Hidden Figures

~ Veröffentlichung von Hans Zimmer, Pharrell Williams & Benjamin Wallfisch (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Katherine
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Katherine
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:37
2Mission Control
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Mission Control
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:17
3I'd Already Be One
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
I'd Already Be One
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:08
4Space Task Group
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Space Task Group
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:56
5Slice of Pie
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Slice Of Pie
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:05
6Redacted
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Redacted
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:26
7With All the Angels
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
With All The Angels
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:35
8Redstone
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Redstone
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:36
9Call Your Wives
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Call Your Wives
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
3:23
10Launch
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Launch
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:21
11That's Just the Way Things Are
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
That's Just The Way Things Are
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:25
12Sign
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Sign (Hidden Figures)
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:11
13Kitchen Kiss
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Kitchen Kiss
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
0:55
14Mary and the Judge
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Mary And The Judge
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:30
15I Like Her Numbers
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
I Like Her Numbers
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:07
16Ladies' March
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Ladies' March
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:25
17Mary and Levi
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Mary And Levi
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:12
18Euler's Method
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Euler's Method
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:23
19Proposal
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Proposal
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:40
20Pearls
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Pearls
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
2:41
21Katherine Calculates
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Katherine Calculates
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
1:32
22Lift Off
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Lift Off
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
3:11
23Warning Light
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Warning Light
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
0:59
24Rocket Peril
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Rocket Peril
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
3:10
25Hidden Figures
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Hidden Figures
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
3:50
26Epilogue
recording engineer:
Kevin Globerman, Tim Lauber und Alan Meyerson
assistierende(r) Techniker(in):
Alfredo Pasquel
Techniker(in):
Denis St Amand, Chuck Choi und Stephanie McNally (engineer)
Produzent(in):
Steven Kofsky (music producer and composer)
Mix:
John Witt Chapman (engineer)
Editing:
Richard Ford (music editor/bassist) und Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Timothy Williams (British film score composer, orchestrator, conductor)
Orchestrator(in):
David Krystal (Toronto-based singer-songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Epilogue
Komponist(in):
Benjamin Wallfisch (English score composer), Pharrell Williams und Hans Zimmer (German score composer)
0:38