
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
drums (drum set):
Steven Adler
electric bass guitar:
Duff McKagan
electric guitar:
Slash (Guns N’ Roses guitarist) and Izzy Stradlin (US guitarist, singer & songwriter)
background vocals:
Duff McKagan and Izzy Stradlin (US guitarist, singer & songwriter)
lead vocals:
Axl Rose
phonographic copyright (℗) by:
Geffen Records (in 1987) and The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 88), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 196) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 212)
recording of:
Sweet Child o’ Mine
writer:
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose and Slash (Guns N’ Roses guitarist)
publisher:
Black Frog Music and Guns N’ Roses Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Guns N’ Roses4.55:57
8Common People
programming:
Olle Romo (Swedish music producer, songwriter, and drummer) (from 1995-01-18 until 1995-01-24)
assistant engineer:
Pete Lewis (engineer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1995-01-18 until 1995-01-24)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Common People by Pulp
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 3), Indie 88: Top 500 Indie Rock Songs (number: 63) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 75)
recording of:
Common People (from 1995-01-18 until 1995-01-24)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp4.75:53
9Have a Nice Day
producer:
Marshall Bird and Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:27
10Can’t Take My Eyes Off You
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:13
11Mack the Knife
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
percussion:
Brian Kilgore
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) and Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Robbie Williams3.93:20
12Relight My Fire
engineer:
Dixoid
additional producer:
Mark Beswick (task: vocal)
producer:
Andrew Livingstone and Joey Negro (English DJ/producer)
bass:
John Noyce (Bass guitarist)
guest vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1993)
produced for:
Z Productions
cover recording of:
Relight My Fire
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Take That feat. Lulu2.54:12
13When the Going Gets Tough
phonographic copyright (℗) by:
Polygram Ireland Ltd. (in 1999) and Universal Music Ireland Ltd. (not for release label use) (in 1999)
music videos:
When the Going Gets Tough by Boyzone
cover recording of:
When the Going Gets Tough, the Tough Get Going (in 1999)
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone2.53:41
14Sweat (A La La La La Long)
additional producer:
Per Adebratt and Tommy Ekman
producer:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
remixer:
Per Adebratt and Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
lyricist and composer:
Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:50
15Boom Shack‐A‐Lak
recording of:
Boom Shack-A-Lak
writer:
Steven Kapur and Ervin Barrington Woolley
Apache Indian3:52
16Hot Hot Hot
recording of:
Hot, Hot, Hot
lyricist and composer:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
publisher:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Arrow3:39
17Miami
recording engineer:
Ken "DURO" Ifill (mix engineer Ken Ifill)
drum machine [drum] programming:
L.E.S. (QB hip hop producer)
producer:
L.E.S. (QB hip hop producer) and Poke and Tone
assistant mixer:
Robert Burnette
mixer:
Rich Travali
keyboard [keyboards]:
Keith Winfield
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
And the Beat Goes On by The Whispers (US R&B/dance vocal group)
recording of:
Miami
lyricist:
Will Smith (US actor aka The Fresh Prince)
composer:
Leon Sylvers III, Samuel J. Barnes, William Shelby, Stephen Shockley and Ryan Toby
publisher:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. and Treyball Music
Will Smith4.453:20
18Out on the Floor
Dobie Gray2:01
19Be Young, Be Foolish, Be Happy
cover recording of:
Be Young, Be Foolish, Be Happy
writer:
J. R. Cobb and Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) and Low‐Sal Music, Inc.
recording of:
Be Young, Be Foolish, Be Happy
writer:
J. R. Cobb and Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) and Low‐Sal Music, Inc.
The Tams2:07
20Freedom
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Freedom (Wham!)
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd. (in 1984)
Wham!3.755:06
21Walk of Life
assistant recording engineer:
Steve Jackson (recording engineer)
engineer:
Neil Dorfsman
producer:
Neil Dorfsman and Mark Knopfler
assistant mixer:
David Greenberg (Rockin’ Reel Studios engineer) and Bruce Lampcov
bass guitar:
John Illsley
drums (drum set):
Omar Hakim
guitar:
Mark Knopfler
keyboard:
Alan Clark (keyboardist) and Guy Fletcher (keyboardist)
background vocals:
Guy Fletcher (keyboardist) and John Illsley
vocals:
Mark Knopfler
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) and Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (from 1984-10 until 1985-02)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Walk of Life
lyricist and composer:
Mark Knopfler
publisher:
Chariscourt Ltd. and Rondor Music (London) Ltd.
Dire Straits4.24:10
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5▶CD