The Ultimate Relaxation Album III

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:29
2Two Aquarelles: Lento, ma non troppo
orchestra:
English Chamber Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Two Aquarelles: I. Lento, ma non troppo
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: I. Slow, but not dragging
part of:
Two Aquarelles
Frederick Delius2:44
3Two Aquarelles: Gaily, but not too quick
orchestra:
English Chamber Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Two Aquarelles: II. Gaily, but not quick
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: II. Gaily but not quick
part of:
Two Aquarelles
Frederick Delius2:12
4The Banks of Green Willow
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
The Banks of Green Willow, Idyll (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer) (in 1913)
George Butterworth6:06
5English Folk Song Suite: II. Intermezzo "My bonny boy"
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:21
6Suite from "Henry V": Touch her soft lips, and part
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
recording of:
Suite from Henry V: IV. Touch her soft lips and part (for orchestra, Mathieson)
orchestrator:
Muir Mathieson (in 1963)
composer:
William Walton (British composer and conductor) (from 1943 until 1944)
part of:
Henry V Suite (for orchestra, Mathieson)
Sir William Walton2:13
7Holberg Suite, op. 40: II. Sarabande (Andante)
orchestra:
Gothenburg Symphony Orchestra (in 1992-03)
conductor:
Neeme Järvi (Estonian conductor) (in 1992-03)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1992-03)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra) (in 1992-03)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:14
8Le tombeau de Couperin : III. Menuet
oboe:
Ralph Gomberg (in 1974-10)
orchestra:
Boston Symphony Orchestra (in 1974-10)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (in 1974-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-10)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (in 1974-10)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:53
9Rêverie
producer:
Martha de Francisco (classical producer and engineer) and Hermine Sterringa
cello:
Julian Lloyd Webber (cellist) (in 1998-05)
orchestra:
Royal Philharmonic Orchestra (in 1998-05)
conductor:
James Judd (conductor) (in 1998-05)
arranger:
David Cullen (composer, arranger, orchestrator)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1998-05)
recording of:
Rêverie (for cello and orchestra, arr. Cullen) (in 1998-05)
composer:
Claude Debussy (French composer) (in 1890)
arranger:
David Cullen (composer, arranger, orchestrator)
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
Claude Debussy4:00
10Pelléas et Mélisande, op. 80 : Sicilienne
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:57
11Le Carnaval des animaux : Aquarium
recorded in:
United States (in 1980-09)
piano:
Patricia Prattis Jennings (keyboardist/composer) (in 1980-09) and Joseph Villa (pianist) (in 1980-09)
orchestra:
Pittsburgh Symphony Orchestra (in 1980-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1980-09)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1980-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:05
12Liebesleid
producer:
Morten Winding
piano:
Paul Coker (pianist) (from 1995-07-06 until 1995-07-07)
violin:
Joshua Bell (violinist) (from 1995-07-06 until 1995-07-07)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1995-07)
recording of:
Liebesleid (for violin and piano) (from 1995-07-06 until 1995-07-07)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
recording of:
Liebesleid (for violin and piano) (ended)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:44
13L'Arlésienne Suite no. 1: Adagietto
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-whun Chung (Myung-Whun Chung, pianist and conductor)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (ended)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:29
14Thaïs, acte deux : Meditation
solo violin:
Christer Thorvaldsson (Swedish violinist) (from 1989-06 until 1989-09)
violin:
Christer Thorvaldsson (Swedish violinist) (in 1990)
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09, in 1990)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1990)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1989-06 until 1989-09)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet4:52
15Serenade in B flat, K.361 "Gran partita": III. Adagio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset horn [basset horn I]:
Charles Neidich (clarinetist) (in 1986-12)
basset horn [basset horn II]:
Dennis Smylie (in 1986-12)
bassoon [bassoon I]:
Frank Morelli (bassoonist) (in 1986-12)
bassoon [bassoon II]:
Steven Dibner (in 1986-12)
clarinet [clarinet I]:
David Singer (clarinetist) (in 1986-12)
clarinet [clarinet II]:
Michael Sussman (in 1986-12)
double bass:
Donald Palma (double bass player) (in 1986-12)
horn [horn I]:
William Purvis (horn player and conductor) (in 1986-12)
horn [horn II]:
David Wakefield (American horn player) (in 1986-12)
horn [horn III]:
Stewart Rose (hornist) (in 1986-12)
horn [horn IV]:
Victoria Eisen (in 1986-12)
oboe [oboe I]:
Randall Wolfgang (oboist) (in 1986-12)
oboe [oboe II]:
Stephen Taylor (oboist) (in 1986-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-12)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (in 1986-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart5:32
16Rodeo: II. Corral Nocturne
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (in 1993-01)
conductor:
David Zinman (conductor) (in 1993-01)
balance engineer:
Simon Eadon (classical music engineer) (in 1993-01)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (in 1993-01)
recording of:
Rodeo: II. Corral Nocturne (in 1993-01)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
recording of:
Rodeo: II. Corral Nocturne (ended)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland7:31
17Adagio for Strings and Organ in G minor
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Adagio for Strings and Organ in G minor (in 1982-07)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Remo Giazotto9:18

Credits

Release

ASIN:US: B000063WFC [info]