Rock & Wave, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Our Darkness
recording of:
Our Darkness
lyricist and composer:
Anne Clark (English poet, songwriter and electronic musician) and David Harrow (English record producer, DJ, and multimedia artist)
publisher:
BMG 10 Music Ltd., Red Flame Music Ltd. and Virgin Music (Publishers) Ltd.
Anne Clark45:20
2Alice
producer:
John Ashton
bass guitar:
Craig Adams (bass player for Sisters of Mercy/The Mission)
drum machine:
Doktor Avalanche
guitar:
Ben Gunn and Gary Marx
lead vocals:
Andrew Eldritch
recording of:
Alice
lyricist and composer:
Andrew Eldritch
The Sisters of Mercy43:32
3Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:24
4Should I Stay or Should I Go?
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:05
5Always the Sun
engineer:
Owen Morris
producer:
Mike Kemp (UK recording engineer) and The Stranglers
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
music videos:
Always the Sun by The Stranglers
recording of:
Always the Sun
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers3.754:01
6Like a Hurricane
producer:
The Mission (The Mission U.K., gothic rock band)
drums (drum set):
Mick Brown (British drummer of the gothic rock band The Mission)
electric bass guitar:
Craig Adams (bass player for Sisters of Mercy/The Mission)
guitar:
Simon Hinkler and Wayne Hussey
lead vocals:
Wayne Hussey
part of:
Alan Cross: Hurricane Songs (number: 2)
cover recording of:
Like a Hurricane
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music and Warner Bros. Music (publisher; do NOT use as release label)
The Mission44:56
7Love Like Blood
engineer:
Thomas Stiehler
producer:
Chris Kimsey
bass guitar:
Paul Raven (UK bassist)
drums (drum set):
Paul Ferguson
guitar:
Geordie
keyboard:
Jaz Coleman
vocals:
Jaz Coleman
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 2007)
recorded at:
Hansa Studios in Berlin, Germany (from 1984-08 until 1984-09)
part of:
Pitchfork: The Story of Goth in 33 Songs
recording of:
Love Like Blood
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. and E.G. Music Ltd. (publisher)
Killing Joke3.86:48
8She’s in Parties
engineer:
Derek Tompkins
producer:
Bauhaus (UK gothic rock band)
recording of:
She’s in Parties
writer:
Daniel Ash, Bauhaus (UK gothic rock band), David J (gothic rock), Kevin Haskins and Peter Murphy (UK singer & musician)
composer:
Bauhaus (UK gothic rock band)
publisher:
Beggars Banquet Music and Momentum Music (publisher)
Bauhaus5:37
9Eisbär
recording of:
Eisbär
lyricist and composer:
Martin Eicher
publisher:
Control (German electronic), EMI Music (do not use as release label! this is a music publisher) and Of Course Music
Grauzone4:27
10Papa’s Got a Brand New Pig Bag
recording of:
Papa’s Got a Brand New Pigbag
composer:
Chip Carpenter, Roger Freeman, Chris Hamlyn, James Johnstone (UK percussionist/guitarist/ambient producer), Chris Lee (trumpet player), Ollie Moore and Simon Underwood (bass guitar)
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Pigbag3:39
11Wordy Rappinghood
recording of:
Wordy Rappinghood
writer:
Chris Frantz, Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) and Tina Weymouth
Tom Tom Club4:30
12Happy Birthday
producer:
Martin Rushent
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
produced at:
Genetic Sound in West Berkshire, England, United Kingdom
recording of:
Happy Birthday
writer:
Tich Anderson, Clare Grogan, Tony McDaid and Johnny McElhone
publisher:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images32:55
13Lucky Number
producer:
The Stateless (possibly Lene Lovich and Les Chappell)
mixer:
Roger Bechirian
lead vocals:
Lene Lovich
remixer:
Roger Bechirian
phonographic copyright (℗) by:
Oval Records (in 1978) and Oval Sounds LLP (in 1979)
recording of:
Lucky Number
writer:
Les Chappell and Lene Lovich
publisher:
Oval Music
Lene Lovich42:44
14Are ‘Friends’ Electric?
assistant engineer:
Harvey Ishiki
engineer:
Jon Caffery (producer and engineer)
producer:
Gary Numan
mixer:
Jon Caffery (producer and engineer), Gary Numan and Rikki Sylvan
bass guitar:
Paul Gardiner
drums (drum set):
Jess Lidyard
guitar, keyboard and lead vocals:
Gary Numan
phonographic copyright (℗) by:
Beggars Banquet (in 1979) and Beggars Banquet Records Ltd. (for copyrights purpose) (in 1979)
recording of:
Are ‘Friends’ Electric?
lyricist and composer:
Gary Numan
publisher:
Beggars Banquet Music Ltd., Momentum Music Ltd., Numan Music Ltd., Andrew Heath Music (from 1979 to present) and Beggars Banquet (from 1979 to present)
Tubeway Army3.65:15
15Coitus Interruptus
recording of:
Coitus Interruptus
writer:
Frank Tovey
Fad Gadget4:31
16Gentlemen Take Polaroids
recording of:
Gentlemen Take Polaroids
lyricist and composer:
David Sylvian
Japan5:14
17Being Boiled
producer:
The Human League
lead vocals:
Philip Oakey
recording of:
Being Boiled
lyricist:
Philip Oakey
composer:
Ian Craig Marsh and Martyn Ware
The Human League3:29