Sunday Morning

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2010 Sony Music Entertainment

Annotation last modified on 2025-01-27 00:12 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-17)
producer:
Nat Shapiro and Harold Wheeler
lead vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-17)
edit of:
Here Comes the Sun by Nina Simone
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
Nina Simone4.43:35
2Your Song
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
cover recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Paul6:32
3Walk On By (2002 mix)
mixer:
Leo Sacks and Mark Wilder (US recording/mastering engineer)
cover recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin2:50
4Here With Me
recording of:
Here With Me
writer:
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Paul Statham
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido4:06
5Can't Help Falling in Love
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (American guitarist and recording engineer) (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
harmonica:
George Fields (on 1961-03-23)
piano:
Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
saxophone:
Boots Randolph (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (on 1961-03-23) and The Surfers (a.k.a. The Hawaiian Surfers) (on 1961-03-23)
additional performer:
The Jordanaires (southern gospel group) (on 1961-03-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 137)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
Elvis Presley4.12:58
6Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:11
7If I Ain't Got You
recording engineer:
Tony Black (producer, engineer)
programming:
Kerry "Krucial" Brothers
producer:
Alicia Keys
mixer:
Manny Marroquin
bass guitar [bass]:
Fred Cash, Jr. (bass)
drums (drum set) [drums]:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Hugh McKracken
horn [horns]:
"Chops", David Watson (multi-instrumentalist), Darryl Dixon (saxophone/flute/arranger) and Joe Romano (trumpet,flute,trombone)
organ:
Arcell Vickers
piano and lead vocals:
AK
background vocals:
AK, Katreese Barnes, L. Green and Cindy Mizelle
phonographic copyright (℗) by:
J Records LLC (in 2003) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
produced for:
Krucial/Keys Enterprise and MBK Entertainment (R&B, not the South Korean label.)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States
mixed at:
Plus XXX (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, France
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 422) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 440)
recording of:
If I Ain’t Got You
lyricist and composer:
Alicia Keys
publisher:
EMI Music Publishing, Inc., Lellow Productions, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alicia Keys3.63:50
8Ett & Noll
Bo Kaspers orkester4:06
9Waiting for That Day
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990)
recording of:
Waiting for That Day / You Can’t Always Get What You Want
writer:
Mick Jagger, George Michael and Keith Richards (Rolling Stones guitarist)
George Michael44:50
10Still
recording engineer and mixer:
Dave Way
producer:
Andrew Slater
bass:
Greg Richling
drums (drum set):
Matt Chamberlain (American drummer)
guitar:
Jay Joyce and Arik Marshall
mellotron:
Patrick Warren
percussion:
Lenny Castro
piano:
Jeremy Ruzumna (composer, lyricist, keyboardist)
vibraphone:
Jon Brion
background vocals:
Dawn Beckman, Musiic Galloway and Sy Smith (US singer and actress)
lead vocals:
Macy Gray (American singer and actor)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
Still
lyricist:
Macy Gray (American singer and actor)
composer:
Bill Esses and Jeremy Ruzumna (composer, lyricist, keyboardist)
Macy Gray44:15
11Fragile
recording of:
Fragile
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. and Magnetic Publishing Ltd.
Julio Iglesias4:19
12My Love Is Your Love
recording of:
My Love Is Your Love
writer:
Jerry Duplessis and Wyclef Jean (Haitian rapper, musician and actor)
publisher:
EMI-Blackwood Music Inc., Huss Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP) and TeBass Music
Whitney Houston53:55
13Georgy Porgy (disco version)
guest lead vocals:
Cheryl Lynn (1970s disco singer)
recording of:
Georgy Porgy
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
is based on:
Georgie Porgie (nursery rhyme)
Toto feat. Cheryl Lynn55:06
14If You Want Me to Stay
recording of:
If You Want Me to Stay
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone43:00
15In Dreams (1987 version)
recording engineer and mixer:
Richard Bosworth
additional engineer:
Arthur Kelm (engineer)
assistant engineer:
Julie Last and Duane Seykora
producer:
T‐Bone Burnett (musician, songwriter and producer), David Lynch (filmmaker) and Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Inc. (in 1987)
recorded at and mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
In Dreams (in 1987-04)
lyricist and composer:
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1963-02-13)
Roy Orbison2:52
16Your Secret Love
recording engineer and mixer:
Ray Bardani
additional programming:
Ivan Hampden
drum machine programming and synthesizer [string] programming:
Reed Vertelney
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover
additional keyboard and strings:
John “Skip” Anderson (funk/soul producer and songwriter)
bass:
John “Skip” Anderson (funk/soul producer and songwriter) and Reed Vertelney
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Reed Vertelney
background vocals:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross and Reed Vertelney
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Your Secret Love
writer:
Luther Vandross and Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) and Vertelney Music (in 1996)
Luther Vandross4:13
17Georgia
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Georgia (in 1975-09)
lyricist and composer:
Boz Scaggs
publisher:
Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs33:55
18Every Time I Close My Eyes
bass:
Nathan East
drum machine [drum programming], keyboard and lead vocals:
Babyface (R&B musician Kenny Edmonds)
guitar:
Michael Thompson (session guitarist)
percussion:
Sheila E.
piano [acoustic piano]:
Greg Phillinganes
saxophone:
Kenny G (saxophonist)
background vocals:
Babyface (R&B musician Kenny Edmonds) and Mariah Carey
background vocals arranger:
Mariah Carey
recording of:
Every Time I Close My Eyes
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
publisher:
ECAF Music and Sony/ATV Songs LLC
Babyface with Kenny G34:57
19Wives and Lovers
Andy Williams2:18
20I've Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Carly Simon3:48
21I Left My Heart in San Francisco (single version)
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett32:50
22Summer BreezeThe Isley Brothers3:50
23I'd Be BrokenSophie Zelmani44:15
24Stella by Starlight
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental cover recording of:
Stella by Starlight (on 1958-05-26)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4:44
25Sumthin' Sumthin' (remastered 2021)
recording of:
Sumthin’ Sumthin’
writer:
Musze (US soul/R&B singer-songwriter) and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Leon Ware Music, Muszewell and Sony/ATV Tunes LLC (ASCAP)
Maxwell14:18
26Vi kommer aldrig att dö
Bo Kaspers orkester4:24
27Don't Wanna Lose You
Gloria Estefan2:54
28Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
Nina Simone3.54:59
29Family Affair (single version)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:05
30That Ole Devil Called Love
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:04
31All of Me (take 2)
recording of:
All of Me (on 1941-03-21)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday with Eddie Heywood and His Orchestra3:01
32Mandolin Rain (remastered 2003)
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
hammered dulcimer, piano, synthesizer and lead vocals:
Bruce Hornsby
mandolin:
David Mansfield
background vocals:
George Marinelli and Joe Puerta
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
Mandolin Rain
writer:
B.R. Hornsby and John Hornsby (American musician, composer, and actor)
publisher:
Basically Zappo Music, BMG Music Publishing Ltd., Bob‐a‐Lew Songs (ASCAP), Warner Chappell Music Limited (2019–present), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Basically Gasp Music (in 1986) and Zappo Music (in 1986)
Bruce Hornsby & the Range55:18
33Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4.14:32
34Just Be Good to Me
producer:
Dallas Austin, Tim Kelley and Bob Robinson (US R&B producer/songwriter)
lead vocals:
Deborah Cox
recording of:
Just Be Good to Me
composer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Deborah Cox5:50
35How 'Bout Us (single version)
producer:
Leo Graham (producer / composer / lyricist)
solo alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
edit of:
How ’Bout Us by Champaign
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:11
36Didn't I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:23
37Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:51
38When Did You Leave HeavenLisa Ekdahl & Peter Nordahl Trio feat. Patrik Boman & Ronnie Gardiner56:03
39Blow Your Mind (remastered 2006)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Jay Kay (English singer, Jamiroquai) and Toby Smith
mixer:
Jay Kay (English singer, Jamiroquai) and Mike Nielsen (NZ/London/Turkey engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1993)
recording of:
Blow Your Mind
writer:
Jay Kay (English singer, Jamiroquai) and Toby Smith
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3:55
40Mr. Bojangles
John Denver4:37
41Easy Love
cover recording of:
Easy Love
writer:
Randy Cate (songwriter), Steve Dorff (composer) and Larry Herbstritt
Dionne Warwick3:15
42All the Things You Are
recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Carly Simon3:50
43What Can I Say
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
percussion:
Joe Porcaro (in 1975-09)
solo tenor saxophone:
Plas Johnson (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
background vocals:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) and Carolyn Willis (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
What Can I Say (in 1975-09)
writer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd and Boz Scaggs Music (publisher) (in 1976)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs43:00
44It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc. (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI April Music Inc.
Albert Hammond3.83:52
45Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:17
46Feel So HighDes’ree43:53
47Always and Forever (single version)
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976)
recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave33:36
48Cupid
cover recording of:
Cupid
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Johnny Nash2.53:24
49The First Time Ever I Saw Your Face
recording engineer and mixer:
Louis Biancaniello, Sam Watters and Wayne Wilkins
producer:
Louis Biancaniello, The Runaways (producers, worked with Leona Lewis and Natasha Bedingfield), Sam Watters and Wayne Wilkins
additional background vocals:
RaVaughn Brown
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
recorded at:
Doppler Studios in Atlanta, Georgia, United States and Homesite 13 in Novato, California, United States
cover recording of:
The First Time Ever I Saw Your Face
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
Leona Lewis24:25
50Train on a TrackKelly Rowland43:43
51Sunny
cover recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
José Feliciano3:32
52All Woman
producer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
recording of:
All Woman
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
Lisa Stansfield4.355:17
53Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:24
54When Will I See You Again
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:59
55All That Jazz
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
Liza Minnelli3:04
56Welcome to My World
producer:
Chet Atkins
arranger:
Anita Kerr
recording of:
Welcome to My World (on 1961-11-20)
lyricist and composer:
Johnny Hathcock and Ray Winkler
publisher:
Neillrae Music, Sony/ATV Songs LLC and Sony/ATV Tree Publishing
Jim Reeves2:33
57Can't Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:13
58Ain't No Sunshine (single version)
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:04
59Three to Get Ready
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Three to Get Ready (on 1959-06-25)
composer:
Dave Brubeck
publisher:
Derry Music Co.
The Dave Brubeck Quartet35:24
60At the River (radio edit)
edit of:
At the River by Groove Armada
recording of:
At the River
writer:
Andrew Derek Cocup, Tom Findlay (UK electronic DJ/producer, Groove Armada), Irwin Pincus (also known as "Allan Jeffrey"), Claire Rothrock and Milton Yakus
publisher:
Ambassador, PolyGram Music Publishing Ltd. and Warner/Chappell Music Ltd. (1996–2019)
is based on:
Old Cape Cod
Groove Armada2.53:03