The Chronological Classics: Coleman Hawkins 1934-1937

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Lullaby
tenor saxophone:
Coleman Hawkins (on 1934-11-18)
2:59
2Lady Be Good
tenor saxophone:
Coleman Hawkins (on 1934-11-18)
instrumental recording of:
Oh, Lady Be Good! (on 1934-11-18)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
2:46
3Lost In a Fog
tenor saxophone:
Coleman Hawkins (on 1934-11-18)
instrumental recording of:
Lost in a Fog (on 1934-11-18)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:06
4Honeysuckle Rose
recording of:
Honeysuckle Rose (on 1934-11-18)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:05
5Some of These Days
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
recording of:
Some of These Days (on 1935-02-04)
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams (US jazz composer, pianist & singer)
2:35
6After You've Gone
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental cover recording of:
After You’ve Gone (on 1935-02-04)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:39
7I Only Have Eyes for You
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental cover recording of:
I Only Have Eyes for You (on 1935-02-04)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
2:45
8I Wish I Were Twins
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental recording of:
I Wish I Were Twins (on 1935-02-04)
lyricist:
Eddie DeLange
composer:
Frank Loesser and Joseph Meyer (US songwriter)
2:35
9Hands Across the Table
tenor saxophone:
Coleman Hawkins (on 1935-02-04)
instrumental recording of:
Hands Across the Table (on 1935-02-04)
lyricist:
Mitchell Parish
composer:
Jean Delettre
3:08
10Blue Moon
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
alto saxophone and clarinet:
André Ekyan (on 1935-03-02) and Charles Lisée (saxophonist / clarinetist) (on 1935-03-02)
clarinet and tenor saxophone:
Alix Combelle (on 1935-03-02)
double bass:
Eugène d’Hellemmes (on 1935-03-02)
drums (drum set):
Maurice Chaillou (drummer) (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
trombone:
Guy Paquinet (on 1935-03-02)
trumpet:
Pierre Allier (trumpeter / composer) (on 1935-03-02), Arthur Briggs (trumpeter) (on 1935-03-02) and Noël Chiboust (on 1935-03-02)
cover recording of:
Blue Moon (on 1935-03-02)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:14
11Avalon
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
alto saxophone and clarinet:
André Ekyan (on 1935-03-02) and Charles Lisée (saxophonist / clarinetist) (on 1935-03-02)
clarinet and tenor saxophone:
Alix Combelle (on 1935-03-02)
double bass:
Eugène d’Hellemmes (on 1935-03-02)
drums (drum set):
Maurice Chaillou (drummer) (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
trombone:
Guy Paquinet (on 1935-03-02)
trumpet:
Pierre Allier (trumpeter / composer) (on 1935-03-02), Arthur Briggs (trumpeter) (on 1935-03-02) and Noël Chiboust (on 1935-03-02)
cover recording of:
Avalon (on 1935-03-02)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
3:01
12What a Difference a Day Made
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
alto saxophone and clarinet:
André Ekyan (on 1935-03-02)
clarinet and tenor saxophone:
Alix Combelle (on 1935-03-02)
double bass:
Eugène d’Hellemmes (on 1935-03-02)
drums (drum set):
Maurice Chaillou (drummer) (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
solo trumpet:
Arthur Briggs (trumpeter) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
trombone:
Guy Paquinet (on 1935-03-02)
trumpet:
Pierre Allier (trumpeter / composer) (on 1935-03-02) and Noël Chiboust (on 1935-03-02)
cover recording of:
What a Diff’rence a Day Made (on 1935-03-02)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
3:20
13Star Dust
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
instrumental cover recording of:
Stardust (the jazz standard) (on 1935-03-02)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:13
14Chicago
tenor saxophone:
Coleman Hawkins (on 1935-08-26)
instrumental recording of:
Chicago (That Toddlin’ Town) (on 1935-08-26)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
3:04
15Meditation
tenor saxophone:
Coleman Hawkins (on 1935-08-26)
3:04
16What Harlem is to Me
tenor saxophone:
Coleman Hawkins (on 1935-08-26)
2:46
17Netcha's Dream
tenor saxophone:
Coleman Hawkins (on 1935-08-26)
2:37
18Love Cries...
tenor saxophone:
Coleman Hawkins (on 1936-05-04)
3:09
19Sorrow
tenor saxophone:
Coleman Hawkins (on 1936-05-04)
3:08
20Tiger Rag
tenor saxophone:
Coleman Hawkins (on 1936-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1936-05-04)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
2:26
21It May Not Be True
tenor saxophone:
Coleman Hawkins (on 1936-05-04)
recording of:
It May Not Be True (on 1935-05-04)
writer:
Coleman Hawkins
3:12
22I'm in the Mood for Love
tenor saxophone:
Coleman Hawkins (in 1937)
instrumental recording of:
I’m in the Mood for Love (in 1937)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:09