Tracklist

1CD
#TitleArtistRatingLength
1Part I- Herr, unser Herrscher (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach9:36
2Part I- Recitative- Jesus ging mit seinen Jungern (Evangelist, Jesus) -etc
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
bass vocals:
David Wilson‐Johnson (baritone) (from 1989-03-14 until 1989-03-17)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:26
3Part I- Chorale- O grosse Lieb (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" (from 1989-03-14 until 1989-03-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 168)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:45
4Part I- Recitative- Auf dass das Wort erfullet wurde (Evangelist, Jesus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
bass vocals:
David Wilson‐Johnson (baritone) (from 1989-03-14 until 1989-03-17)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:06
5Part I- Chorale- Dein Will gescheh, Herr Gott, zugleich (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" (from 1989-03-14 until 1989-03-17)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 317)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:49
6Part I- Recitative- Die Schar aber und der Oberhauptmann (Evangelist)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:55
7Part I- Aria- Von den Stricken meiner Sunden (Alto)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
alto vocals:
David James (countertenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:05
8Part I- Recitative- Simon Petrus aber folgete Jesu nach (Evangelist)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:14
9Part I- Aria- Ich folge dir gleichfalls (Soprano)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
soprano vocals:
Patrizia Kwella (soprano) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:51
10Part I- Recitative- Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
bass vocals:
David Wilson‐Johnson (baritone) (from 1989-03-14 until 1989-03-17)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:03
11Part I- Chorale- Wer har dich so geschlagen (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (from 1989-03-14 until 1989-03-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:31
12Part I- Recitative- Und Hannas sandte ihn gebunden (Evangelist) -etc
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:15
13Part I- Aria- Ach, mein Sinn (Tenor)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
tenor vocals:
William Kendall (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:27
14Part I- Chorale- Petrus, der nicht denkt zuruck (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (from 1989-03-14 until 1989-03-17)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:24
15Part II- Chorale- Christus, der uns selig macht (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (from 1989-03-14 until 1989-03-17)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:59
16Part II- Recitative- Da fuhreten sie Jesum (Evangelist, Pilatus) -etc
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
bass vocals:
Michael George (operatic bass) (from 1989-03-14 until 1989-03-17) and David Wilson‐Johnson (baritone) (from 1989-03-14 until 1989-03-17)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:10
17Part II- Chorale- Ach, grosser Konig (Chorus)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (from 1989-03-14 until 1989-03-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:15
18Part II- Chorale- Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) -etc
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
bass vocals:
Michael George (operatic bass) (from 1989-03-14 until 1989-03-17) and David Wilson‐Johnson (baritone) (from 1989-03-14 until 1989-03-17)
choir vocals:
The Sixteen Choir (UK choir) (from 1989-03-14 until 1989-03-17)
tenor vocals:
Ian Partridge (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:56
19Part II- Arioso- Betrachte, meine Seel (Bass)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
bass vocals:
Michael George (operatic bass) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:47
20Part II- Aria- Erwage, wie sein blutgefarbter Rucken (Tenor)
sound engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (task: recording producer)
editor:
Jeffrey Ginn (engineer)
tenor vocals:
William Kendall (tenor) (from 1989-03-14 until 1989-03-17)
orchestra:
Orchestra of The Sixteen (from 1989-03-14 until 1989-03-17)
conductor:
Harry Christophers (conductor) (from 1989-03-14 until 1989-03-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1990)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1989-03-14 until 1989-03-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (from 1989-03-14 until 1989-03-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:36
2CD

Credits

Release

manufactured in:Germany
printed in:West Germany
art direction:Vicky Langdale (art direction on Chandos releases)
photography:Clive Barda (photographer) (task: booklet p. 25)
Roberto Masotti (photographer) (task: booklet p. 25)
Gerald Place (task: booklet p. 64)
liner notes:Simon Heighes (musicologist) (in 1990)
translator:Byword (translation) (in 1990)
design:Jane Embley
artwork:Albrecht Dürer (German painter and illustrator) (task: front cover painting "The Four Apostles")
copyrighted (©) by:Chandos Records Ltd. (not for release label use) (in 1990)
licensed from:Phonographic Performance Ltd. (UK-based music licensing company, founded in 1934)
discography entry:https://www.chandos.net/products/catalogue/CHAN 0507 [info]