Aida

~ Release by Giuseppe Verdi; Chiara, Pavarotti, Dimitrova, Nucci, Burchuladze, Orchestra e Coro del Teatro alla Scala, Lorin Maazel (see all versions of this release, 3 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Aida: Atto III. “O tu che sei d’Osiride” (Sacerdotesse, Sacerdoti)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:18
2Aida: Atto III. “Qui Radamès verrà!…Che vorrà dirmi?” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:56
3Aida: Atto III. “Ciel! mio padre!” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:08
4Aida: Atto III. “Pur ti riveggo, mia dolce Aida…” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:18
5Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:36
6Aida: Atto III. “Tu…Amonasro!…tu!…il Re?” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals and baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:42
7Aida: Atto IV, scena 1. “L’aborrita rivale a me sfuggia…” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:12
8Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:53
9Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:17
10Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès!” (Ramfis)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
Giuseppe Verdi5:28
11Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:11
12Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:49
13Aida: Atto IV, scena 2. “O terra, addio; addio valle di pianti” (Aida, poi con Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:36