Cantatas, Vol. 1

~ Release by J.S. Bach; Fritz Werner, Agnes Giebel, Helmut Krebs, Heinrich-Schütz Choir, Heilbronn, Pforzheim Chamber Orchestra (see all versions of this release, 1 available)

Tracklist

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1Oster-Oratorium, BWV 249: 1. Sinfonia
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:19
2Oster-Oratorium, BWV 249: 2. Adagio
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:18
3Oster-Oratorium, BWV 249: 3. Duett (Tenore, Basso) & Chorus: "Kommt eilet und laufet"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:34
4Oster-Oratorium, BWV 249: 4. Recitativo (Soprano, Alto, Tenore, Basso): "O kalter Männer Sinn "
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-06)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1964-06)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:23
5Oster-Oratorium, BWV 249: 5. Aria (Soprano): "Seele, deine Spezereien"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach11:05
6Oster-Oratorium, BWV 249: 6. Recitativo (Alto, Tenore, Basso): "Hier ist die Gruft"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-06)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1964-06)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:55
7Oster-Oratorium, BWV 249: 7. Aria (Tenore): "Sanfte soll mein Todeskummer"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:35
8Oster-Oratorium, BWV 249: 8. Recitativo (Alto, Soprano): "Indessen seufzen wir"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-06)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:10
9Oster-Oratorium, BWV 249: 9. Aria (Alto): "Saget, saget mir erfeut"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach7:19
10Oster-Oratorium, BWV 249: 10. Recitativo (Basso): "Wir Sind Efreut"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:42
11Oster-Oratorium, BWV 249: 11. Chorus "Preis und Dank"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1964-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:59
12Oster-Oratorium, BWV 249: 12. Chorale (Chor): "Herr Gott, dich loben alle wir"
recorded in:
Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording engineer:
Peter Willemoës (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recording of:
Chorale, BWV Anh. 31, "Herr Gott, dich loben alle wir" (in 1964-06)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 130.2/5), Breitkopf 389 Choralgesänge (number: 130), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 31) and Bach-Werke-Verzeichnis (number: BWV Anh. 31)
Johann Sebastian Bach1:03
13Christ lag in Todes Banden, BWV 4: 1. Sinfonia
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:42
14Christ lag in Todes Banden, BWV 4: 2. Coro: "Christ lag in Todes Banden"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:34
15Christ lag in Todes Banden, BWV 4: 3. Duetto (Soprano, Alto): "Den Tod niemand zwingen kunnt"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:32
16Christ lag in Todes Banden, BWV 4: 4. Aria (Tenore): "Jesus Christus, Gottes Sohnt"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:21
17Christ lag in Todes Banden, BWV 4: 5. Coro: "Es war ein wunderlicher Krieg"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:53
18Christ lag in Todes Banden, BWV 4: 6. Aria (Basso): "Hier ist das rechte Osterlamm"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:28
19Christ lag in Todes Banden, BWV 4: 7. Duet (Soprano, Tenore): "So feiern wir das hohe Fest"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:13
20Christ lag in Todes Banden, BWV 4: 8. Chorale (Chor): "Wir essem und leben wohl"
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer) (task: recording supervision)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1961)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim (in 1961)
conductor:
Fritz Werner (German conductor and organist) (in 1961)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1961)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (in 1961)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1961)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:31
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