Maynard’s Rewind, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I’m Your Man
Produzent(in):
George Michael
arranger:
George Michael
Musikvideos:
I’m Your Man von Wham! (British pop-duo) und I’m Your Man von Wham! (British pop-duo)
Teil von:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (Nummer: 8)
recording of:
I'm Your Man
Texter und Komponist(in):
George Michael
Wham!54:05
2Rock the Casbah
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
Musikvideos:
Rock the Casbah von The Clash (70s–80s British punk rock band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 58)
recording of:
Rock the Casbah
Verfasser(in):
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
The Clash4.63:43
3Generals and Majors
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
recording of:
Generals and Majors
Texter und Komponist(in):
Colin Ivor Moulding
publisher:
Virgin Music Publishers
XTC53:42
4Rock Lobster
assistierende(r) Techniker(in):
Cass Rigby
Techniker(in):
Robert Ash (sound engineer)
Koproduzent(in):
Robert Ash (sound engineer)
Produzent(in):
Chris Blackwell (Island Records)
Bass-Synthesizer und Farfisa-Orgel [farfisa organ]:
Kate Pierson (von 1978 bis 1979-06)
Gitarre:
Ricky Wilson (The B‐52’s) (von 1978 bis 1979-06)
Perkussion und Schlagzeug:
Keith Strickland (von 1978 bis 1979-06)
Tamburin:
Cindy Wilson (von 1978 bis 1979-06)
Hintergrundgesang:
Kate Pierson (von 1978 bis 1979-06) und Cindy Wilson (von 1978 bis 1979-06)
Sologesang:
Fred Schneider (US singer‐songwriter, frontman of The B‐52s) (von 1978 bis 1979-06)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas (von 1978 bis 1979-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Indie 88: Top 500 Indie Rock Songs (Nummer: 433)
recording of:
Rock Lobster (von 1978 bis 1979-06)
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson und Ricky Wilson (The B‐52’s)
publisher:
Boo-fant Tunes, Inc. (publisher)
The B‐52s4.46:52
5Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
Techniker(in) und Mix:
John Tanner
Produzent(in):
Mark Van Hecke
Bass:
Brian Ritchie (in 1982-07)
Gitarre und Sologesang:
Gordon Gano (in 1982-07)
Schlagzeug und Perkussion:
Victor DeLorenzo (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) und Brian Ritchie (in 1982-07)
aufgenommen bei:
Castle Productions in Lake Geneva, Wisconsin, Vereinigte Staaten (in 1982-07)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 17)
recording of:
Blister in the Sun (in 1982-07)
Texter und Komponist(in):
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:25
6I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
7Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
8Change in Mood
recording of:
Change in Mood
Verfasser(in):
Scott Carne (Kids in the Kitchen), Bruce Curnow, Greg Dorman, Craig Harnath und Greg Woodhead
publisher:
Mushroom Music (Mushroom label’s publishing company)
Kids in the Kitchen3:44
9Listening
Techniker(in):
Glenn Phimister
Koproduzent(in):
Ross Fraser
Produzent(in) und Mix:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) und Brian Canham (Australian singer ex. Pseudo Echo)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1984)
recording of:
Listening
Verfasser(in):
Brian Canham (Australian singer ex. Pseudo Echo) und Tony Lugton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Pty. Ltd.
Pseudo Echo52:59
10Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:47
11Don’t Go Now
phonographisches Urheberrecht (℗) von:
BMG Australia Limited (not for release label use!) (in 2001)
recording of:
Don’t Go Now
Verfasser(in):
Simon Day (Australian musician, member of Ratcat) und Robyn St. Clare
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Ratcat2:54
12Rush
assistierende(r) Techniker(in):
Serge Glanzberg und Dave Mercer
Techniker(in):
Andre Shapps
Produzent(in):
Mick Jones (The Clash/Big Audio Dynamite), Olimax und DJ Shapps
Bass:
Gary Stonadge
Gitarre:
Nick Hawkins und Mick Jones (The Clash/Big Audio Dynamite)
Schlagzeug:
Chris Kavanagh
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh und Gary Stonadge
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
Texter, Verfasser(in) und Komponist(in):
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite II4.54:18
13Right Here, Right Now
Jesus Jones3:09
14Never Gonna Give You Up
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Terrace Music (in 1987)
Rick Astley4.43:34
15Fame
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1980)
recording of:
Fame
Texter:
Dean Pitchford
Komponist(in):
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1980 winner)
Irene Cara35:15
16ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.12:58
17Rudi, a Message to You
The Specials2:54
18Penthouse and Pavement
recording of:
Penthouse and Pavement
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 176:21

Nennungen