Now That’s What I Call Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:57
2At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.53:00
3Sacrifice
assistant recording engineer:
Karl Lever
recording engineer and engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Romeo Williams
drums (drum set):
Jonathan Moffett
keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) and Fred Mandel
background vocals:
Davey Johnstone
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1989)
recorded at:
Puk Recording Studios in Gjerlev, Central Denmark Region, Denmark
recording of:
Sacrifice
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. and Universal–Songs of PolyGram International, Inc.
Elton John2.95:05
4Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.653:59
5Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:36
6Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Lionel Richie & Diana Ross3.54:26
7Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:29
8My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.352:54
9Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:03
10Move Closer
phonographic copyright (℗) by:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1984)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson24:33
11Tired of Being Alone
recorded at:
Royal Studios in Memphis, Tennessee, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 293)
recording of:
Tired of Being Alone
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Al Green4.452:51
12Will You Love Me Tomorrow?
miscellaneous support:
James Taylor (singer-songwriter and guitarist)
engineer:
Hank Cicalo
producer:
Lou Adler
acoustic guitar:
Danny Kortchmar (Danny Kootch) and James Taylor (singer-songwriter and guitarist)
double bass:
Charles Larkey
drums (drum set):
Russ Kunkel (session drummer)
piano:
Carole King
background vocals:
The Mitchell / Taylor Boy-and-Girl Choir
vocals:
Carole King
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Carole King44:13
13A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
music videos:
A Little Time by The Beautiful South
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South32:59
14Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
Elvis Presley42:42
15No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:32
16Slave to Love (7″ version)
audio engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3:55
17Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan & Miami Sound Machine3:28
18Right Here Waiting
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:04
19All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:53
20Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:21
21Over the Rainbow
vocals:
Eva Cassidy
arranger:
Eva Cassidy
phonographic copyright (℗) by:
Barbara and Hugh Cassidy (in 1992)
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Eva Cassidy3.25:00

Credits

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 95)