Blue Note: The Ultimate Jazz Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Sookie, Sookie
recording engineer:
Ed Greene (engineer) (on 1970-08-15)
congas:
Joseph Armstrong (on 1970-08-15)
drums (drum set):
Idris Muhammad (on 1970-08-15)
guitar:
Grant Green (jazz guitarist) (on 1970-08-15)
organ:
Ronnie Foster (on 1970-08-15)
tenor saxophone:
Claude Bartee (saxophone) (on 1970-08-15)
vibraphone:
Willie Bivens (on 1970-08-15)
recorded at:
Cliché Lounge in Newark, New Jersey, United States (on 1970-08-15)
live instrumental cover recording of:
Sookie Sookie (on 1970-08-15)
composer:
Don Covay and Steve Cropper
Grant Green311:03
2Chitlins Con Carne
recording engineer:
Rudy van Gelder (on 1963-01-07)
producer:
Alfred Lion
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
drums (drum set):
Bill English (US jazz drummer) (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
tenor saxophone:
Stanley Turrentine (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Chitlins Con Carne (on 1963-01-07)
composer:
Kenny Burrell
publisher:
Sephra Music
Kenny Burrell5:22
3The Sidewinder
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
The Sidewinder (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan10:25
4Moanin'
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers5:44
5Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
compilation of:
Blue Train (Part 1) by John Coltrane and Blue Train (Part 2) by John Coltrane
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane10:44
6Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Miles Davis510:58
7Senor Blues (vocal version)
The Horace Silver Quintet7:05
8Blues for Max
Dizzy Gillespie8:47
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