| # | Title | Artist | Rating | Length |
|---|
| 1 | Murder on the Dancefloor | Sophie Ellis‐Bextor | 4.15 | 3:51 |
| 2 | Don’t Stop Movin’- additional programming:
- Stephen Lipson, Chuck Norman and Richard Robson
- programming and producer:
- Simon Ellis
- engineer:
- James Reynolds
- additional producer:
- Stephen Lipson
- mixer:
- Heff Moraes
- bass:
- Ernie McKone
- instruments:
- Dave Rainger
- keyboard:
- Simon Ellis
- additional lead vocals and additional soprano vocals:
- Jo O’Meara
- lead vocals:
- Bradley McIntosh
- conductor:
- Nick Ingman
- performer:
- S Club 7
- arranger:
- Nick Ingman
- phonographic copyright (℗) by:
- S Club Ltd. (in 2001)
- samples:
- Billie Jean by Michael Jackson
- music videos:
- Don’t Stop Movin’ by S Club 7
- recording of:
- Don’t Stop Movin’
- writer:
- Tina Barrett, Paul Cattermole, Simon Ellis , Jonathan Lee , Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt and Rachel Stevens
- publisher:
- 19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. and Universal PolyGram International Publishing, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| S Club 7 | 3.15 | 3:54 |
| 3 | A Little Less Conversation | Elvis vs. JXL | 3.45 | 3:35 |
| 4 | The Real Slim Shady- recording engineer:
- Richard “Segal” Huredia
- assistant engineer:
- Michelle Forbes and Jim McCrone
- producer:
- Dr. Dre and Mel‐Man
- assistant mixer:
- Richard “Segal” Huredia
- mixer:
- Dr. Dre
- bass and guitar:
- Mike Elizondo
- keyboard:
- Tommy Coster, Jr.
- vocals:
- Eminem
- music videos:
- The Real Slim Shady (director’s cut) by Eminem
- recording of:
- The Real Slim Shady
- writer:
- Andre Young , Tommy Coster, Jr., Mike Elizondo and Marshall Mathers
- publisher:
- Bug Music (ended), Elvismambo Music (ended), Ensign Music Corporation (ended), Five Card Music (ended), Strawberry Blonde Music (ended), Ain’t Nothin’ Goin’ On but F****n’ Music , BMG Bumblebee , Eight Mile Style, Music of Windswept, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Eminem | 4.3 | 4:48 |
| 5 | Lip Up Fatty | Bad Manners | 4 | 2:49 |
| 6 | Mirror in the Bathroom | The Beat | 4.75 | 3:11 |
| 7 | Teenage Dirtbag | Wheatus | 3.45 | 4:00 |
| 8 | Wait and Bleed- additional recording engineer:
- Rob Agnello
- recording engineer:
- Chuck Johnson
- co-producer:
- Slipknot
- producer:
- Ross Robinson
- mixer:
- Chuck Johnson , Joey Jordison and Ross Robinson
- bass guitar:
- ②: Paul
- drums (drum set):
- ①: Joey
- guitar:
- ⑦: Mick and Josh Brainard
- percussion [custom percussion]:
- ③: Chris and ⑥: Shawn
- sampler [samples/media]:
- ⑤: Craig
- turntable:
- ⓪: Sid
- vocals:
- ⑧: Corey
- phonographic copyright (℗) by:
- The All Blacks U.S.A., Inc. (in 1999)
- recorded at and mixed at:
- Indigo Ranch in Malibu, California, United States
- recording of:
- Wait and Bleed
- writer:
- Shawn Crahan, Chris Fehn, Paul Gray , Craig Jones , Joey Jordison, Corey Taylor, Mick Thomson and Sid Wilson
- publisher:
- EMI April Music, Inc. and Music That Music
| Slipknot | 4.35 | 2:30 |
| 9 | Mustang Sally | The Commitments | 4.5 | 4:02 |
| 10 | Shake Your Tailfeather | Ray Charles | 3.95 | 2:50 |
| 11 | I Got You (I Feel Good)- recorded in:
- Miami, Florida, United States (on 1965-05-06)
- producer:
- James Brown
- alto saxophone:
- Nat Jones (on 1965-05-06) and Maceo Parker (on 1965-05-06)
- bass:
- Bernard Odum (on 1965-05-06)
- drums (drum set):
- Melvin Parker (on 1965-05-06)
- guitar:
- Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
- organ:
- Nat Jones (on 1965-05-06)
- tenor saxophone:
- Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
- trombone:
- Levi Rasbury (on 1965-05-06)
- trumpet:
- Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
- lead vocals:
- James Brown (on 1965-05-06)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1965), Universal Records Inc. (in 1965) and PolyGram Inc. (in 1988)
- recorded at:
- Criteria Studios in Miami, Florida, United States (on 1965-05-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 78) and Billboard: The 500 Best Pop Songs (number: 359)
- cover recording of:
- I Found You (on 1965-05-06)
- lyricist and composer:
- James Brown
- publisher:
- Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
| James Brown | 4.55 | 2:48 |
| 12 | She’s Electric | Oasis | 3.8 | 3:43 |
| 13 | Song 2- engineer:
- John Smith
- producer:
- Stephen Street
- acoustic guitar:
- Damon Albarn and Graham Coxon
- bass guitar:
- Alex James
- drums (drum set):
- Graham Coxon and Dave Rowntree
- electric guitar, theremin and background vocals:
- Graham Coxon
- Hammond organ, keyboard, piano and lead vocals:
- Damon Albarn
- percussion:
- Dave Rowntree
- publisher:
- EMI Music Publishing Ltd.
- phonographic copyright (℗) by:
- EMI Records Ltd (in 1997)
- music videos:
- Song 2 by Blur
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
- recording of:
- Song 2
- lyricist:
- Damon Albarn
- composer:
- Damon Albarn, Graham Coxon, Alex James and Dave Rowntree
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Kobalt Music Publishing Ltd. , Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 , ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- sub-publisher:
- EMI Music Publishing Hong Kong , FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 and 香港商華納音樂出版有限公司台灣分公司
| Blur | 4.25 | 2:04 |
| 14 | Why Does It Always Rain on Me | Travis | 3.75 | 4:27 |
| 15 | Three Little Birds- assistant engineer:
- Terry Barham and Guy Bidmead
- engineer:
- Karl Pitterson
- producer:
- Bob Marley & The Wailers
- mixer:
- Aston Barrett, Chris Blackwell and Karl Pitterson
- acoustic guitar:
- Bob Marley (from 1977-01 until 1977-04)
- bass:
- Aston “Familyman” Barrett (from 1977-01 until 1977-04)
- drums (drum set):
- Carlton Barrett (from 1977-01 until 1977-04)
- guitar:
- Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
- keyboard:
- Tyrone Downie (from 1977-01 until 1977-04)
- percussion:
- Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
- background vocals:
- Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
- vocals:
- Bob Marley (from 1977-01 until 1977-04)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1977), Island Records, Inc. (in 1977) and The Island Def Jam Music Group (in 2001)
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1977-03 until 1977-04)
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 246) and BILLIONS CLUB
- recording of:
- Three Little Birds (from 1977-01 until 1977-04)
- lyricist and composer:
- Bob Marley
- publisher:
- Almo Music Corp. , Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
| Bob Marley & The Wailers | 4.1 | 3:03 |
| 16 | Red Red Wine | UB40 | 3.8 | 3:05 |
| 17 | A Little Bit of Luck | DJ Luck & MC Neat | | 5:52 |
| 18 | 7 Days | Craig David | 4.65 | 3:57 |
| 19 | Something Stupid | Robbie Williams feat. Nicole Kidman | 3.7 | 2:53 |
| 20 | That’s Amore | Dean Martin | 4.35 | 3:09 |
| 21 | Music to Watch Girls By | Andy Williams | 4.5 | 2:34 |
| 22 | I’m Still Standing | Elton John | 3.8 | 3:05 |
| 23 | Venus | Bananarama | | 3:38 |
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