Top 40 Nina Simone: Her Ultimate Top 40 Collection

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3.853:36
2Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:54
3Don't Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4.052:44
4I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3.54:09
5I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.32:35
6I Think It's Going to Rain Today
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Think It’s Going to Rain Today (am 1968-09-16)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America und Unichappell Music, Inc. (in 1966)
4.53:20
7Backlash Blues
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
Backlash Blues (am 1967-01-05)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
4.652:29
8I Wish I Knew How It Would Feel to Be Free
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Mix:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe
arranger:
Sammy Lowe
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-06-15)
Teil von:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (am 1967-06-15)
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
4.353:10
9Do I Move You?
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Do I Move You? (am 1966-12-19)
Texter und Komponist(in):
Nina Simone
4.652:45
10The Look of Love
Techniker(in):
Ray Hall (engineer) (am 1967-06-15)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Cembalo und Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1967-06-15)
E-Bass:
Gene Taylor (US jazz bassist) (am 1967-06-15)
E-Gitarre:
Eric Gale (am 1967-06-15) und Rudy Stevenson (am 1967-06-15)
Schlagzeug:
Bernard “Pretty” Purdie (am 1967-06-15)
vocals:
Nina Simone (am 1967-06-15)
conductor:
Sammy Lowe (am 1969-06-15)
arranger:
Sammy Lowe
aufgenommen bei:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (am 1967-06-15)
cover recording of:
The Look of Love (am 1967-06-15)
Texter:
Hal David
Verfasser(in):
Burt Bacharach und Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
3.252:22
11Go to Hell
cover recording of:
Go to Hell (am 1967-06-21)
Verfasser(in):
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
3.52:48
12I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Interpret(in):
Sam Ellis (House DJ)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1967-01-05)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:32
13My Man Is Gone Now
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1967-01-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
34:15
14Turn Me On
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
cover recording of:
Turn Me On (am 1967-06-13)
Texter und Komponist(in):
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-09)
52:24
15Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:51
16I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Get Along Without You Very Well (am 1968-09-16)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
34:49
17I Shall Be Released
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug:
Don Alias
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
Bearbeitung von:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) von Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (von 1967-01-08 bis 1967-01-27)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
3.653:53
18Nobody's Fault but Mine
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1968-09-16)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
43:00
19Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
A&R-Management:
Tom Berman
Produzent(in):
Joe René
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
Bearbeitung von:
Do What You Gotta Do (1968 version, full length) von Nina Simone
cover recording of:
Do What You Gotta Do (am 1968-06-24)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
3.53:00
20Sinnerman (live in New York 1965)
Produzent(in):
Hal Mooney
cover recording of:
Sinnerman (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Oh Sinner Man (Bob Gibson's version)
4.8510:19
21Why? (The King of Love Is Dead) (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Why? (The King of Love Is Dead) (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA, unabridged version) von Nina Simone
live recording of:
Why? (The King of Love Is Dead) (am 1968-04-07)
Texter und Komponist(in):
Gene Taylor (US jazz bassist)
gewidmet:
Dr. Martin Luther King (group)
Teil von:
Martin Luther King Suite
55:44
2▶CD

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