Nina Simone

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Ain’t Got No, I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-05-13)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-05-13)
electric guitar:
Rudy Stevenson (on 1968-05-13)
organ:
Sam Waymon (on 1968-05-13)
piano and lead vocals:
Nina Simone (on 1968-05-13)
phonographic copyright (℗) by:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) and BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
edit of:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) by Nina Simone
cover recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
42:15
2I Loves You, Porgy
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1968-04-07)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
cover recording of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene III
3:30
3Take My Hand Precious Lord
live cover recording of:
Take My Hand, Precious Lord
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
cover recording of:
Take My Hand, Precious Lord
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
1:41
4To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-12-20)
cover recording of:
To Love Somebody (on 1967-12-20)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
42:43
5I Shall Be Released
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set):
Don Alias
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
edit of:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) by Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (from 1967-01-08 until 1967-01-27)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
3.653:57
6Just Like Tom Thumb’s Blues
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass]:
Gene A Perla
drums (drum set) and percussion:
Charles D. Alias
guitar:
Al Schackman and Stuart Scharf
piano and lead vocals:
Nina Simone
background vocals:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1969-01-08)
cover recording of:
Just Like Tom Thumb’s Blues (on 1969-01-08)
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
34:56
7The Times They Are A‐Changing
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) and timpani:
Bernard “Pretty” Purdie
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
percussion:
Charles D. Alias
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1969-01-13)
cover recording of:
The Times They Are A‐Changin’ (on 1969-01-13)
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
36:06
8Mr Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
3.55:03
9Just Like a Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-12)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-12)
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
54:54
10Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-17)
producer:
Nat Shapiro and Harold Wheeler
lead vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-17)
edit of:
Here Comes the Sun by Nina Simone
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
4.43:37
11Angel of the Morning
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-17)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-17)
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
4.53:34
12Backlash Blues
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
Backlash Blues (on 1967-01-05)
lyricist:
Langston Hughes
composer:
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
4.652:32
13The House of the Rising Sun
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
House of the Rising Sun (on 1967-01-05)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
33:56
14Blues for Mama
recording engineer:
Mickey Crofford (on 1966-12-22) and Ray Hall (engineer) (on 1966-12-22)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-22)
recording of:
Blues for Mama (on 1966-12-22)
writer:
Abbey Lincoln and Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
44:02
15The Look of Love
engineer:
Ray Hall (engineer) (on 1967-06-15)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Bernard “Pretty” Purdie (on 1967-06-15)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1967-06-15)
electric guitar:
Eric Gale (on 1967-06-15) and Rudy Stevenson (on 1967-06-15)
harpsichord and piano:
Ernest Hayes (American pianist, organist and arranger) (on 1967-06-15)
vocals:
Nina Simone (on 1967-06-15)
conductor:
Sammy Lowe (on 1969-06-15)
arranger:
Sammy Lowe
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1967-06-15)
cover recording of:
The Look of Love (on 1967-06-15)
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
3.252:24
16Go to Hell
cover recording of:
Go to Hell (on 1967-06-21)
writer:
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
3.52:50