Tracklist

1Digital Media
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1Kantate, BWV 212 “Mer hahn en neue Oberkeet”: I. Ouvertüre
recorded in:
Wien (Vienna), Austria (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1988-05)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:12
2Kantate, BWV 212 “Mer hahn en neue Oberkeet”: II. Aria (Duetto Sopran, Bass) “Mer hahn en neue Oberkeet”
bass vocals:
Thomas Quasthoff (bass-baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:40
3Kantate, BWV 212 “Mer hahn en neue Oberkeet”: III. Recitativo (Sopran, Bass) “Nu, Mieke, gib dein Guschel immer her”
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:01
4Kantate, BWV 212 “Mer hahn en neue Oberkeet”: IV. Aria (Sopran) “Ach, es schmeckt doch gar zu gut”
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach Collegium Japan and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:58
5Kantate, BWV 212 “Mer hahn en neue Oberkeet”: V. Recitativo (Bass) “Der Herr ist gut”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
6Kantate, BWV 212 “Mer hahn en neue Oberkeet”: VI. Aria (Bass) “Ach, Herr Schösser, geht nicht gar zu schlimm”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:09
7Kantate, BWV 212 “Mer hahn en neue Oberkeet”: VII. Recitativo (Sopran) “Es bleibt dabei”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
8Kantate, BWV 212 “Mer hahn en neue Oberkeet”: VIII. Aria (Sopran) “Unser trefflicher, lieber Kammerherr”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:37
9Kantate, BWV 212 “Mer hahn en neue Oberkeet”: IX. Recitativo (Sopran, Bass) “Er hilft uns allen, alt und jung”
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:37
10Kantate, BWV 212 “Mer hahn en neue Oberkeet”: X. Aria (Sopran) “Das ist galant”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:19
11Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XI. Recitativo (Bass) “Und unsre gnädge Frau”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:48
12Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XII. Aria (Bass) “Fünfzig Taler bares Geld”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:52
13Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XIII. Recitativo (Sopran) “Im Ernst ein Wort”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
14Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XIV. Aria (Sopran) “Klein‐Zschocher müsse”
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:59
15Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XV. Recitativo (Bass) “Das ist zu klug vor dich”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
16Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XVI. Aria (Bass) “Es nehme zehntausend Dukaten”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:44
17Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XVII. Recitativo (Sopran) “Das klingt zu liederlich”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
18Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XVIII. Aria (Sopran) “Gib, Schöne, viel Söhne”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
19Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XIX. Recitativo (Bass) “Du hast wohl recht”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
20Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XX. Aria (Bass) “Dein Wachstum sei feste und lache vor Lust”
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:36
21Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XXI. Recitativo (Sopran, Bass) “Und damit sei es auch genug”
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
22Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XXII. Aria (Sopran) “Und daß ihrs alle wißt”
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:46
23Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XXIII. Recitativo (Sopran, Bass) “Mein Schatz! erraten”
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:35
24Kantate, BWV 212 “Mer hahn en neue Oberkeet”: XXIV. Chor (Sopran, Bass) “Wir gehn nun, wo der Tudelsack”
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals:
Robert Holl (bass‐baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:06
25Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: I. Chorus “Laßt uns sorgen, laßt uns wachen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach4:59
26Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: II. Recitativo (Alt) “Und wo? Wo ist die rechte Bahn”
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:44
27Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: III. Aria (Sopran) “Schlafe, mein liebster”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach8:56
28Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: IV. Recitativo (Sopran, Tenor) “Auf! folge meiner Bahn”
soprano vocals:
Sibylla Rubens (soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:08
29Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: V. Aria (Alt, Alt) “Treues Echo dieser Orten”
alto vocals:
Ingeborg Danz (mezzo soprano)
alto vocals [Echo]:
Constanze Schumacher (German contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach4:43
30Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: VI. Recitativo (Tenor) “Mein hoffnungsvoller Held”
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:54
31Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: VII. Aria (Tenor) “Auf meinen Flügeln sollst du schweben”
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach4:39
32Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: VIII. Recitativo (Tenor) “Die weiche Wollust locket zwar”
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:39
33Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: IX. Aria (Alt) “Ich will dich nicht hören”
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach4:14
34Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: X. Recitativo (Alt, Tenor) “Geliebte Tugend, du allein”
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:46
35Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: XI. Aria (Duetto Alt, Tenor) “Ich bin deine”
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach6:47
36Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: XII. Recitativo accompagnato (Bass) “Schaut, Götter, dieses ist ein Bild”
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:15
37Kantate, BWV 213 “Laßt uns sorgen, laßt uns wachen”: XIII. Chorus “Lust der Völker, Lust der Deinen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XIII. Chorus "Lust der Völker, Lust der Deinen" (in 1999-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach2:57

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 67) (order: 67)