The Ultimate Collection 80s Pop 100 Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
2White Lines (Don’t Do It)
Produzent(in):
J. Chase und Sylvia Robinson
Mix:
Shameek
Bearbeitung von:
White Lines (Don’t Do It) von Grandmaster & Melle Mel (Melvin Glover aka Melle Mel)
recording of:
White Lines (Don’t Don’t Do It)
Verfasser(in):
Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
Four Hills Music Ltd und IQ Music Ltd.
basiert auf:
Cavern
Grandmaster Melle Mel34:27
3Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:48
4Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
5Obsession
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion3.353:54
6Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:04
7Sign of the Times
Techniker(in):
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) und Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
Verfasser(in):
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons und Lesley Shone
The Belle Stars4.52:52
8Duel
Techniker(in):
Bobby Kraushaar
Produzent(in):
S. J. Lipson
Mix:
Horn und Lipson
Interpret(in):
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper und Suzanne Freytag
phonographisches Urheberrecht (℗) von:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 6)
recording of:
Duel
Texter:
Ralf Dörper
Komponist(in):
Claudia Brücken, Ralf Dörper, Susanne Freytag und Michael Mertens (German musician & producer)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda3.654:41
9Happy Birthday
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
produced at:
Genetic Sound in West Berkshire, England, Vereinigtes Königreich
recording of:
Happy Birthday
Verfasser(in):
Tich Anderson, Clare Grogan, Tony McDaid und Johnny McElhone
publisher:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images32:58
10I Feel the Earth
Schlagzeug [drum programming]-Programmierung:
Michael Jay (producer/engineer) (von 1988-04 bis 1988-05)
assistierende(r) Techniker(in):
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) und Karen Siegel (engineer)
Techniker(in) und Mix:
Michael McDonald (engineer)
Produzent(in):
Michael Jay (producer/engineer)
Gitarre:
Don Kirkpatrick (guitarist/songwriter) (von 1988-04 bis 1988-05)
Keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (von 1988-04 bis 1988-05)
zusätzlich Keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (von 1988-04 bis 1988-05)
Hintergrundgesang:
Donna DeLory (von 1988-04 bis 1988-05), Rick Jude Palombi (von 1988-04 bis 1988-05) und Mona Lisa Young (US funk / soul singer) (von 1988-04 bis 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) und Martika (American singer‐songwriter and actress)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
aufgenommen bei:
Trax Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988-04 bis 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Feel the Earth Move (von 1988-04 bis 1988-05)
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Screen Gems–EMI Music Ltd. (in 1988)
Martika24:14
11Jump (For My Love)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
drum machine und Synthesizer-Programmierung:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
elektronisches Schlagzeug / E-Drums-Programmierung:
Reek Havoc (in 1983)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine und Synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
Minimoog und elektronisches Schlagzeug / E-Drums und zusätzlich Synthesizer:
Howie Rice (in 1983)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Sologesang:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) und James C. Tract
phonographisches Urheberrecht (℗) von:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters3.354:26
12Breakout
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 72)
recording of:
Breakout (in 1986)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) und Virgin 10 Music Ltd.
Swing Out Sister3.83:44
13Flashback
recording of:
Flashback
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley, Errol Kennedy und Tony Swain (songwriter, producer)
publisher:
Sony/ATV Tunes LLC (ASCAP) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Imagination4:26
14Video Killed the Radio Star
Produzent(in):
The Buggles
E-Gitarre und Sologesang:
Trevor Horn (in 1979)
Keyboard:
Geoff Downes (in 1979)
Chorgesang:
Debi Doss (photographer and singer, Kinks) (in 1979) und Linda Jardim (in 1979)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes, Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:25
15Favourite Shirts (Boy Meets Girl)
Produzent(in):
Bob Sargeant
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred53:05
16Wordy Rappinghood
Tom Tom Club6:30
17Pop MuzikM3.53:19
18You’ll Always Find Me in the Kitchen at Parties
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980)
recording of:
(You’ll Always Find Me in the) Kitchen at Parties
Verfasser(in):
Jona Lewie und Keith Trussell
publisher:
Imagem London Ltd. und Street Music Ltd.
Jona Lewie33:02
19Happy Talk
cover recording of:
Happy Talk (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:26
20Breakaway
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1982, in 1983)
cover recording of:
Breakaway
Verfasser(in):
Jackie DeShannon und Sharon Sheeley
publisher:
United Artists Music Ltd.
Tracey Ullman3.652:35
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Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, "100 Hits", ULTIMBX) (Nummer: 24) (Reihenfolge: 16)