A River Runs Through It (Silver Screen edition)

~ Release by Mark Isham (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1A River Runs Through It
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A River Runs Through It
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:24
2Casting Presbyterian Style
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Casting Presbyterian Style
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:30
3A Land Filled With Wonder
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Land Filled With Wonder
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:34
4Down the Alley (With You)
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Down the Alley (With You)
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:21
5A Summer of Lumber and Fishing
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Summer of Lumber and Fishing
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:46
6Shooting the Chutes
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Shooting the Chutes
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:54
7Three Fisherman
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Three Fisherman
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:57
8A Trip to the Unknown
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Trip to the Unknown
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:30
9A Four-Count Rhythm
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Four‐Count Rhythm
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:30
10The Sheik of Araby
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
recording of:
The Sheik of Araby
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
Mark Isham1:58
11Bye Bye Blackbird
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Prudence Johnson2:00
12Je ne sais quois
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Je ne sais quois
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham0:58
13Swing Me High, Swing Me Low
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Swing Me High, Swing Me Low
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:30
14A Place Remembered
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Place Remembered
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham0:55
15A Remark Was Passed
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Remark Was Passed
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:24
16Rugged Cross
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
Mark Isham2:51
17Muskrat Ramble
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
recording of:
Muskrat Ramble (1926 original instrumental version)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Mark Isham2:01
18Rawhide
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Rawhide
orchestrator:
Ken Kugler
Mark Isham0:59
19The Wild Ride
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
The Wild Ride
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:30
20Early Departure
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Early Departure
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham0:51
21The Splendor in the Grass
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
The Splendor in the Grass
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:11
22Jessie and Norman
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Jessie and Norman
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham3:02
23Lolo's
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Lolo’s
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:16
24The High Road
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
The High Road
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:03
25Yes, Quite a Day
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Yes, Quite a Day
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:07
26A Fine Fisherman and the Big Blackfoot River
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
A Fine Fisherman and the Big Blackfoot River
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:43
27The Moment That Could Not Last
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
The Moment That Could Not Last
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:24
28Too Deep for Tears
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Too Deep for Tears
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham0:48
29Without Complete Understanding
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Without Complete Understanding
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham1:23
30In the Half-Light of the Canyon
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
In the Half‐Light of the Canyon
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham2:47
31Haunted by Waters / A River Runs Through It (reprise)
recording engineer and mixer:
Stephen Krause
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Gil Morales, Sue McLean, Robert Loftus and Bill Talbott
producer:
Mark Isham (American musician and score composer)
editor:
Allan K. Rosen
conductor:
Ken Kugler
phonographic copyright (℗) by:
Milan (main imprint of Milan Entertainment, Inc. and Éditions Milan Music)
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Haunted by Waters / A River Runs Through It (reprise)
orchestrator:
Ken Kugler
composer:
Mark Isham (American musician and score composer)
Mark Isham4:22
32Exclusive Interview With Mark Isham
Mark Isham7:53