The Complete RCA Collection

~ Release by Arturo Toscanini (see all versions of this release, 1 available)

Tracklist

1▶CD: Volume 1: Beethoven: Symphony no. 3 “Eroica” / Symphony no. 1
2▶CD: Volume 2: Beethoven: Symphony no. 7 / Symphony no. 2
3▶CD: Volume 3: Beethoven: Symphony no. 6 “Pastoral” / Symphony no. 4
4▶CD: Volume 4: Beethoven: Symphony no. 5 / Symphony no. 8 / Leonore Overture no. 3
5▶CD: Volume 5: Beethoven: Symphony no. 9 “Choral”
6▶CD: Volume 6: Brahms: Symphony no. 1 / Academic Festival Overture / Hungarian Dances
7▶CD: Volume 7: Brahms: Symphony no. 2 / Haydn Variations / Tragic Overture
8▶CD: Volume 8: Brahms: Symphony no. 3 / Double Concerto
9▶CD: Volume 9: Brahms: Symphony no. 4 / Liebeslieder‐Walzer / Gesang der Parzen
10▶CD: Volume 10: Mozart: Symphony no. 35 “Haffner” / Bassoon Concerto / Divertimento no. 15
11▶CD: Volume 11: Mozart: Symphony no. 39 / Symphony no. 40 / Symphony no. 41 “Jupiter”
12▶CD: Volume 12: Haydn: Symphony no. 88 / Symphony no. 94 “Surprise” / Symphony no. 98
13▶CD: Volume 13: Haydn: Symphony no. 101 “Clock” / Symphony no. 99 / Sinfonia Concertante
14▶CD: Volume 14: Schubert: Symphony no. 8 “Unfinished” / Symphony no. 9 “The Great”
15▶CD: Volume 15: Schubert: Symphony no. 5 / Symphony no. 9 “The Great”
16▶CD: Volume 16: Schumann: Symphony no. 3 “Rhenish” / Weber: Overtures
17▶CD: Volume 17: Mendelssohn: Symphony no. 4 “Italian” / Symphony no. 5 “Reformation”
18▶CD: Volume 18: Tchaikovsky: Symphony no. 6 “Pathétique” / The Nutcracker — Suite
19▶CD: Volume 19: Tchaikovsky: Manfred Symphony / Romeo and Juliet
20▶CD: Volume 20: Franck: Symphony / Saint‐Saëns: Symphony no. 3 “Organ”
21▶CD: Volume 21: Sibelius: Symphony no. 2 / Pohjola’s Daughter / The Swan of Tuonela / Finlandia
22▶CD: Volume 22: Shostakovich: Symphony no. 7 “Leningrad”
23▶CD: Volume 23: Beethoven: Symphony no. 3 “Eroica” / Symphony no. 8
24▶CD: Volume 24: Dvořák: Symphony no. 9 “From the New World” / Kodály: Háry János Suite / Smetana: The Moldau
25▶CD: Volume 25: Beethoven: Symphony no. 5 / Septet / Egmont Overture
26▶CD: Volume 26: Brahms: Symphony no. 1 / Serenade no. 2
27▶CD: Volume 27: Cherubini: Symphony / Overtures / Cimarosa: Overtures
28▶CD: Volume 28: Prokofiev: “Classical” Symphony / Shostakovich: Symphony no. 1 / Stravinsky: Pétrouchka
29▶CD: Volume 29: Beethoven: Symphony no. 3 “Eroica” / Mozart: Symphony no. 40
30▶CD: Volume 30: Strauss: Don Quixote / Tod und Verklärung
31▶CD: Volume 31: Strauss: Don Juan / Till Eulenspiegel / Wagner: Siegfried Idyll
32▶CD: Volume 32: Respighi: Pines of Rome / Fountains of Rome / Roman Festivals
33▶CD: Volume 33: Berlioz: Harold en Italie / Roméo et Juliette (exerpts)
34▶CD: Volume 34, disc 1: Berlioz: Roméo et Juliette / Bizet: Suites: L’arlésienne / Carmen
35▶CD: Volume 34, disc 2: Berlioz: Roméo et Juliette / Bizet: Suites: L’Arlésienne / Carmen
36▶CD: Volume 35: Mussorgsky / Ravel: Pictures at an Exhibition / Elgar: “Enigma” Variations
37▶CD: Volume 36: Mendelssohn: A Midsummer Night’s Dream / Octet
38▶CD: Volume 37: Debussy: La Mer / Ibéria / Nocturnes / Prélude à l’après‐midi d’un faune
39▶CD: Volume 38: Gershwin: An American in Paris / Grofé: Grand Canyon Suite / Barber: Adagio
40▶CD: Volume 39: Ravel: Daphnis et Chloé — Suite no. 2 / Berlioz / Dukas / Franck / Saint‐Saëns / Thomas
41▶CD: Volume 40: An der schönen, blauen Donau / Tritsch‐Tratsch Polka / Les Patineurs / Toy Symphony / Dance of the Hours / Invitation to the Dance / Jota aragonesa
42▶CD: Volume 41: Beethoven: Violin Concerto / Piano Concerto no. 3
43▶CD: Volume 42: Beethoven: Piano Concertos nos. 1 & 4
44▶CD: Volume 43: Brahms: Piano Concerto no. 2 / Tchaikovsky: Piano Concerto no. 1
45▶CD: Volume 44: Tchaikovsky: Piano Concerto no. 1 / Mussorgsky: Pictures at an Exhibition
46▶CD: Volume 45: Beethoven: Overtures / String Quartet, op. 135
47▶CD: Volume 46: Gluck: Iphigénie en Aulide: Overture / Orfeo ed Euridice: Act II
48▶CD: Volume 47: Rossini: Overtures
49▶CD: Volume 48: Wagner: Preludes
50▶CD: Volume 49: Wagner: Tannhäuser / Lohengrin / Tristan und Isolde / Die Walküre / Götterdämmerung (Excerpts)
51▶CD: Volume 50: Mozart / Donizetti / Rossini / Catalani / Puccini / Verdi: Opera Highlights
52▶CD: Volume 51: Hérold / Humperdink / Kabalevsky / Mozart / Rossini / Smetana / Thomas / Verdi / Weber: Overtures
53▶CD: Volume 52: Wagner: Die Walküre / Tristan und Isolde (Excerpts) / Siegfried Idyll
54▶CD: Volume 53: Wagner: Götterdämmerung (Excerpts) / Siegfried: Forest Murmurs
55▼CD: Volume 54, disc 1: Beethoven: Fidelio
#TitleArtistRatingLength
1Fidelio: Overture
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:30
2Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:22
3Fidelio: Act I: O wär ich schon mit dir vereint
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:32
4Fidelio: Act I: Mir ist so wunderbar
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:14
5Fidelio: Act I: Hat man nicht auch Gold beineben
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:23
6Fidelio: Act I: Gut, Söhnchen, gut
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:46
7Fidelio: Act I: March
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:14
8Fidelio: Act I: Ha! welch ein Augenblick!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:48
9Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:28
10Fidelio: Act I: Abscheulicher! Wo eilst du hin?
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:10
11Fidelio: Act I: O welche Lust in freier Luft
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:42
12Fidelio: Act I: Nun sprecht, wie ging's?
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:12
13Fidelio: Act I: Wir müssen gleich zu Werke schreiten
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
Ludwig van Beethoven2:42
14Fidelio: Act I: Ach, Vater, eilt!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:42
15Fidelio: Act I: Verwegner Alter, welche Rechte
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:29
16Fidelio: Act I: Leb wohl, du warmes Sonnenlicht
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:56
56▶CD: Volume 54, disc 2: Beethoven: Fidelio
57▶CD: Volume 55, disc 1: Puccini: La Bohème
58▶CD: Volume 55, disc 2: Puccini: La Bohème
59▶CD: Volume 56, disc 1: Verdi: Aida
60▶CD: Volume 56, disc 2: Verdi: Aida
61▶CD: Volume 56, disc 3: Verdi: Aida
62▶CD: Volume 57, disc 1: Verdi: Falstaff
63▶CD: Volume 57, disc 2: Verdi: Falstaff
64▶CD: Volume 58, disc 1: Verdi: Otello
65▶CD: Volume 58, disc 2: Verdi: Otello
66▶CD: Volume 59, disc 1: Un ballo in maschera
67▶CD: Volume 59, disc 2: Un ballo in maschera
68▶CD: Volume 60, disc 1: La Traviata
69▶CD: Volume 60, disc 2: La Traviata
70▶CD: Volume 61, disc 1: Beethoven: Missa solemnis / Cherubini: Requiem
71▶CD: Volume 61, disc 2: Beethoven: Missa solemnis / Cherubini: Requiem
72▶CD: Volume 62: Boito: Mefistofele / Verdi: I Lombardi / Rigoletto (Excerpts)
73▶CD: Volume 63, disc 1: Verdi: Messa da requiem / Te Deum
74▶CD: Volume 63, disc 2: Verdi: Messa da requiem / Te Deum
75▶CD: Volume 64: Beethoven: Symphony no. 7 / Haydn: Symphony no. 101 “Clock”
76▶CD: Volume 65: Mozart: Symphony no. 35 / Brahms: Haydn Variations / Wagner: Siegfried Idyll
77▶CD: Volume 66: Rossini / Verdi / Wagner / Gluck: Overtures & Preludes
78▶CD: Volume 67: Debussy: La Mer / Ibéria / Respighi: Feste romane
79▶CD: Volume 68: Tchaikovsky: Symphony no. 6 “Pathétique” / Strauss: Tod und Verklärung
80▶CD: Volume 69: Schubert: Symphony no. 9 “The Great”
81▶CD: Volume 70: Mendelssohn: Incidental Music to A Midsummer Night’s Dream
82▶CD: Volume 71: La Scala Orchestra Acoustic Recordings
83▶CD: Volume 72, disc 1: Beethoven: Symphonies nos. 1, 4 & 6 “Pastoral”
84▶CD: Volume 72, disc 2: Beethoven: Symphonies nos. 1, 4 & 6 “Pastoral”
85▶DVD-Video: Toscanini: The Maestro: A Film by Peter Rosen