The Very Best of Jerry Lee Lewis, Volume 1: Whole Lot of Shakin' Going On

~ Veröffentlichung von Jerry Lee Lewis (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Whole Lot of Shakin' Going On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
4.652:56
2Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
4.351:54
3Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
42:44
4High School Confidential
recording of:
High School Confidential
Verfasser(in):
Ron Hargrave (von 1958-01 bis 1958-01-28) und Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01 bis 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music und Penron Music Publishing
2:32
5Lewis Boogie
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
Gitarre:
Roland Janes (in 1957-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
Schlagzeug:
Jimmy Van Eaton (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (vom 1958 bis heute, in 1958)
recording of:
Lewis Boogie (in 1957-06)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
2:02
6Break Up
Produzent(in):
Bill Justis
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1958-07-11 bis 1958-07-19)
Gitarre:
Roland Janes (von 1958-07-11 bis 1958-07-19)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
Schlagzeug:
Jimmy Van Eaton (von 1958-07-11 bis 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Break Up (von 1958-07-11 bis 1958-07-19)
Texter und Komponist(in):
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
2:40
7Sixty Minute Man
recording of:
Sixty Minute Man
Texter und Komponist(in):
Rose Marks (bis 1951) und Billy Ward (US r&b/soul vocalist) (bis 1951)
1:52
8Drinkin' Wine Spo-Dee-O-Dee
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1957-02-05)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
2:35
9Matchbox
cover recording of:
Matchbox
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
1:53
10Milkshake Madamoiselle
recording of:
Milkshake Mademoiselle
Texter und Komponist(in):
Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Microhits Music Limited und Sony/ATV Tunes LLC (ASCAP)
2:15
11Good Rockin' Tonight
recording of:
Good Rockin’ Tonight
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
2:45
12Carrying On
2:02
13Real Wild Child (Wild One)
cover recording of:
Wild One (Real Wild Child)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
1:55
14Lovin' Up a Storm
recording of:
Lovin’ Up a Storm
Verfasser(in):
Luther Dixon und Allyson R. Khent
publisher:
Ludix Publishing Co., Inc.
1:54
15What'd I Say
cover recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:28
16Ooby Doby
recording of:
Ooby Dooby
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
2:00
17Rock and Roll Ruby
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-02 bis 1958-03)
Gitarre:
Roland Janes (von 1958-02 bis 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
Schlagzeug:
Jimmy Van Eaton (von 1958-02 bis 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Rock and Roll Ruby (von 1958-02 bis 1958-03)
Texter und Komponist(in):
John R. Cash (country music legend)
2:00
18Jailhouse Rock
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-02-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Jailhouse Rock (am 1958-02-14)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:00
19Pink Pedal Pushers
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-02-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Pink Pedal Pushers (am 1958-02-14)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Unichappell Music, Inc.
2:11
20End of the Road
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1956-11-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
Schlagzeug:
Jimmy Van Eaton (am 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-11-14)
recording of:
End of the Road (am 1956-11-14)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (bis 1956-11-14)
publisher:
Hill & Range Songs, Inc. (publisher) und Knox Music, Inc.
1:50
21Johnny B. Goode
Produzent(in):
Jack Clement und Bill Justis
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1958-07-11 bis 1958-07-19)
Gitarre:
Roland Janes (von 1958-07-11 bis 1958-07-19)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
Schlagzeug:
Jimmy Van Eaton (von 1958-07-11 bis 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
cover recording of:
Johnny B. Goode (von 1958-07-11 bis 1958-07-19)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
2:43
22Good Golly Miss Molly
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton ‘Kelso’ Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
Remix von:
Good Golly Miss Molly (master stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (am 1962-09-11)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:21
23Be Bop a Lula
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
Remix von:
Be‐Bop‐A‐Lula (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐a‐Lula (am 1962-06-14)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
2:30
24Don't Be Cruel
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-02-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
cover recording of:
Don’t Be Cruel (am 1958-02-14)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
1:58

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Veröffentlichung

ASIN:US: B00000HX65 [Info]