Soulsville U.S.A.: A Celebration of Stax

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

℗ & © «2017 Craft Recordings, a division of Concord Music Group, Inc.»
℗ «This Compilation»

Annotation last modified on 2021-07-31 13:01 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fool in Love
recording of:
Fool in Love (doo-wop song)
composer:
Chips Moman
The Veltones2:00
2Gee Whiz (Look at His Eyes)
recorded in:
Memphis, Tennessee, United States (in 1960) and Nashville, Tennessee, United States (in 1960)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
lyricist and composer:
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:21
3Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:39
4You Don’t Miss Your Water
recorded in:
Memphis, Tennessee, United States (in 1961)
producer:
Chips Moman
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961)
drums (drum set) [drums]:
Howard Grimes (in 1961)
organ:
Spooky Butler (in 1961)
piano:
Marvell Thomas (in 1961)
tenor saxophone and trumpet:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
vocals:
William Bell (in 1961)
recording of:
You Don’t Miss Your Water
lyricist and composer:
William Bell
publisher:
Irving Music, Inc.
William Bell3:02
5Green Onions (single version)
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the M.G.’s4.152:55
6Walking the Dog
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas32:37
7After Laughter (Comes Tears)
recording of:
After Laughter (Comes Tears)
writer:
Johnnie Frierson (gospel) and Mary Frierson
Wendy Rene2:55
8I’ve Been Loving You Too Long (To Stop Now)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 25)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding32:57
9Candy
The Astors3:01
10You Don’t Know Like I Know
recording of:
You Don’t Know Like I Know
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music and Warner Chappell
Sam & Dave2:39
11Don’t Have to Shop Around
producer:
Charles “Packy” Axton
recording of:
Don’t Have to Shop Around
writer:
Allen Jones (producer/songwriter/musician/engineer), Andrew Love and Richard Shann
The Mad Lads2:51
12Let Me Be Good to You
recording of:
Let Me Be Good to You
writer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Carl Wells
Carla Thomas2:42
13Your Good Thing (Is About to End)
recording of:
Your Good Thing (Is About to End)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) and East/Memphis Music (in 1967)
Mable John2:58
14Knock on Wood
recorded in:
Memphis, Tennessee, United States (on 1966-07-13)
producer:
Steve Cropper
baritone saxophone:
probably Floyd Newman
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-07-13)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1966-07-13)
guitar:
Steve Cropper (on 1966-07-13)
organ:
Booker T. Jones (on 1966-07-13)
piano:
Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
tenor saxophone:
probably Andrew Love (on 1966-07-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-07-13)
vocals:
Eddie Floyd (on 1966-07-13)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (on 1966-07-13)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd43:05
15Hold on I’m Coming
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:35
16Try a Little Tenderness
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer)
electric bass guitar [electric bass], organ, piano and vibraphone [vibes]:
Booker T. Jones
guitar:
Steve Cropper
tenor saxophone:
Gilbert Caple and Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3.353:21
17B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:56
18Hip Hug Her
recorded in:
Memphis, Tennessee, United States (on 1967-02-09)
producer:
Booker T. & the MG’s
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1967-02-09)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1967-02-09)
guitar:
Steve Cropper (on 1967-02-09)
organ:
Booker T. Jones (on 1967-02-09)
recording of:
Hip Hug‐Her (on 1967-02-09)
writer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music, Cotillion Music Inc. (BMI) and Irving Music, Inc.
Booker T. & the M.G.’s2:26
19Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
The Stax Staff
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
electric bass guitar [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:21
20Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
Otis Redding4.43:01
2▶Digital Media
3▶Digital Media