The Complete Madrigals

~ Release by Carlo Gesualdo (see all versions of this release, 1 available)

Annotation

The 7-CD set collection the six books of Madrigals by Carlo Gesualdo.

Annotation last modified on 2020-05-12 22:30 UTC.

Tracklist

1▶CD: The First Book of Madrigals, 1594
2▼CD: The Second Book of Madrigals, 1594
#TitleRatingLength
1The Second Book of Madrigals, 1594: “Caro amoroso neo” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Caro amoroso neo - Ma se tale ha costei” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:09
2The Second Book of Madrigals, 1594: “Ma se tale ha costei” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Caro amoroso neo - Ma se tale ha costei” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:04
3The Second Book of Madrigals, 1594: “Hai rotto e sciolto”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Hai rotto e sciolto e spento” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
3:17
4The Second Book of Madrigals, 1594: “Se per lieve ferita” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se per lieve ferita - Che sentir deve il petto” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:04
5The Second Book of Madrigals, 1594: “Che sentir deve il petto” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se per lieve ferita - Che sentir deve il petto” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:50
6The Second Book of Madrigals, 1594: “In più leggiadro velo”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “In più leggiadro velo” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:05
7The Second Book of Madrigals, 1594: “Se cosi dolce è il duolo” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se così dolce è il duolo - Ma se avverrà ch'io moia” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:21
8The Second Book of Madrigals, 1594: “Ma se avverrà ch'io moia” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Se così dolce è il duolo - Ma se avverrà ch'io moia” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:43
9The Second Book of Madrigals, 1594: “Se taccio, il duol s'avanza”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Se taccio, il duol s'avanza” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:31
10The Second Book of Madrigals, 1594: “O come è gran martire” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “O come è gran martire - O mio soave ardore” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:58
11The Second Book of Madrigals, 1594: “O mio soave ardore” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “O come è gran martire - O mio soave ardore” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:27
12The Second Book of Madrigals, 1594: “Sento che nel partire”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25) and Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Sento che nel partire” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
4:13
13The Second Book of Madrigals, 1594: “Non è questa la mano” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Non è questa la mano - Nè tien face o saetta” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:24
14The Second Book of Madrigals, 1594: “Nè tien face o saetta” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Non è questa la mano - Nè tien face o saetta” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:49
15The Second Book of Madrigals, 1594: “Candida man qual neve”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Raffaele Giordani (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Candida man qual neve” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
3:35
16The Second Book of Madrigals, 1594: “Dalle odorate spoglie” (part 1)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Dalle odorate spoglie - E quell'arpa felice” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:16
17The Second Book of Madrigals, 1594: “E quell'arpa felice” (part 2)
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
partial recording of:
Madrigals, Book 2: “Dalle odorate spoglie - E quell'arpa felice” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
1:47
18The Second Book of Madrigals, 1594: “Non mai cangerò stato”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Non mai non cangerò stato” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:54
19The Second Book of Madrigals, 1594: “All'apparir di quelle luci”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “All'apparir di quelle luci ardenti” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:40
20The Second Book of Madrigals, 1594: “Non mi toglia il ben mio”
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
harpsichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
baritone vocals:
Marco Scavazza (bass-baritone) (from 2007-07-27 until 2007-10-25)
bass vocals:
Walter Testolin (Conductor and bass vocalist) (from 2007-07-27 until 2007-10-25)
countertenor vocals:
Alessandro Carmignani (countertenor) (from 2007-07-27 until 2007-10-25) and Paolo Costa (countertenor) (from 2007-07-27 until 2007-10-25)
tenor vocals:
Fabio Fùrnari (tenor) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Madrigals, Book 2: “Non mi toglia il ben mio” (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 2
2:07
21The Second Book of Madrigals, 1594: Canzon francese del Principe
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
clavichord:
Carmen Leoni (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Canzon francese del Principe, W. 10 No. 16 (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer) (in 1586)
6:25
22The Second Book of Madrigals, 1594: Gagliarda del Principe di Venosa
recording engineer:
Antonio Scavuzzo
engineer:
Michael Seberich (Italian engineer and producer)
producer:
Lodovico Longhini and Marco Longhini (director of Delitiæ Musicæ)
editor:
Corrado Ruzza
bass viol:
Teodoro Baù (violist) (from 2007-07-27 until 2007-10-25) and Luciana Elizondo (violist) (from 2007-07-27 until 2007-10-25)
tenor viol:
Leonardo Bortolotto (from 2007-07-27 until 2007-10-25)
treble viol:
Claudia Pasetto (violist) (from 2007-07-27 until 2007-10-25)
conductor:
Marco Longhini (director of Delitiæ Musicæ) (from 2007-07-27 until 2007-10-25)
performer:
Delitiæ Musicæ (Italian early music ensemble) (from 2007-07-27 until 2007-10-25)
recorded at:
Chiesa di San Pietro in Vincoli in Grezzana, Verona, Veneto, Italy (from 2007-07-27 until 2007-10-25)
recording of:
Gagliarda del Principe di Venosa, W. 10 No. 22 (from 2007-07-27 until 2007-10-25)
composer:
Carlo Gesualdo (composer) (in 1586)
3:32
3▶CD: The Third Book of Madrigals, 1595
4▶CD: The Fourth Book of Madrigals, 1596
5▶CD: The Fifth Book of Madrigals, 1611
6▶CD: The Fifth Book of Madrigals, 1611 / The Sixth Book of Madrigals, 1611
7▶CD: The Sixth Book of Madrigals, 1611