By Request

~ Release by Renée Fleming (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1O mio bambino caro
producer:
Michael Haas (classical music producer)
soprano vocals [Lauretta]:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
4.52:53
2Ebben...Ne andro lontana
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1999-07)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
25:05
3Porgi, amor
soprano vocals [Contessa]:
Renée Fleming (soprano) (from 1996-12-16 until 1996-12-21)
orchestra:
London Symphony Orchestra (from 1996-12-16 until 1996-12-21)
conductor:
Sir Georg Solti (conductor) (from 1996-12-16 until 1996-12-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1996-12-16 until 1996-12-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
23:54
4Come scoglio
soprano vocals [Fiordiligi]:
Renée Fleming (soprano) (in 1994-05)
orchestra:
Chamber Orchestra of Europe (in 1994-05)
conductor:
Sir Georg Solti (conductor) (in 1994-05)
balance engineer:
Neil Hutchinson (sound engineer) (in 1994-05) and James Lock (James Locke, engineer) (in 1994-05)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1994-05)
live recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1994-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1994-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
24:26
5Casta diva
choir vocals:
London Voices (in 1999-07)
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
chorus master:
Terry Edwards (British choir director)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1999-07)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
3.56:01
6E strano...Ah, fors'e lui...Sempre libera
soprano vocals [Violetta]:
Renée Fleming (soprano)
tenor vocals [Alfredo]:
Joseph Calleja (tenor)
orchestra:
Orchestra of St. Luke’s
conductor:
Patrick Summers
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (in 2003-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 2003-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (in 2003-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
410:02
7Un bel di vedremo
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
English Chamber Orchestra and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Jeffrey Tate (conductor) and Mackerras (Australian conductor) (in 1999-07)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 2000)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
3.54:55
8Je marche sur tous les chemins...Obeissons quand leur voix appelle
soprano vocals [Manon]:
Renée Fleming (soprano)
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Manon: Acte III, Scène I. “Je marche sur tous les chemins” (Manon) (in 1997-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. Gavotte “Obéissons quand leur voix appelle” (Manon, Brétigny, Chœur) (in 1997-08)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
36:17
9Mesicku na nebi hlubokem
soprano vocals [Rusalka]:
Renée Fleming (soprano) (in 1996-12)
orchestra:
London Symphony Orchestra (in 1996-12)
conductor:
Sir Georg Solti (conductor) (in 1996-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1996-12)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
35:59
10Vocalise
soprano vocals:
Renée Fleming (soprano) (in 1997-08)
orchestra:
English Chamber Orchestra (in 1997-08)
conductor:
Jeffrey Tate (conductor) (in 1997-08)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-08)
recording of:
Vocalise, op. 34 no. 14 (for soprano and string orchestra, arr. by Daniel Braden) (in 1997-08)
orchestrator:
Daniel Braden
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
25:41
11Cacilie
soprano vocals:
Renée Fleming (soprano)
orchestra:
Orchestra of St. Luke’s
conductor:
Patrick Summers
recording of:
Cäcilie, op. 27 no. 2 (in 2003-05)
lyricist:
Heinrich Hart
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
22:24
12Mariettas Lied
soprano vocals [Marietta]:
Renée Fleming (soprano)
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Die tote Stadt: Akt I. „Glück, das mir verblieb” (Marietta's Lied) (in 1997-08)
composer and librettist:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Die tote Stadt, op. 12
26:02
13Summertime
choir vocals:
New York Voices
soprano vocals [Clara]:
Renée Fleming (soprano)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
Teddy Swarrer (chorus master)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene I
24:21
14Bachianas brasileiras No. 5: Cantilena
guitar:
Lee Ritenour
piano:
Dave Grusin (American pianist and score composer)
soprano vocals:
Renée Fleming (soprano)
arranger:
Dave Grusin (American pianist and score composer)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 1999-12)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
35:08
15You'll Never Walk Alone
soprano vocals:
Renée Fleming (soprano)
orchestra:
Orchestra of St. Luke’s
conductor:
Patrick Summers
recording of:
You’ll Never Walk Alone (Carousel) (in 2003-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
24:45

Credits

Release

ASIN:US: B0000C3ICO [info]