The X Files: Volume One (Original Soundtrack From The Fox Television Series)

~ Release by Mark Snow (see all versions of this release, 2 available)

Annotation

The tray insert may list the old number LLLCD 1170 instead of the correct LLLCD 1382. However, the disc list the correct number

Annotation last modified on 2019-10-26 00:39 UTC.

Tracklist

1▶CD: Seasons 1 and 2
2▶CD: Seasons 3 and 4
3▼CD: Seasons 5 and 6
#TitleRatingLength
1The X Files — Main Title (remix — short)
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
The X Files — Main Title (short)
composer:
Mark Snow (American score composer)
0:37
2The Post‐Modern Prometheus: JJ’s Diner
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Post‐Modern Prometheus: JJ’s Diner
composer:
Mark Snow (American score composer)
1:50
3The Post‐Modern Prometheus: Post‐Modern Posse
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Post‐Modern Prometheus: Post‐Modern Posse
composer:
Mark Snow (American score composer)
9:20
4Christmas Carol: Mother Genes
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Christmas Carol: Mother Genes
composer:
Mark Snow (American score composer)
3:53
5Emily: Little Box of Sand
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Emily: Little Box of Sand
composer:
Mark Snow (American score composer)
7:37
6The End: Closure
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
The End: Closure
composer:
Mark Snow (American score composer)
8:08
7Triangle: Quest for Swath
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Triangle: Quest for Swath
composer:
Mark Snow (American score composer)
8:50
8Dreamland: Roadblock
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Dreamland: Roadblock
composer:
Mark Snow (American score composer)
1:05
9Dreamland: Home Sweet Home
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Dreamland: Home Sweet Home
composer:
Mark Snow (American score composer)
2:14
10Dreamland: The Imposter
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Dreamland: The Imposter
composer:
Mark Snow (American score composer)
6:31
11Dreamland II: A Brief History of Fox
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Dreamland II: A Brief History of Fox
composer:
Mark Snow (American score composer)
1:27
12Dreamland II: Number 42
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Dreamland II: Number 42
composer:
Mark Snow (American score composer)
1:56
13How the Ghosts Stole Christmas: House Organ / Irrational Fear
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
How the Ghosts Stole Christmas: House Organ / Irrational Fear
composer:
Mark Snow (American score composer)
4:40
14How the Ghosts Stole Christmas: Bricks
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
How the Ghosts Stole Christmas: Bricks
composer:
Mark Snow (American score composer)
0:39
15How the Ghosts Stole Christmas: Piano on the Tack
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
How the Ghosts Stole Christmas: Piano on the Tack
composer:
Mark Snow (American score composer)
1:28
16How the Ghosts Stole Christmas: Fair Warning
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
How the Ghosts Stole Christmas: Fair Warning
composer:
Mark Snow (American score composer)
3:03
17How the Ghosts Stole Christmas: Star Crossed Bullets
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
How the Ghosts Stole Christmas: Star Crossed Bullets
composer:
Mark Snow (American score composer)
3:05
18How the Ghosts Stole Christmas: A Gift
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
How the Ghosts Stole Christmas: A Gift
composer:
Mark Snow (American score composer)
1:45
19Two Fathers: The Patriarch
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Two Fathers: The Patriarch
composer:
Mark Snow (American score composer)
2:23
20Two Fathers: A Mother’s Abduction
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
Two Fathers: A Mother’s Abduction
composer:
Mark Snow (American score composer)
3:02
21One Son: Train Tune
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
One Son: Train Tune
composer:
Mark Snow (American score composer)
4:47
22The X Files — End Credit (extended #2)
producer:
MV Gerhard (executive-producer for La-La Land Records), James Nelson (film score editor/mastering engineer/producer) and Mark Snow (American score composer)
mixer:
Larold Rebhun
editor:
Jeff Charbonneau and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
engineered at:
Digital Outland in Tacoma, Washington, United States
recording of:
The X Files — End Credit (extended #2)
composer:
Mark Snow (American score composer)
1:31
4▶CD: Seasons 7, 8 and 9