Ultimate Broadway

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Oklahoma
vocals:
Alfred Drake (actor, singer)
conductor:
Jay Blackton
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Oklahoma (von 1943-10-20 bis 1944-05-24)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake2:32
2If I Loved You
vocals:
Jan Clayton und John Raitt
conductor:
Joseph Littau
Orchestrator(in):
Robert Russell Bennett (American composer and arranger) und Don Walker (orchestrator)
recording of:
If I Loved You (Carousel) (in 1945)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Jan Clayton, John Raitt4:23
3You’ll Never Walk Alone
conductor:
Joseph Littau
Orchestrator(in):
Robert Russell Bennett (American composer and arranger) und Don Walker (orchestrator)
recording of:
You’ll Never Walk Alone (Carousel) (am 1945-05-16)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Christine Johnson, Jan Clayton2:42
4There’s No Business Like Show Business
recording engineer:
Ernie Oelrich (am 1966-06-05)
Produzent(in):
Andy Wiswell
vocals:
Ethel Merman (am 1966-06-05), Jerry Orbach (am 1966-06-05), Rufus Smith (am 1966-06-05) und Bruce Yarnell (am 1966-06-05)
conductor:
Franz Allers (European-American conductor) (am 1966-06-05)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1966-06-05)
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (am 1966-06-05)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Annie Get Your Gun
Ethel Merman, Original Cast3:11
5Once in Love With Amy
recorded in:
New York, New York, Vereinigte Staaten (am 1949-02-15)
vocals:
Ray Bolger (US actor, singer and dancer) (am 1949-02-15)
recording of:
Once in Love With Amy (Where’s Charly?) (am 1949-02-15)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Bolger4:23
6Some Enchanted Evening
vocals:
Ezio Pinza (operatic bass)
conductor:
Salvatore Dell’Isola (in 1949-04)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Some Enchanted Evening (South Pacific) (in 1949)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Ezio Pinza3:03
7Diamonds Are a Girl’s Best Friend
vocals:
Carol Channing
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes) (in 1949)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Carol Channing3:00
8Getting to Know You
Sologesang:
Gertrude Lawrence
vocals:
Gertrude Lawrence
conductor:
Frederick Dvonch
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Getting to Know You (The King and I) (in 1951)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence3:30
9Shall We Dance?
Sologesang:
Yul Brynner und Gertrude Lawrence
vocals:
Yul Brynner und Gertrude Lawrence
conductor:
Frederick Dvonch
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Shall We Dance? (The King and I) (in 1951)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence, Yul Brynner2:53
10I Could Have Danced All Night
vocals:
Julie Andrews (English actress/vocalist) (am 1956-03-25) und Philippa Bevans (am 1956-03-25)
conductor:
Franz Allers (European-American conductor) (am 1956-03-25)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1956)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-03-25)
recording of:
I Could Have Danced All Night (My Fair Lady) (am 1956-03-25)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
Julie Andrews3:30
11I’ve Grown Accustomed to Her Face
Sologesang:
Rex Harrison (actor)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
Rex Harrison5:17
12The Party’s Over
Sologesang:
Judy Holliday
recording of:
The Party’s Over (Bells Are Ringing) (in 1956)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Bells Are Ringing (stage musical)
teilweise recording of:
Bells Are Ringing (stage musical)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
Judy Holliday3:16
13Maria
Produzent(in):
Goddard Lieberson
Sologesang [Tony]:
Larry Kert (am 1957-09-29)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-29)
conductor:
Max Goberman (am 1957-09-29)
Orchestrator(in):
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal und Sid Ramin
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1957-09-29)
recording of:
West Side Story: Maria (Tony) (am 1957-09-29)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story
Larry Kert52:39
14Tonight
Produzent(in):
Goddard Lieberson
Sologesang [Maria]:
Carol Lawrence (am 1957-09-29)
Sologesang [Tony]:
Larry Kert (am 1957-09-29)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-29)
conductor:
Max Goberman (am 1957-09-29)
Orchestrator(in):
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal und Sid Ramin
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1957-09-29)
recording of:
West Side Story: Tonight (Maria, Tony) (am 1957-09-29)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) und The Leonard Bernstein Music Publishing Co., LLC
Teil von:
West Side Story
Larry Kert, Carol Lawrence43:55
15Seventy Six Trombones
Sologesang:
Robert Preston (US stage & film actor)
recording of:
Seventy-Six Trombones (The Music Man)
Texter und Komponist(in):
Meredith Willson
publisher:
MPL UK Publishing
Teil von:
The Music Man
Robert Preston3:03
16Everything’s Coming up Roses
Produzent(in):
Goddard Lieberson
Sologesang:
Ethel Merman
vocals:
Ethel Merman (am 1959-05-24)
conductor:
Milton Rosenstock (conductor, composer, arranger) (am 1959-05-24)
Orchestrator(in):
Robert Ginzler und Sid Ramin
recording of:
Everything’s Coming Up Roses (Gypsy) (am 1959-05-24)
Texter:
Stephen Sondheim
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Gypsy
Ethel Merman3:08
17The Sound of Music
Sologesang:
Mary Martin (US film and musical actor/singer)
recording of:
The Sound of Music (The Sound of Music)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!) und Williamson Music Company
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin2:48
18Try to Remember
Sologesang:
Jerry Orbach
recording of:
Try to Remember (The Fantasticks) (in 1960)
Texter:
Tom Jones (musical theatre lyricist)
Komponist(in):
Harvey Schmidt
publisher:
Chappell & Co., Chappell Music (UK) und Warner/Chappell Music Ltd. (1996–2019)
Jerry Orbach2:49
19Camelot
vocals:
Richard Burton (Welsh actor, twice married to Elizabeth Taylor)
Orchester:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Franz Allers (European-American conductor)
recording of:
Camelot (from "Camelot") (in 1960)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Camelot (full musical)
Richard Burton2:32
20If Ever I Would Leave You
Sologesang:
Robert Goulet (singer, actor)
vocals:
Robert Goulet (singer, actor)
Orchester:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Franz Allers (European-American conductor)
recording of:
If Ever I Would Leave You (from “Camelot”) (in 1960)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Teil von:
Camelot (full musical)
Robert Goulet3:13
21Hello, Dolly!
Sologesang:
Carol Channing
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Carol Channing5:43
22If I Were a Rich Man
recording engineer:
Ernie Oelrich
Sologesang [Tevye]:
Zero Mostel (actor) (am 1964-09-27)
conductor:
Milton Greene (orchestrator, musical director, conductor, arranger) (am 1964-09-27)
vocals arranger:
Milton Greene (orchestrator, musical director, conductor, arranger)
Orchestrator(in):
Don Walker (orchestrator)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1964-09-27)
recording of:
If I Were a Rich Man (Fiddler on the Roof) (am 1964-09-27)
Texter:
Sheldon Harnick
Komponist(in):
Jerry Bock
publisher:
Chappell & Co. und Sunbeam Music Corp.
Teil von:
Fiddler on the Roof
Zero Mostel4:54
2▶CD

Nennungen

Veröffentlichung

gedruckt in:U.S.A.
leitende(r) Produzent(in):Clive Davis (record producer, A&R executive and music industry chief executive)
hergestellt von und vertrieben von:Arista Records, Inc. (manufacturing and distribution company, do not add releases here)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
ASIN:US: B000007SNS [Info]